Liora Hendelman-Baavur
Biographic Data
| ID | 5443337 |
|---|---|
| NAME | Liora Hendelman-Baavur |
| GIVEN NAMES | Liora |
| FAMILY NAME | Hendelman-Baavur |
| SIGNATURE | HENDELMAN-BAAVUR L |
| AFFILIATIONS | Tel Aviv University |
| ORCID | 0000-0002-4058-7745 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
“The fantasy that was Persia”
This article examines how the national carrier Iran Air projected competing visions of modern Iran to domestic and international audiences from the late 1960s through the late 1970s. Drawing on advertising materials from English- and Persian-language periodicals, tourism publications and archival correspondence, it analyses how the airline mediated between different audiences through bilingual messaging, mythological symbolism and representations…
Billboard murals as adversarial public diplomacy
This article examines Iran’s 2024–2025 military confrontations with Israel by analyzing Tehran’s billboard murals, platform-ready graphics, and official statements as outputs of an institutional apparatus. It traces three mechanisms through which the system operates: multilingual address cues, crisis-time synchronization between operation naming and billboard turnover, and remediation whereby street installations are reformatted as circulating di…
A Man for All Seasons
The unwavering commitment of the people to the leadership of the Islamic Revolution, coupled with the willingness of political elites to demonstrate selflessness and sacrifice, can effectively thwart any potential colonial ambitions that might once again threaten the nation. The historical backdrop of the 28 Mordad coup (August 19) serves as a valuable lesson for the years to come in our country. Much like how colonialists were defeated during th…
Grotesque Corporeality and Literary Aesthetics in Sadeq Chubak's The Patient Stone
This article is concerned with ways in which grotesque corporeality shapes Sadeq Chubak's controversial novel The Patient Stone ( Sang-e Sabur , 1966). Drawing on Mikhail Bakhtin's understanding of grotesque realism in Rabelais and His World , the discussion demonstrates that Chubak employed devices associated with grotesque aesthetics, and that these devices were used to invert and contest social and literary conventions in Iranian culture, alth…
Grotesque Corporeality and Literary Aesthetics in Sadeq Chubak's The Patient Stone
This article is concerned with ways in which grotesque corporeality shapes Sadeq Chubak's controversial novel The Patient Stone ( Sang-e Sabur , 1966). Drawing on Mikhail Bakhtin's understanding of grotesque realism in Rabelais and His World , the discussion demonstrates that Chubak employed devices associated with grotesque aesthetics, and that these devices were used to invert and contest social and literary conventions in Iranian culture, alth…
Grotesque Corporeality and Literary Aesthetics in Sadeq Chubak's The Patient Stone
This article is concerned with ways in which grotesque corporeality shapes Sadeq Chubak's controversial novel The Patient Stone ( Sang-e Sabur , 1966). Drawing on Mikhail Bakhtin's understanding of grotesque realism in Rabelais and His World , the discussion demonstrates that Chubak employed devices associated with grotesque aesthetics, and that these devices were used to invert and contest social and literary conventions in Iranian culture, alth…
A Man for All Seasons
The unwavering commitment of the people to the leadership of the Islamic Revolution, coupled with the willingness of political elites to demonstrate selflessness and sacrifice, can effectively thwart any potential colonial ambitions that might once again threaten the nation. The historical backdrop of the 28 Mordad coup (August 19) serves as a valuable lesson for the years to come in our country. Much like how colonialists were defeated during th…
“The fantasy that was Persia”
This article examines how the national carrier Iran Air projected competing visions of modern Iran to domestic and international audiences from the late 1960s through the late 1970s. Drawing on advertising materials from English- and Persian-language periodicals, tourism publications and archival correspondence, it analyses how the airline mediated between different audiences through bilingual messaging, mythological symbolism and representations…
Billboard murals as adversarial public diplomacy
This article examines Iran’s 2024–2025 military confrontations with Israel by analyzing Tehran’s billboard murals, platform-ready graphics, and official statements as outputs of an institutional apparatus. It traces three mechanisms through which the system operates: multilingual address cues, crisis-time synchronization between operation naming and billboard turnover, and remediation whereby street installations are reformatted as circulating di…
Islamic Studies and History (3 works) · Mythology (2 works) · Adversarial system (1 work) · Aesthetics (1 work) · Ancient history (1 work) · Art (1 work) · Byzantine Studies and History (1 work) · Computer Science (1 work) · Computer vision (1 work) · CONTEST (1 work)