Jeanne‐Marie Hostiou
Biographic Data
| ID | 5430105 |
|---|---|
| NAME | Jeanne‐Marie Hostiou |
| GIVEN NAMES | Jeanne‐Marie |
| FAMILY NAME | Hostiou |
| SIGNATURE | HOSTIOU J M |
| AFFILIATIONS | Université Sorbonne Nouvelle |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Molière and His Critics
Molière’s career was punctuated by episodes of polemic. In the twin contexts of an ideological quarrel concerning theatre’s morality and a commercial war between rival theatres, he confronted primarily two types of enemy: the dévots who condemned theatre in general and his rivals who took against his theatre in particular. His private life was attacked as well as his public one (as author, actor and company leader). He was sometimes condemned wit…
Les théâtres de société «mis en pièces» sur la scène française (1680-1746)
La pratique des théâtres de société fait le sujet de nombreuses pièces de théâtre jouées à la Comédie-Française au tournant des XVIIe et XVIIIe siècles. Pourquoi mettre en abyme ces petits théâtres amateurs sur la grande scène professionnelle des Comédiens du Roi? S’agit-il simplement d’imiter une mode qui offre de nouveaux sujets aux comédies de mœurs? S’agit-il de dénigrer une pratique qui constitue une cible facile pour la satire et la parodie…
No prominent works on this page.
Molière and His Critics
Molière’s career was punctuated by episodes of polemic. In the twin contexts of an ideological quarrel concerning theatre’s morality and a commercial war between rival theatres, he confronted primarily two types of enemy: the dévots who condemned theatre in general and his rivals who took against his theatre in particular. His private life was attacked as well as his public one (as author, actor and company leader). He was sometimes condemned wit…
Les théâtres de société «mis en pièces» sur la scène française (1680-1746)
La pratique des théâtres de société fait le sujet de nombreuses pièces de théâtre jouées à la Comédie-Française au tournant des XVIIe et XVIIIe siècles. Pourquoi mettre en abyme ces petits théâtres amateurs sur la grande scène professionnelle des Comédiens du Roi? S’agit-il simplement d’imiter une mode qui offre de nouveaux sujets aux comédies de mœurs? S’agit-il de dénigrer une pratique qui constitue une cible facile pour la satire et la parodie…
Art (2 works) · Historical and Literary Analyses (2 works) · Historical and Literary Studies (2 works) · Political science (2 works) · Adversary (1 work) · Aesthetics (1 work) · Art history (1 work) · Censorship (1 work) · Comedy (1 work) · French Literature and Criticism (1 work)