Charlotte Artese
Biographic Data
| ID | 5433496 |
|---|---|
| NAME | Charlotte Artese |
| GIVEN NAMES | Charlotte |
| FAMILY NAME | Artese |
| SIGNATURE | ARTESE C |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Shakespeare and the Folktale
The Subversion of Historiography in More’s Utopia
Thomas More’s Utopia (1516) systematically subverts historiography’s truth claims through its treatment of the eyewitness, the proper name, and the New World. It does so in order to assert its right to exist as neither history nor falsehood, the categories then available for narrative. By undermining the bases of historiography, Utopia can claim to be as much a history as any other text. Revealing the hollowness of history’s truth claims enables …
Tell Thou the Tale”
William Shakespeare's The Taming of the Shrew adapts two European folktales, “The Taming of the Shrew” (ATU 901) and “Lord for a Day” (ATU 1531). The playwright adapts these tales in order to negotiate his role as storyteller with the audience, alternately insisting on his right to innovate and deferring to the audience by allowing them to choose among multiple possible endings
King Arthur in America
Research Article| January 01 2003 King Arthur in America: Making Space in History for The Faerie Queene and John Dee's Brytanici Imperii Limites Charlotte Artese Charlotte Artese Search for other works by this author on: This Site Google Journal of Medieval and Early Modern Studies (2003) 33 (1): 125–141. https://doi.org/10.1215/10829636-33-1-125 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Cha…
Tell Thou the Tale”
William Shakespeare's The Taming of the Shrew adapts two European folktales, “The Taming of the Shrew” (ATU 901) and “Lord for a Day” (ATU 1531). The playwright adapts these tales in order to negotiate his role as storyteller with the audience, alternately insisting on his right to innovate and deferring to the audience by allowing them to choose among multiple possible endings
King Arthur in America
Research Article| January 01 2003 King Arthur in America: Making Space in History for The Faerie Queene and John Dee's Brytanici Imperii Limites Charlotte Artese Charlotte Artese Search for other works by this author on: This Site Google Journal of Medieval and Early Modern Studies (2003) 33 (1): 125–141. https://doi.org/10.1215/10829636-33-1-125 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Cha…
Tell Thou the Tale”
William Shakespeare's The Taming of the Shrew adapts two European folktales, “The Taming of the Shrew” (ATU 901) and “Lord for a Day” (ATU 1531). The playwright adapts these tales in order to negotiate his role as storyteller with the audience, alternately insisting on his right to innovate and deferring to the audience by allowing them to choose among multiple possible endings
The Subversion of Historiography in More’s Utopia
Thomas More’s Utopia (1516) systematically subverts historiography’s truth claims through its treatment of the eyewitness, the proper name, and the New World. It does so in order to assert its right to exist as neither history nor falsehood, the categories then available for narrative. By undermining the bases of historiography, Utopia can claim to be as much a history as any other text. Revealing the hollowness of history’s truth claims enables …
Shakespeare and the Folktale
Art (4 works) · History (4 works) · Literature (3 works) · Art history (2 works) · Folklore, Mythology, and Literature Studies (2 works) · History (2 works) · Law (2 works) · Medieval Literature and History (2 works) · Narrative (2 works) · Philosophy (2 works)