Edwin J Webber
Biographic Data
| ID | 5439568 |
|---|---|
| NAME | Edwin J Webber |
| GIVEN NAMES | Edwin J |
| FAMILY NAME | Webber |
| SIGNATURE | WEBBER E J |
| VERIFIED | No |
| TOTAL WORKS | 17 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 17 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1950 |
| LATEST PUBLICATION YEAR | 1969 |
| H-INDEX | 1 |
Aristocrats and Traders. Sevillian Society in the Sixteenth Century
the scholar most often cited; Unamuno is presented as "the great critic" who epitomizes most Spanish criticism on Don Quixote (p.xiv); Américo Castro is nowhere even mentioned!Serious consequences flow from these bibliographical limitations.One example is the treat- ment of the picaresque in relation to Cervantes' work.In her introduction Professor Church states: "Don Quixote is not a picaro, nor is Cer- vantes' novel picaresque in any definitive…
Introductory Linguistics
A Lexical Note on afortunado 'unfortunate
Further Observations on Santillana's Dezir Cantares
Studia Philologica et Litteraria in Honorem L. Spitzer
Libro de Calixto y Melibea y de la puta vieja Celestina
"Estructura y forma en "El Poema de Mio Cid
Celestina
The Liturgical Drama in Medieval Spain
Comedy as Satire in Hispano-Arabic Spain
The Library of the Counts of Benavente
"The Dramatic Unities in the "Mandragola
The "Problem" of the Spanish Theater Today
Three times a year in Spain the theatrical world is gripped by a fever of enthusiasm and optimism.* These occasions are the beginnings of the three individual seasons into which the theatrical year as a whole is divided, the Fall season, the Winter season, beginning after los Reyes, and the Spring season, beginning on the Sabado de Gloria. Everyone speaks hopefully of the new plays, and all look forward to a happy and prosperous run for them. The…
The Literary Reputation of Terence and Plautus in Medieval and Pre-Renaissance Spain
Tragedy and Comedy in the Celestina
Celestina (Burgos, 1499) refers to the work as a comedy.* There is no prologue, no foreword, not even a title in the one remaining copy of what may be called the first edition. Moreover, since only the title-page seems to be lacking, there was scarcely room for anything except a general argument of the play. There is no word of explanation, then, for the fact that a tragedy bore the title of comedy. Such a discrepancy would not have provoked any …
Alfieri
Plautine and Terentian Cantares in Fourteenth-Century Spain
Alfieri
Plautine and Terentian Cantares in Fourteenth-Century Spain
Tragedy and Comedy in the Celestina
Celestina (Burgos, 1499) refers to the work as a comedy.* There is no prologue, no foreword, not even a title in the one remaining copy of what may be called the first edition. Moreover, since only the title-page seems to be lacking, there was scarcely room for anything except a general argument of the play. There is no word of explanation, then, for the fact that a tragedy bore the title of comedy. Such a discrepancy would not have provoked any …
"The Dramatic Unities in the "Mandragola
The "Problem" of the Spanish Theater Today
Three times a year in Spain the theatrical world is gripped by a fever of enthusiasm and optimism.* These occasions are the beginnings of the three individual seasons into which the theatrical year as a whole is divided, the Fall season, the Winter season, beginning after los Reyes, and the Spring season, beginning on the Sabado de Gloria. Everyone speaks hopefully of the new plays, and all look forward to a happy and prosperous run for them. The…
The Literary Reputation of Terence and Plautus in Medieval and Pre-Renaissance Spain
Comedy as Satire in Hispano-Arabic Spain
The Library of the Counts of Benavente
"Estructura y forma en "El Poema de Mio Cid
Celestina
The Liturgical Drama in Medieval Spain
Studia Philologica et Litteraria in Honorem L. Spitzer
Libro de Calixto y Melibea y de la puta vieja Celestina
Further Observations on Santillana's Dezir Cantares
A Lexical Note on afortunado 'unfortunate
Introductory Linguistics
Aristocrats and Traders. Sevillian Society in the Sixteenth Century
the scholar most often cited; Unamuno is presented as "the great critic" who epitomizes most Spanish criticism on Don Quixote (p.xiv); Américo Castro is nowhere even mentioned!Serious consequences flow from these bibliographical limitations.One example is the treat- ment of the picaresque in relation to Cervantes' work.In her introduction Professor Church states: "Don Quixote is not a picaro, nor is Cer- vantes' novel picaresque in any definitive…
Art (12 works) · Early Modern Spanish Literature (8 works) · History (8 works) · History (7 works) · Literature (5 works) · Philosophy (5 works) · Medieval Iberian Studies (4 works) · Historical and Linguistic Studies (3 works) · Humanities (3 works) · Linguistics (3 works)