Julie M Powell
Biographic Data
| ID | 5436280 |
|---|---|
| NAME | Julie M Powell |
| GIVEN NAMES | Julie M |
| FAMILY NAME | Powell |
| SIGNATURE | POWELL J M |
| AFFILIATIONS | University College Dublin |
| ORCID | 0000-0001-9111-1934 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Dead but Not Buried
On April 12, 1919, Paris police arrested Henri Désiré Landru, a man who had spent the last four years of war luring women into engagements and confiscating their assets. Many of them were never seen again. Landru, charged with their murders, became an international media sensation—the inspiration for popular crime stories, including books, articles, films, television and radio programs, and theatrical performances, from his execution in 1922 to 2…
War/Crime
This ideas is most famously encapsulated in George Mosse's "brutalization thesis" and attendant debates.See Mosse, Fallen Soldiers.The most pertinent critique of this position for
Jean-François Vilar
Jean-François Vilar: theatres of crime." Modern & Contemporary France, ahead-of-print(ahead-of-print), pp. 1–2
Doctoring the Script
In 1894, Augustin Cabanès founded La Chronique médicale, a one-of-a-kind medical journal that allowed the doctor to indulge his interest in the practise of médecin historique. Historical medicine used modern forensic knowledge to ‘solve’ the mysterious deaths of history. Such retrospective diagnoses were communicated to readers in a familiar literary style, that of crime writing. Developed at the intersection of medical professionalisation and sp…
About‐Face
This article examines the role of facially wounded soldiers and prosthetic masks in the post‐First World War reconstruction of a gendered French nation. In contextualising the work of Anna Coleman Ladd, who sculpted facial prosthetics to ‘re‐humanise’ disfigured French veterans, I aim to shed light on larger post‐war tensions between the accommodation and rejection of social and cultural change. By submitting to Ladd's efforts and donning her dev…
Shock Troupe
In 1917, physician Arthur F. Hurst began filming the peculiar tics and hysterical gaits of ‘shell-shocked’ soldiers under his care. Editions of Hurst’s films from 1918 and 1940 survive. Cultural products of their time, I argue, the films engaged with contemporary ideas of class, gender and nation. The 1918 version reinforced class-based notions of disease and degeneracy while validating personal and national trauma and bolstering conceptions of m…
About‐Face
This article examines the role of facially wounded soldiers and prosthetic masks in the post‐First World War reconstruction of a gendered French nation. In contextualising the work of Anna Coleman Ladd, who sculpted facial prosthetics to ‘re‐humanise’ disfigured French veterans, I aim to shed light on larger post‐war tensions between the accommodation and rejection of social and cultural change. By submitting to Ladd's efforts and donning her dev…
About‐Face
This article examines the role of facially wounded soldiers and prosthetic masks in the post‐First World War reconstruction of a gendered French nation. In contextualising the work of Anna Coleman Ladd, who sculpted facial prosthetics to ‘re‐humanise’ disfigured French veterans, I aim to shed light on larger post‐war tensions between the accommodation and rejection of social and cultural change. By submitting to Ladd's efforts and donning her dev…
Shock Troupe
In 1917, physician Arthur F. Hurst began filming the peculiar tics and hysterical gaits of ‘shell-shocked’ soldiers under his care. Editions of Hurst’s films from 1918 and 1940 survive. Cultural products of their time, I argue, the films engaged with contemporary ideas of class, gender and nation. The 1918 version reinforced class-based notions of disease and degeneracy while validating personal and national trauma and bolstering conceptions of m…
Jean-François Vilar
Jean-François Vilar: theatres of crime." Modern & Contemporary France, ahead-of-print(ahead-of-print), pp. 1–2
Doctoring the Script
In 1894, Augustin Cabanès founded La Chronique médicale, a one-of-a-kind medical journal that allowed the doctor to indulge his interest in the practise of médecin historique. Historical medicine used modern forensic knowledge to ‘solve’ the mysterious deaths of history. Such retrospective diagnoses were communicated to readers in a familiar literary style, that of crime writing. Developed at the intersection of medical professionalisation and sp…
Dead but Not Buried
On April 12, 1919, Paris police arrested Henri Désiré Landru, a man who had spent the last four years of war luring women into engagements and confiscating their assets. Many of them were never seen again. Landru, charged with their murders, became an international media sensation—the inspiration for popular crime stories, including books, articles, films, television and radio programs, and theatrical performances, from his execution in 1922 to 2…
War/Crime
This ideas is most famously encapsulated in George Mosse's "brutalization thesis" and attendant debates.See Mosse, Fallen Soldiers.The most pertinent critique of this position for
History (5 works) · Art (4 works) · Political science (4 works) · Sociology (4 works) · History (3 works) · World Wars: History, Literature, and Impact (3 works) · French Historical and Cultural Studies (2 works) · Gender Studies (2 works) · Historical Studies and Socio-cultural Analysis (2 works) · Law (2 works)