C Christopher Soufas
Biographic Data
| ID | 5440079 |
|---|---|
| NAME | C Christopher Soufas |
| GIVEN NAMES | C Christopher |
| FAMILY NAME | Soufas |
| SIGNATURE | SOUFAS C C |
| AFFILIATIONS | Temple University |
| VERIFIED | No |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 18 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
Galicia, a Sentimental Nation
"Galicia, a Sentimental Nation: Gender, Culture, and Politics, by Helena Miguélez-Carballeira." Canadian Journal of History, 50(1), pp. 145–146
The Cambridge Companion to European Modernism
Modernism arose in a period of accelerating globalization in the late nineteenth century. Modernist writers and artists, while often loyal to their country in times of war, aimed to rise above the national and ideological conflicts of the early twentieth century in service to a cosmopolitan ideal. This Companion explores the international aspects of literary modernism by mapping the history of the movement across Europe and within each country. T…
The Trickster-Function in the Theatre of García Lorca
The Trickster-Function in the Theatre of Garcia Lorca. By Sarah Wright. London: Tamesis, 2000. 149 pages. Relying upon literary theory, anthropology, and psychoanalysis, this study uses the trickster image to penetrate largely unexplored aspects of Lorca's theater. the themes of androgyny, male fantasy, masochism, masquerade, and the carnivalesque. The book examines for the most part Lorca's experimental works-Amor de Don Perlimplin con Belisa en…
Julius Petersen and the Construction of the Spanish Literary Generation
BSS Subject Index: AZORÍN [JOSÉ MARTINEZ RUIZ] (1873–1967)MODERNISM/MODERNISMOPETERSEN, JULIUS (1878–1941)SPAIN — LITERATURE — 18th–19th CENTURIES — GENERALSPAIN — LITERATURE — 20th CENTURY — GENERALSPAIN — LITERATURE — THEORY OF LITERATURE — ALL PERIODS & GENRES
Audience and Authority in the Modernist Theater of Federico Garcia Lorca
Audience and Authority in the Modernist Theater of Federico Garcia Lorca. By C. Christopher Soufas. Tuscaloosa: U of Alabama P, 1996. 190 pages. central premise of C. Christopher Soufas' important book on Lorca's is that all the plays-the early theater, the experimental plays, the rural dramas-are unified by cohesive renovative aesthetic agenda. Soufas argues convincingly that every play in Lorca's oeuvre, beginning with Butterfly's Spell (1920) …
The Theatre of Garcia Lorca
Benavente and the Spanish Discourse on Theater
The Sublime, the Beautiful, and the Imagination in Zorrilla's Don Juan Tenorio
The Sublime, the Beautiful, and the Imagination in Zorrilla’s Don Juan Tenorio C. Christopher Soufas Jr. Emphasizing its modernity, recent reappraisals of Zorrilla’s Don Juan Tenorio have replied to a long tradition of negative criticism that has perceived the play as flawed. 1 According to these positions, Zorrilla’s masterpiece anticipates historical developments on a number of fronts which advances in contemporary critical theory are only now …
Shifting Ground
Conflict of Light and Wind
Visions of the New World in the Drama of Lope de Vega
This study examines Lope de Vega's three extant plays concerning Spain's activity in America in the sixteenth and seventeenth centuries with the intention of revealing the dramatist's thought concerning his nation's overseas enterprise and his attitudes toward the conquerors and natives of America. To determine Lope's opinions, the author has compared each play with its sources, showing where the dramatist has followed his sources and where he ha…
Conflict of Light and Wind
El teatro de Alberti
En torno al hombre y a los monstruos
En torno al hombre y a los monstruos
En torno al hombre y a los monstruos. Ensayos criticos sobre la novelistica de Carlos Rojas
Cernuda y el poema en prosa
Cernuda and Daimonic Power
No prominent works on this page.
Cernuda and Daimonic Power
Cernuda y el poema en prosa
En torno al hombre y a los monstruos. Ensayos criticos sobre la novelistica de Carlos Rojas
En torno al hombre y a los monstruos
En torno al hombre y a los monstruos
El teatro de Alberti
Visions of the New World in the Drama of Lope de Vega
This study examines Lope de Vega's three extant plays concerning Spain's activity in America in the sixteenth and seventeenth centuries with the intention of revealing the dramatist's thought concerning his nation's overseas enterprise and his attitudes toward the conquerors and natives of America. To determine Lope's opinions, the author has compared each play with its sources, showing where the dramatist has followed his sources and where he ha…
Conflict of Light and Wind
Conflict of Light and Wind
Shifting Ground
The Sublime, the Beautiful, and the Imagination in Zorrilla's Don Juan Tenorio
The Sublime, the Beautiful, and the Imagination in Zorrilla’s Don Juan Tenorio C. Christopher Soufas Jr. Emphasizing its modernity, recent reappraisals of Zorrilla’s Don Juan Tenorio have replied to a long tradition of negative criticism that has perceived the play as flawed. 1 According to these positions, Zorrilla’s masterpiece anticipates historical developments on a number of fronts which advances in contemporary critical theory are only now …
Benavente and the Spanish Discourse on Theater
Audience and Authority in the Modernist Theater of Federico Garcia Lorca
Audience and Authority in the Modernist Theater of Federico Garcia Lorca. By C. Christopher Soufas. Tuscaloosa: U of Alabama P, 1996. 190 pages. central premise of C. Christopher Soufas' important book on Lorca's is that all the plays-the early theater, the experimental plays, the rural dramas-are unified by cohesive renovative aesthetic agenda. Soufas argues convincingly that every play in Lorca's oeuvre, beginning with Butterfly's Spell (1920) …
The Theatre of Garcia Lorca
Julius Petersen and the Construction of the Spanish Literary Generation
BSS Subject Index: AZORÍN [JOSÉ MARTINEZ RUIZ] (1873–1967)MODERNISM/MODERNISMOPETERSEN, JULIUS (1878–1941)SPAIN — LITERATURE — 18th–19th CENTURIES — GENERALSPAIN — LITERATURE — 20th CENTURY — GENERALSPAIN — LITERATURE — THEORY OF LITERATURE — ALL PERIODS & GENRES
The Trickster-Function in the Theatre of García Lorca
The Trickster-Function in the Theatre of Garcia Lorca. By Sarah Wright. London: Tamesis, 2000. 149 pages. Relying upon literary theory, anthropology, and psychoanalysis, this study uses the trickster image to penetrate largely unexplored aspects of Lorca's theater. the themes of androgyny, male fantasy, masochism, masquerade, and the carnivalesque. The book examines for the most part Lorca's experimental works-Amor de Don Perlimplin con Belisa en…
The Cambridge Companion to European Modernism
Modernism arose in a period of accelerating globalization in the late nineteenth century. Modernist writers and artists, while often loyal to their country in times of war, aimed to rise above the national and ideological conflicts of the early twentieth century in service to a cosmopolitan ideal. This Companion explores the international aspects of literary modernism by mapping the history of the movement across Europe and within each country. T…
Galicia, a Sentimental Nation
"Galicia, a Sentimental Nation: Gender, Culture, and Politics, by Helena Miguélez-Carballeira." Canadian Journal of History, 50(1), pp. 145–146
Art (15 works) · Literature (9 works) · Spanish Literature and Culture Studies (9 works) · Humanities (6 works) · Aesthetics (5 works) · Political science (5 works) · Sociology (5 works) · Art history (4 works) · Early Modern Spanish Literature (4 works) · History (4 works)