Anne Rochebouet
Biographic Data
| ID | 5430965 |
|---|---|
| NAME | Anne Rochebouet |
| GIVEN NAMES | Anne |
| FAMILY NAME | Rochebouet |
| SIGNATURE | ROCHEBOUET A |
| AFFILIATIONS | Dynamiques patrimoniales et culturelles |
| ORCID | 0000-0002-3794-932X |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Getting in Touch with Troy in Fifteenth-Century France
This paper considers how the codex as a medium, specifically via its illustration and layout, translates into material forms the literary and textual choices of the texts it transmits in order to make its version of the Troy story tangible, and thus intelligible for its medieval readers. It takes as an example the first prose version of the Roman de Troie of Benoît de Sainte-Maure, probably composed in the last quarter of the thirteenth century i…
Mise en texte, macrostructure et organisation du temps. L’“Histoire ancienne jusqu’à César”, des manuscrits aux imprimés
The first redaction of the Histoire ancienne jusqu’à César was printed for Antoine Vérard in Paris in 1491 under the title Le premier/second volume de Orose. While the textual tradition of the Histoire ancienne is still little known in its later variations, this paper aims to study the layout and “mise en texte” of the printed version and some of the later manuscripts in order to open up some avenues for studying the transition of the text from m…
Pour une poétique du blanc1
L’espace blanc, envisagé ici comme une surface vide, souvent ignoré, est pourtant un élément essentiel de la structuration et de la mise en texte, en page et en livre à l’époque médiévale. Trois exemples, de la plus petite à la plus grande surface concernée, permettent ici de l’envisager, en présentant des champs de réflexion à développer. Ainsi le blanc entre les mots, réévalué par les linguistes avec notamment les travaux de Nelly Andrieux-Reix…
No prominent works on this page.
Pour une poétique du blanc1
L’espace blanc, envisagé ici comme une surface vide, souvent ignoré, est pourtant un élément essentiel de la structuration et de la mise en texte, en page et en livre à l’époque médiévale. Trois exemples, de la plus petite à la plus grande surface concernée, permettent ici de l’envisager, en présentant des champs de réflexion à développer. Ainsi le blanc entre les mots, réévalué par les linguistes avec notamment les travaux de Nelly Andrieux-Reix…
Mise en texte, macrostructure et organisation du temps. L’“Histoire ancienne jusqu’à César”, des manuscrits aux imprimés
The first redaction of the Histoire ancienne jusqu’à César was printed for Antoine Vérard in Paris in 1491 under the title Le premier/second volume de Orose. While the textual tradition of the Histoire ancienne is still little known in its later variations, this paper aims to study the layout and “mise en texte” of the printed version and some of the later manuscripts in order to open up some avenues for studying the transition of the text from m…
Getting in Touch with Troy in Fifteenth-Century France
This paper considers how the codex as a medium, specifically via its illustration and layout, translates into material forms the literary and textual choices of the texts it transmits in order to make its version of the Troy story tangible, and thus intelligible for its medieval readers. It takes as an example the first prose version of the Roman de Troie of Benoît de Sainte-Maure, probably composed in the last quarter of the thirteenth century i…
Art (3 works) · Humanities (2 works) · Literature (2 works) · Archaeology (1 work) · Art history (1 work) · Classics (1 work) · Fifteenth (1 work) · French Literature and Poetry (1 work) · Historical and Literary Analyses (1 work) · Historical and Literary Studies (1 work)