Lesley Marks
Biographic Data
| ID | 5444045 |
|---|---|
| NAME | Lesley Marks |
| GIVEN NAMES | Lesley |
| FAMILY NAME | Marks |
| SIGNATURE | MARKS L |
| AFFILIATIONS | Yehoshua Bin Nun 10/7, Tel Aviv, 62643, Israel |
| ORCID | 0000-0002-1627-6269 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Precarity, hybridity and vacillating identity
The following study juxtaposes psychoanalytical theories of Michel de M'Uzan with paintings by the artist Jenny Saville. Their respective ideas are mutually reinforcing: Saville's works can be read as a visual representation of some of M'Uzan's concepts, specifically permanent disquiet , the spectrum of identity , and depersonalization . Both psychoanalyst and artist share a fascination with the human body and the hybridity of the human condition…
Driven to re-member
This study examines André Green's use of the negative and employs it to interpret works of art that provide a visual representation of absence and loss. Green identified the negative in all of Freud's basic assumptions and developed his work of the negative from an erudite reading of Freudian theory. By filling in what he identified as gaps in Freud's work, Green produced a contemporary psychoanalysis that yields new discoveries on each reading. …
Creative surrender
Born in 1900, Marion Milner started psychoanalytic training in 1940, following a trajectory which took her into territory later developed by Winnicott. She was an independent thinker who drew on a variety of sources to explore her own and her patients' creativity. She linked the creative process to psychic health and to the ability to achieve a level of perception that leads not to the re-creation of lost objects but to the creation of what did n…
Creative surrender
Born in 1900, Marion Milner started psychoanalytic training in 1940, following a trajectory which took her into territory later developed by Winnicott. She was an independent thinker who drew on a variety of sources to explore her own and her patients' creativity. She linked the creative process to psychic health and to the ability to achieve a level of perception that leads not to the re-creation of lost objects but to the creation of what did n…
Creative surrender
Born in 1900, Marion Milner started psychoanalytic training in 1940, following a trajectory which took her into territory later developed by Winnicott. She was an independent thinker who drew on a variety of sources to explore her own and her patients' creativity. She linked the creative process to psychic health and to the ability to achieve a level of perception that leads not to the re-creation of lost objects but to the creation of what did n…
Driven to re-member
This study examines André Green's use of the negative and employs it to interpret works of art that provide a visual representation of absence and loss. Green identified the negative in all of Freud's basic assumptions and developed his work of the negative from an erudite reading of Freudian theory. By filling in what he identified as gaps in Freud's work, Green produced a contemporary psychoanalysis that yields new discoveries on each reading. …
Precarity, hybridity and vacillating identity
The following study juxtaposes psychoanalytical theories of Michel de M'Uzan with paintings by the artist Jenny Saville. Their respective ideas are mutually reinforcing: Saville's works can be read as a visual representation of some of M'Uzan's concepts, specifically permanent disquiet , the spectrum of identity , and depersonalization . Both psychoanalyst and artist share a fascination with the human body and the hybridity of the human condition…
Aesthetics (3 works) · Philosophy (3 works) · Psychoanalysis (3 works) · Psychology (3 works) · Art (2 works) · Art, Politics, and Modernism (2 works) · Epistemology (2 works) · Feeling (2 works) · Philosophy (2 works) · Psychic (2 works)