Rebekah Ahrendt
Biographic Data
| ID | 5436423 |
|---|---|
| NAME | Rebekah Ahrendt |
| GIVEN NAMES | Rebekah |
| FAMILY NAME | Ahrendt |
| SIGNATURE | AHRENDT R |
| AFFILIATIONS | University of Groningen |
| ORCID | 0000-0003-2857-7832 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Introduction
International audience
The Postmasters' Piggy Bank
Our rediscovery of a seventeenth-century postmasters' trunk in the Museum voor Communicatie in The Hague, containing some twenty-six hundred undelivered letters mostly sent from France, offers the opportunity to think from the ground up about what constitutes an archive and how to approach it. We argue that understanding the process of loss, destruction, and survival of collections is a crucial exercise for historians. Practicing this “archaeolog…
Music and Diplomacy from the Early Modern Era to the Present
The Postmasters' Piggy Bank
Our rediscovery of a seventeenth-century postmasters' trunk in the Museum voor Communicatie in The Hague, containing some twenty-six hundred undelivered letters mostly sent from France, offers the opportunity to think from the ground up about what constitutes an archive and how to approach it. We argue that understanding the process of loss, destruction, and survival of collections is a crucial exercise for historians. Practicing this “archaeolog…
Music and Diplomacy from the Early Modern Era to the Present
The Postmasters' Piggy Bank
Our rediscovery of a seventeenth-century postmasters' trunk in the Museum voor Communicatie in The Hague, containing some twenty-six hundred undelivered letters mostly sent from France, offers the opportunity to think from the ground up about what constitutes an archive and how to approach it. We argue that understanding the process of loss, destruction, and survival of collections is a crucial exercise for historians. Practicing this “archaeolog…
Introduction
International audience
Art (3 works) · Diplomacy (2 works) · History (2 works) · Humanities (2 works) · Law (2 works) · Political science (2 works) · Accidental (1 work) · Archaeological Research and Protection (1 work) · Art history (1 work) · Classical (1 work)