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Jenny Kwok Wah Lau

Biographic Data

ID5415805
NAMEJenny Kwok Wah Lau
GIVEN NAMESJenny Kwok Wah
FAMILY NAMELau
SIGNATURELAU J K W
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS2
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2000
H-INDEX1
  • The Cinema of Hong Kong

    Open Access•Law Kar, Stephen Teo et al.•BOOK•Cinema of Hong Kong•2000

    The Cinema of Hong Kong examines one of the most popular, dynamic, and important cinema traditions in the history of film. Providing an overview of major directors, genres, and stars, from its origins to the present, this volume examines Hong Kong cinema in historical, transnational, cultural and political contexts. Individual chapters focus on Hong Kong cinema before and during World War II, the cinema of the turbulent 1960s, its rise to world p…

  • Besides Fists and Blood

    Jenny Kwok Wah Lau•ARTICLE•Cinema Journal•1998•Cited by: 2

    The Image of Hong Kong Cinema in the United States. Hong Kong cinema began to gain popularity in the United States in the seventies primarily through the English-dubbed versions of Kung-fu films. Before that time, Kung-fu films were attractive only to a relatively small audience of martial arts fans and Chinatown immigrants, who managed to provide a stable market for these inexpensive films. Even though by 1979 the genres of Kung-fu (and Wu-Xia)'…

  • Besides Fists and Blood

    Jenny Kwok Wah Lau•ARTICLE•Cinema Journal•1998•Cited by: 2

    The Image of Hong Kong Cinema in the United States. Hong Kong cinema began to gain popularity in the United States in the seventies primarily through the English-dubbed versions of Kung-fu films. Before that time, Kung-fu films were attractive only to a relatively small audience of martial arts fans and Chinatown immigrants, who managed to provide a stable market for these inexpensive films. Even though by 1979 the genres of Kung-fu (and Wu-Xia)'…

  • Besides Fists and Blood

    Jenny Kwok Wah Lau•ARTICLE•Cinema Journal•1998•Cited by: 2

    The Image of Hong Kong Cinema in the United States. Hong Kong cinema began to gain popularity in the United States in the seventies primarily through the English-dubbed versions of Kung-fu films. Before that time, Kung-fu films were attractive only to a relatively small audience of martial arts fans and Chinatown immigrants, who managed to provide a stable market for these inexpensive films. Even though by 1979 the genres of Kung-fu (and Wu-Xia)'…

  • The Cinema of Hong Kong

    Open Access•Law Kar, Stephen Teo et al.•BOOK•Cinema of Hong Kong•2000

    The Cinema of Hong Kong examines one of the most popular, dynamic, and important cinema traditions in the history of film. Providing an overview of major directors, genres, and stars, from its origins to the present, this volume examines Hong Kong cinema in historical, transnational, cultural and political contexts. Individual chapters focus on Hong Kong cinema before and during World War II, the cinema of the turbulent 1960s, its rise to world p…

Art (2 works) · Hong Kong and Taiwan Politics (2 works) · Visual arts (2 works) · Art history (1 work) · asia (1 work) · Asian Culture and Media Studies (1 work) · china (1 work) · Cinema/Film: Book (1 work) · Comedy (1 work) · Computer Science (1 work)

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