Lauren Du Graf
Biographic Data
| ID | 5423261 |
|---|---|
| NAME | Lauren Du Graf |
| GIVEN NAMES | Lauren |
| FAMILY NAME | Du Graf |
| SIGNATURE | DU GRAF L |
| AFFILIATIONS | University of North Carolina at Chapel Hill |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
Cinema in the eyes of Simone de Beauvoir
For most of her life Simone de Beauvoir was a disciplined cinephile. At the height of her cinemagoing she watched three films a day, though by the time she had reached her mid sixties she could no longer be bothered to ‘take the trouble, to stand in a queue, and to undergo the news and the advertisements’.1 But throughout her life she approached the labour of image consumption with rigour, a practice that helped to fashion her as an intellectual …
What Is a Digital Author? The Faulknerian Author Function in Jean-Luc Godard's Film Socialisme
This article examines Jean-Luc Godard's Film Socialisme (2010) through its references to the fiction of William Faulkner. This article contends that Film Socialisme's distinctive method of allusion serves a poetic function, beckoning our attention to how language, representations, and ideas recirculate, and what this means to us—or should mean to us—in a world pervaded by digital technology and intellectual property regimes. Godard's references t…
No prominent works on this page.
What Is a Digital Author? The Faulknerian Author Function in Jean-Luc Godard's Film Socialisme
This article examines Jean-Luc Godard's Film Socialisme (2010) through its references to the fiction of William Faulkner. This article contends that Film Socialisme's distinctive method of allusion serves a poetic function, beckoning our attention to how language, representations, and ideas recirculate, and what this means to us—or should mean to us—in a world pervaded by digital technology and intellectual property regimes. Godard's references t…
Cinema in the eyes of Simone de Beauvoir
For most of her life Simone de Beauvoir was a disciplined cinephile. At the height of her cinemagoing she watched three films a day, though by the time she had reached her mid sixties she could no longer be bothered to ‘take the trouble, to stand in a queue, and to undergo the news and the advertisements’.1 But throughout her life she approached the labour of image consumption with rigour, a practice that helped to fashion her as an intellectual …
Art (2 works) · Art history (2 works) · Cinema and Media Studies (2 works) · Literature (2 works) · Movie theater (2 works) · Philosophy (2 works) · Philosophy (2 works) · Absurdity (1 work) · Allusion (1 work) · Alterity (1 work)