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Wadda C Rios-Font

Biographic Data

ID5440548
NAMEWadda C Rios-Font
GIVEN NAMESWadda C
FAMILY NAMERios-Font
SIGNATURERÍOS-FONT W C
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS1
WORKS AS AUTHOR8
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Writing Wrongdoing in Spain, 1800-1936

    Alison Sinclair, Samuel Llano et al.•EDITOR•BOOK•Writing Wrongdoing in Spain,…•2017

  • Proficiency or Exposure

    Wadda C Rios-Font•ARTICLE•Hispania•2017

    This article analyzes the growing trend among US higher education institutions to replace foursemester, proficiency-oriented language requirement models with shorter exposure-oriented sequences frequently restricting exemptions and aimed at bringing languages into distribution requirement structures. By contrasting the history, strengths, and limitations of the proficiency model to the claims and drawbacks of the exposure model, the author sugges…

  • El crimen de la calle de San Vicente

    Wadda C Rios-Font•ARTICLE•Modern Language Notes•2005

    El crimen de la calle de San Vicente:Crime Writing and Bourgeois Liberalism in Restoration Spain C. Ríos-Font Although crime has been written about in literature of all ages, it is generally acknowledged that modern crime and detective fiction came into being in the nineteenth century. The categories of delinquency and justice that shape this fiction are born with the liberal bourgeois state. As legal scholar David Garland points out, during this…

  • The Canon and the Archive

    Michael Ugarte, Wadda C Rios-Font•ARTICLE•Hispania•2005

    This volume rethinks the opposition between canonical and noncanonical, opting instead for understanding the literary canon as a segment of the larger archive of literature. Beyond what is presently regarded as canonical, this archive includes previously valued works that have been forgotten, as well as an indefinite supply of works as yet unconsecrated or unknown. Drawing from an eclectic array of theoretical sources - from Stanley Fish, Barbara…

  • Rewriting Melodrama. The Hidden Paradigm in Modern Spanish Theater

    Dru Dougherty, Wadda C Rios-Font•ARTICLE•Hispanic Review•2001

    Rewriting Melodrama. The Hidden Paradigm in Modern Spanish Theater. By Wadda C. Rios-Font. Lewisburg: Bucknell UP and Associated UP, 1997. 233 pages. In Rewriting Melodrama, Wadda Rios-Font reminds us that the prevailing esthetic form in late nineteenth-century Europe was melodrama, both in fiction and on the stage. The form's association with low culture explains, perhaps, its relative neglect by serious scholars until Peter Brooks published his…

  • Rewriting Melodrama. The Hidden Paradigms in Modern Spanish Theater

    John P Gabriele, Wadda C Rios-Font•ARTICLE•Hispania•1998

  • From Romantic Irony to Romantic Grotesque

    Wadda C Rios-Font•ARTICLE•Hispanic Review•1997•Cited by: 1

    mantic as an ironist. Having ironically acknowledged the fictiveness of his own patternings of human experience, he romantically engages in the creative process of life by eagerly constructing new forms, new myths. And these new fictions and self-concepts bear with them the seeds of their own destruction. They too die to give way to new patterns, in a never-ending process that becomes an analogue for life itself. (Mellor 5)

  • Horrenda Adoración

    Wadda C Rios-Font•ARTICLE•Hispania•1993

  • Encontrados afectos. El senor de Bembibre as a Self-Conscious Novel

    Wadda C Rios-Font•ARTICLE•Hispanic Review•1993

  • From Romantic Irony to Romantic Grotesque

    Wadda C Rios-Font•ARTICLE•Hispanic Review•1997•Cited by: 1

    mantic as an ironist. Having ironically acknowledged the fictiveness of his own patternings of human experience, he romantically engages in the creative process of life by eagerly constructing new forms, new myths. And these new fictions and self-concepts bear with them the seeds of their own destruction. They too die to give way to new patterns, in a never-ending process that becomes an analogue for life itself. (Mellor 5)

  • Horrenda Adoración

    Wadda C Rios-Font•ARTICLE•Hispania•1993

  • Encontrados afectos. El senor de Bembibre as a Self-Conscious Novel

    Wadda C Rios-Font•ARTICLE•Hispanic Review•1993

  • From Romantic Irony to Romantic Grotesque

    Wadda C Rios-Font•ARTICLE•Hispanic Review•1997•Cited by: 1

    mantic as an ironist. Having ironically acknowledged the fictiveness of his own patternings of human experience, he romantically engages in the creative process of life by eagerly constructing new forms, new myths. And these new fictions and self-concepts bear with them the seeds of their own destruction. They too die to give way to new patterns, in a never-ending process that becomes an analogue for life itself. (Mellor 5)

  • Rewriting Melodrama. The Hidden Paradigms in Modern Spanish Theater

    John P Gabriele, Wadda C Rios-Font•ARTICLE•Hispania•1998

  • Rewriting Melodrama. The Hidden Paradigm in Modern Spanish Theater

    Dru Dougherty, Wadda C Rios-Font•ARTICLE•Hispanic Review•2001

    Rewriting Melodrama. The Hidden Paradigm in Modern Spanish Theater. By Wadda C. Rios-Font. Lewisburg: Bucknell UP and Associated UP, 1997. 233 pages. In Rewriting Melodrama, Wadda Rios-Font reminds us that the prevailing esthetic form in late nineteenth-century Europe was melodrama, both in fiction and on the stage. The form's association with low culture explains, perhaps, its relative neglect by serious scholars until Peter Brooks published his…

  • El crimen de la calle de San Vicente

    Wadda C Rios-Font•ARTICLE•Modern Language Notes•2005

    El crimen de la calle de San Vicente:Crime Writing and Bourgeois Liberalism in Restoration Spain C. Ríos-Font Although crime has been written about in literature of all ages, it is generally acknowledged that modern crime and detective fiction came into being in the nineteenth century. The categories of delinquency and justice that shape this fiction are born with the liberal bourgeois state. As legal scholar David Garland points out, during this…

  • The Canon and the Archive

    Michael Ugarte, Wadda C Rios-Font•ARTICLE•Hispania•2005

    This volume rethinks the opposition between canonical and noncanonical, opting instead for understanding the literary canon as a segment of the larger archive of literature. Beyond what is presently regarded as canonical, this archive includes previously valued works that have been forgotten, as well as an indefinite supply of works as yet unconsecrated or unknown. Drawing from an eclectic array of theoretical sources - from Stanley Fish, Barbara…

  • Writing Wrongdoing in Spain, 1800-1936

    Alison Sinclair, Samuel Llano et al.•EDITOR•BOOK•Writing Wrongdoing in Spain,…•2017

  • Proficiency or Exposure

    Wadda C Rios-Font•ARTICLE•Hispania•2017

    This article analyzes the growing trend among US higher education institutions to replace foursemester, proficiency-oriented language requirement models with shorter exposure-oriented sequences frequently restricting exemptions and aimed at bringing languages into distribution requirement structures. By contrasting the history, strengths, and limitations of the proficiency model to the claims and drawbacks of the exposure model, the author sugges…

Art (6 works) · History (5 works) · Spanish Literature and Culture Studies (5 works) · Literature (4 works) · Computer Science (3 works) · Political science (3 works) · Sociology (3 works) · Comparative Literary Analysis and Criticism (2 works) · Context (archaeology) (2 works) · Early Modern Spanish Literature (2 works)

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