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George D Greenia

Biographic Data

ID5435249
NAMEGeorge D Greenia
GIVEN NAMESGeorge D
FAMILY NAMEGreenia
SIGNATUREGREENIA G D
AFFILIATIONSWilliam & Mary
ORCID0000-0002-2628-1598
VERIFIEDYes
TOTAL WORKS29
TOTAL CITATIONS6
AUTHOR COUNT29
EDITOR COUNT0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2005
H-INDEX1
  • The Bigger the Book: On Oversize Medieval Manuscripts

    George D Greenia•ARTICLE•Revue belge de philologie et d…•2005

  • The Latin Chronicle of the Kings of Castile

    George D Greenia•ARTICLE•Hispania•2004

  • Marian Representations in the Miracle Tales of Thirteenth-Century Spain and France . David A. Flory

    George D Greenia•ARTICLE•Speculum•2003

  • The Invenciones y Letras of the Cancionero General

    George D Greenia, Ian Macpherson•ARTICLE•Hispania•2003

  • Estudios galegos medievais

    George D Greenia, Antonio Cortijo Ocaña et al.•ARTICLE•Hispania•2003

  • Cultural Contexts/Female Voices. Papers of the Medieval Hispanic Research Seminar 27

    George D Greenia, Louis M Haywood•ARTICLE•Hispania•2003

  • "Cobras e Son." Papers on the Text, Music, and Manuscripts of the 'Cantigas de Santa Maria

    George D Greenia, Stephen Parkinson•ARTICLE•Hispanic Review•2003

    Cobras e Son. Papers on the Text, Music, and Manuscripts of the 'Cantigas de Santa Maria.' Ed. Stephen Parkinson. Oxford, England: European Humanities Research Centre, 2000. 246 pages. This handsome set of essays sprang from a Colloquium held at Oxford in 1994 and contains papers and discussions from that productive gathering. The authors revised and expanded their studies in the intervening years, producing one of the most thoughtful and studiou…

  • Textos epicos castellanos: Problemas de edicion y critica

    George D Greenia, David G Pattison•ARTICLE•Hispania•2002

  • A Medieval Pilgrims' Companion: Reassessing "El libro de los huespedes" (Escorial MS. h.I.13)

    George D Greenia, Thomas D Spaccarelli•ARTICLE•Hispanic Review•2002

    In this book, Thomas Spaccarelli argues that the Escorial codex usually published and studied as nine separate saints' lives and romances is in fact a unified and organized whole. He shows how the codex is intimately related to the pilgrimage route to Santiago de Compostela and to the religious, literary, and artistic traditions associated with it. Spaccarelli elucidates the Libro's ideology of pilgrimage

  • One Man's Canon: Five Essays on Medieval Poetry for Stephen Reckert

    George D Greenia, Deyermond Alan•ARTICLE•Hispania•2001

  • The Lapidary of King Alfonso X the Learned

    George D Greenia, Ingrid Bahler et al.•ARTICLE•Hispania•2000

  • Daily Life Depicted in the Cantigas de Santa Maria

    George D Greenia, John Esten Keller et al.•ARTICLE•Hispanic Review•2000

  • Historias de certidumbre: Los Milagros de Berceo

    George D Greenia, M Ana Diz•ARTICLE•Hispania•1999

  • La historia de los nobles caualleros Oliueros de Castilla y Artus d'Algarve. From Romance to Chapbook: The Making of a Tradition

    George D Greenia, Ivy A Corfis•ARTICLE•Hispania•1999

  • Motif-Index of Medieval Spanish Folk Narratives

    George D Greenia, Harriet Goldberg•ARTICLE•Hispania•1999

  • La didactica de las lenguas en el Renacimiento. Juan Luis Vives y Pedro Simon Abril. Con seleccion de textos

    George D Greenia, Manuel Breva-Claramonte•ARTICLE•Hispania•1996

  • Christians and Moors in Spain

    George D Greenia, Colin Smith et al.•ARTICLE•Hispania•1995

    The two previous volumes draw a fascinating picture of the confrontation between the Christians and Moors in Spain from the Christian side. This volume attempts to redress the balance by describing many of the same incidents from the Muslims' point of view. The close intermingling of Christians and Moors, whether in love, in politics or in the common enjoyment of popular festivals, helps to account for the unique character of Islamic society in t…

  • The Carnival Stage: Vicentine Comedy within the Serio-Comic Mode

    George D Greenia, Jose I Suarez•ARTICLE•Hispania•1994

  • La Razon de Lupus de Moros: Un poema hermetico

    George D Greenia•ARTICLE•Hispania•1994

  • Texto y vida. Introducción a la literatura española

    George D Greenia, Barbara Mujica et al.•ARTICLE•Hispania•1994

  • The Politics of Piety: Manuscript Illumination and Narration in the Cantigas de Santa Maria

    George D Greenia•ARTICLE•Hispanic Review•1993•References: 1

    i,@NALYZING narrative technique in medieval Smanuscript miniatures and their accompanying texts and achieving some sort of synoptic vision A sof the two was thought unproblematic only a few * * years ago. Despite strong contributions toward S'a theory of narratology in medieval studies,1 many researchers are no longer sure that we can believe in the stability of narrative in either text or images, let alone hope to make the two genuinely congruen…

  • Entre tú y yo

    George D Greenia, Marie Sheppard et al.•ARTICLE•Hispania•1992

  • Computers and Teaching Composition in a Foreign Language

    Open Access•George D Greenia•ARTICLE•Foreign Language Annals•1992•Cited by: 6•References: 8

    New technologies for word processing provide incentives for changing the way writing is understood and taught in the foreign language classroom. Special hardware and software are expensive, however, and training faculty and students to use them is daunting. This article shows how any ordinary text editing program such as WordPerfect and a small number of computers can become the platform for a higher volume of student production, a greater variet…

  • Celestina: Genre and Rhetoric

    George D Greenia, Charles F Fraker•ARTICLE•Hispania•1991

    Professor Fraker argues that the Celestina, however original or singular, does not embody a new discourse, and falls easily within the literary norms of its time. Thus on the one hand it belongs to a genre, comedy, the term taken in a sense perfectly accessible to the two authors and their contemporaries. On the other, the detail and fabric of the work is in great part genuinely rhetorical. In his approach to the question of genre, Professor Frak…

  • The Learner-Centred Curriculum: A Study in Second Language Teaching

    George D Greenia, David Nunan•ARTICLE•Hispania•1990

Next
  • Computers and Teaching Composition in a Foreign Language

    Open Access•George D Greenia•ARTICLE•Foreign Language Annals•1992•Cited by: 6•References: 8

    New technologies for word processing provide incentives for changing the way writing is understood and taught in the foreign language classroom. Special hardware and software are expensive, however, and training faculty and students to use them is daunting. This article shows how any ordinary text editing program such as WordPerfect and a small number of computers can become the platform for a higher volume of student production, a greater variet…

  • Towards a History of Literary Composition in Medieval Spain

    George D Greenia, Colbert I Nepaulsingh•ARTICLE•Hispania•1988

  • Contigo: Essentials of Spanish

    George D Greenia, Oscar Ozete et al.•ARTICLE•Hispania•1989

  • Lengua, literatura, civilizacion en la clase de espanol

    George D Greenia, Carlos Segoviano et al.•ARTICLE•Hispania•1989

  • The Learner-Centred Curriculum: A Study in Second Language Teaching

    George D Greenia, David Nunan•ARTICLE•Hispania•1990

  • Global Demands on Language and the Mission of the Language Academies

    George D Greenia, John Lihani et al.•ARTICLE•Hispania•1990

  • Celestina: Genre and Rhetoric

    George D Greenia, Charles F Fraker•ARTICLE•Hispania•1991

    Professor Fraker argues that the Celestina, however original or singular, does not embody a new discourse, and falls easily within the literary norms of its time. Thus on the one hand it belongs to a genre, comedy, the term taken in a sense perfectly accessible to the two authors and their contemporaries. On the other, the detail and fabric of the work is in great part genuinely rhetorical. In his approach to the question of genre, Professor Frak…

  • Entre tú y yo

    George D Greenia, Marie Sheppard et al.•ARTICLE•Hispania•1992

  • Computers and Teaching Composition in a Foreign Language

    Open Access•George D Greenia•ARTICLE•Foreign Language Annals•1992•Cited by: 6•References: 8

    New technologies for word processing provide incentives for changing the way writing is understood and taught in the foreign language classroom. Special hardware and software are expensive, however, and training faculty and students to use them is daunting. This article shows how any ordinary text editing program such as WordPerfect and a small number of computers can become the platform for a higher volume of student production, a greater variet…

  • The Politics of Piety: Manuscript Illumination and Narration in the Cantigas de Santa Maria

    George D Greenia•ARTICLE•Hispanic Review•1993•References: 1

    i,@NALYZING narrative technique in medieval Smanuscript miniatures and their accompanying texts and achieving some sort of synoptic vision A sof the two was thought unproblematic only a few * * years ago. Despite strong contributions toward S'a theory of narratology in medieval studies,1 many researchers are no longer sure that we can believe in the stability of narrative in either text or images, let alone hope to make the two genuinely congruen…

  • The Carnival Stage: Vicentine Comedy within the Serio-Comic Mode

    George D Greenia, Jose I Suarez•ARTICLE•Hispania•1994

  • La Razon de Lupus de Moros: Un poema hermetico

    George D Greenia•ARTICLE•Hispania•1994

  • Texto y vida. Introducción a la literatura española

    George D Greenia, Barbara Mujica et al.•ARTICLE•Hispania•1994

  • Christians and Moors in Spain

    George D Greenia, Colin Smith et al.•ARTICLE•Hispania•1995

    The two previous volumes draw a fascinating picture of the confrontation between the Christians and Moors in Spain from the Christian side. This volume attempts to redress the balance by describing many of the same incidents from the Muslims' point of view. The close intermingling of Christians and Moors, whether in love, in politics or in the common enjoyment of popular festivals, helps to account for the unique character of Islamic society in t…

  • La didactica de las lenguas en el Renacimiento. Juan Luis Vives y Pedro Simon Abril. Con seleccion de textos

    George D Greenia, Manuel Breva-Claramonte•ARTICLE•Hispania•1996

  • Historias de certidumbre: Los Milagros de Berceo

    George D Greenia, M Ana Diz•ARTICLE•Hispania•1999

  • La historia de los nobles caualleros Oliueros de Castilla y Artus d'Algarve. From Romance to Chapbook: The Making of a Tradition

    George D Greenia, Ivy A Corfis•ARTICLE•Hispania•1999

  • Motif-Index of Medieval Spanish Folk Narratives

    George D Greenia, Harriet Goldberg•ARTICLE•Hispania•1999

  • The Lapidary of King Alfonso X the Learned

    George D Greenia, Ingrid Bahler et al.•ARTICLE•Hispania•2000

  • Daily Life Depicted in the Cantigas de Santa Maria

    George D Greenia, John Esten Keller et al.•ARTICLE•Hispanic Review•2000

  • One Man's Canon: Five Essays on Medieval Poetry for Stephen Reckert

    George D Greenia, Deyermond Alan•ARTICLE•Hispania•2001

  • Textos epicos castellanos: Problemas de edicion y critica

    George D Greenia, David G Pattison•ARTICLE•Hispania•2002

  • A Medieval Pilgrims' Companion: Reassessing "El libro de los huespedes" (Escorial MS. h.I.13)

    George D Greenia, Thomas D Spaccarelli•ARTICLE•Hispanic Review•2002

    In this book, Thomas Spaccarelli argues that the Escorial codex usually published and studied as nine separate saints' lives and romances is in fact a unified and organized whole. He shows how the codex is intimately related to the pilgrimage route to Santiago de Compostela and to the religious, literary, and artistic traditions associated with it. Spaccarelli elucidates the Libro's ideology of pilgrimage

  • Marian Representations in the Miracle Tales of Thirteenth-Century Spain and France . David A. Flory

    George D Greenia•ARTICLE•Speculum•2003

  • The Invenciones y Letras of the Cancionero General

    George D Greenia, Ian Macpherson•ARTICLE•Hispania•2003

  • Estudios galegos medievais

    George D Greenia, Antonio Cortijo Ocaña et al.•ARTICLE•Hispania•2003

Art (21 works) · Medieval Iberian Studies (13 works) · Philosophy (12 works) · History (10 works) · Humanities (8 works) · Literature (8 works) · Archaeological and Historical Studies (7 works) · Linguistics (7 works) · Medieval Literature and History (5 works) · Classics (4 works)

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