Robb Creese
Biographic Data
| ID | 5425389 |
|---|---|
| NAME | Robb Creese |
| GIVEN NAMES | Robb |
| FAMILY NAME | Creese |
| SIGNATURE | CREESE R |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 1979 |
| H-INDEX | 0 |
The Theatre of Mistakes
More than five years ago, a group of young English artists formed a workshop in London under the direction of Anthony Howell. This group, eventually to be known as the Theatre of Mistakes, uses improvisational exercises—strictly controlled by formal structure—to develop performances. Howell concedes that he was influenced in particular by an exercise of the Living Theatre, used in Paradise Now, in which one person performed an action and another …
Anthroposophical Performance
Between 1909 and 1913 the German section of the Theosophical Society held annual conventions in Munich. Part of the festival was the production of plays that were pertinent to spiritual science. It was Rudolf Steiner who gave the impulse for dramatic performances. His four “Mystery Dramas” were written for the Theosophical conventions. He wrote plays only when he knew that they were about to go Into rehearsal in Munich, and each was in production…
I Write These Messages That Come”
Thoughts come to my mind at any point, anywhere—I could be on the subway—and if I am alert enough and I have a pencil and paper, I write these messages that come. It might be just a thought, like a statement about something, an insight, or it could be a line of dialog. It could be something that someone says in my head. I have a box filled with these scribbles. Some of them are on paper napkins or the backs of envelopes. These things are often th…
The Theatrical Style of Tom O'Horgan
Tom O'Horgan's first widespread public attention came in 1968, when he directed Hair on Broadway and won an Obie Award for directing Paul Foster's Tom Paine at La Mama. He had already been involved with the theatre most of his life: he began acting when he was four years old and he composed and staged a full-length opera, called The Doom of the Earth, when he was nine. Later, he studied music and supported himself for several years with a nightcl…
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I Write These Messages That Come”
Thoughts come to my mind at any point, anywhere—I could be on the subway—and if I am alert enough and I have a pencil and paper, I write these messages that come. It might be just a thought, like a statement about something, an insight, or it could be a line of dialog. It could be something that someone says in my head. I have a box filled with these scribbles. Some of them are on paper napkins or the backs of envelopes. These things are often th…
The Theatrical Style of Tom O'Horgan
Tom O'Horgan's first widespread public attention came in 1968, when he directed Hair on Broadway and won an Obie Award for directing Paul Foster's Tom Paine at La Mama. He had already been involved with the theatre most of his life: he began acting when he was four years old and he composed and staged a full-length opera, called The Doom of the Earth, when he was nine. Later, he studied music and supported himself for several years with a nightcl…
Anthroposophical Performance
Between 1909 and 1913 the German section of the Theosophical Society held annual conventions in Munich. Part of the festival was the production of plays that were pertinent to spiritual science. It was Rudolf Steiner who gave the impulse for dramatic performances. His four “Mystery Dramas” were written for the Theosophical conventions. He wrote plays only when he knew that they were about to go Into rehearsal in Munich, and each was in production…
The Theatre of Mistakes
More than five years ago, a group of young English artists formed a workshop in London under the direction of Anthony Howell. This group, eventually to be known as the Theatre of Mistakes, uses improvisational exercises—strictly controlled by formal structure—to develop performances. Howell concedes that he was influenced in particular by an exercise of the Living Theatre, used in Paradise Now, in which one person performed an action and another …
Art (4 works) · Theatre and Performance Studies (3 works) · Art history (2 works) · History (2 works) · History (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy (2 works) · Visual arts (2 works) · Action (physics (1 work)