J Ann Duncan
Biographic Data
| ID | 5438899 |
|---|---|
| NAME | J Ann Duncan |
| GIVEN NAMES | J Ann |
| FAMILY NAME | Duncan |
| SIGNATURE | DUNCAN J A |
| AFFILIATIONS | Uppsala University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Eileen Myles Now
Driving and Catastrophe with Eileen Myles
Ron Silliman's Ketjak beyond programmatism
Ron Silliman’s long prose poem Ketjak (1978) is in part a swan song for 1960s radicalism, and the Fordist regime of capital accumulation undergirding that eras struggles for self-affirmation. In Ketjak Silliman develops what he comes to call ‘the new sentence’, which is meant to eschew narrative, along with the very referential mechanisms of capital, foregrounding instead word play and the organic, gestural labour of the author. This paper argues…
Que Ma Joie Demeure’: Proust's Cantata
Journal Article ‘QUE MA JOIE DEMEURE’: PROUST'S CANTATA Get access †J. ANN DUNCAN †J. ANN DUNCAN CAMBRIDGE Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XLIII, Issue 4, October 1989, Pages 437–451, https://doi.org/10.1093/fs/XLIII.4.437 Published: 01 October 1989
La novela mexicana (1967-1982)
Voices, Visions, and a New Reality: Mexican Fiction since 1970
No prominent works on this page.
La novela mexicana (1967-1982)
Voices, Visions, and a New Reality: Mexican Fiction since 1970
Que Ma Joie Demeure’: Proust's Cantata
Journal Article ‘QUE MA JOIE DEMEURE’: PROUST'S CANTATA Get access †J. ANN DUNCAN †J. ANN DUNCAN CAMBRIDGE Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XLIII, Issue 4, October 1989, Pages 437–451, https://doi.org/10.1093/fs/XLIII.4.437 Published: 01 October 1989
Ron Silliman's Ketjak beyond programmatism
Ron Silliman’s long prose poem Ketjak (1978) is in part a swan song for 1960s radicalism, and the Fordist regime of capital accumulation undergirding that eras struggles for self-affirmation. In Ketjak Silliman develops what he comes to call ‘the new sentence’, which is meant to eschew narrative, along with the very referential mechanisms of capital, foregrounding instead word play and the organic, gestural labour of the author. This paper argues…
Eileen Myles Now
Driving and Catastrophe with Eileen Myles
Art (5 works) · Aesthetics (2 works) · Computer Science (2 works) · History (2 works) · Latin American Literature Studies (2 works) · Literature (2 works) · Anthropology (1 works) · Art history (1 works) · Capitalism (1 works) · Cinema History and Criticism (1 works)