Helena Bassil‐Morozow
Biographic Data
| ID | 5445774 |
|---|---|
| NAME | Helena Bassil‐Morozow |
| GIVEN NAMES | Helena |
| FAMILY NAME | Bassil‐Morozow |
| SIGNATURE | MOROZOW H B |
| AFFILIATIONS | University of Bedfordshire |
| ORCID | 0000-0002-7979-4258 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Persona and Rebellion in Trickster Narratives. Case Study
This paper brings together the concept of persona and the figure of the trickster to examine the dynamic between social norms and creative noncompliance, between the social mask and human authenticity, in moving image narratives. In particular, it looks at the female trickster challenging the female persona in recent television shows, primarily BBC’s Fleabag (2016-2019), using the previously outlined framework of trickster attributes (Bassil-Moro…
The Soviet Woman in Bond Films
The chapter explores the image of the Soviet female spy in a variety of Bond films. Representations of Soviet women in these films are as intense as they are stereotypical. Tatiana Romanova (From Russia With Love, 1963), Anya Amasova (The Spy Who Loved Me, 1977), Pola Ivanova (A View to a Kill, 1985), the murderous dominatrix Xenia Onatopp (GoldenEye, 1995) and Natalya Simonova (GoldenEye) embody a combination of contradictory qualities. They …
Waltz with Bashir
Analytical psychology and cinema
For a long time, Jung had been an unwelcome name at film and media conferences, short of unmentionable. Seen as conservative, apolitical, antiscientific, bizarre and obscure, Jungian theory has been ignored by cultural studies for decades. Only the idea of the archetype has more or less managed to establish itself as a critical term. As one young (and a little overambitious) film scholar told me recently, with a smile, ‘Jung? To analyse films? In…
Tim Burton at 50
It is difficult to predict the development of Tim Burton's career now that his original protagonist, the eccentric creative mourning the loss of his father, is dead – or rather, now that the child element of the protagonist is gone. To find a way out of his ideological crisis, Burton has been trying different directions, including a female protagonist and reviving an old character that belongs to the times when Burton's heroes were still ‘childre…
Tim Burton at 50
It is difficult to predict the development of Tim Burton's career now that his original protagonist, the eccentric creative mourning the loss of his father, is dead – or rather, now that the child element of the protagonist is gone. To find a way out of his ideological crisis, Burton has been trying different directions, including a female protagonist and reviving an old character that belongs to the times when Burton's heroes were still ‘childre…
Analytical psychology and cinema
For a long time, Jung had been an unwelcome name at film and media conferences, short of unmentionable. Seen as conservative, apolitical, antiscientific, bizarre and obscure, Jungian theory has been ignored by cultural studies for decades. Only the idea of the archetype has more or less managed to establish itself as a critical term. As one young (and a little overambitious) film scholar told me recently, with a smile, ‘Jung? To analyse films? In…
Waltz with Bashir
Persona and Rebellion in Trickster Narratives. Case Study
This paper brings together the concept of persona and the figure of the trickster to examine the dynamic between social norms and creative noncompliance, between the social mask and human authenticity, in moving image narratives. In particular, it looks at the female trickster challenging the female persona in recent television shows, primarily BBC’s Fleabag (2016-2019), using the previously outlined framework of trickster attributes (Bassil-Moro…
The Soviet Woman in Bond Films
The chapter explores the image of the Soviet female spy in a variety of Bond films. Representations of Soviet women in these films are as intense as they are stereotypical. Tatiana Romanova (From Russia With Love, 1963), Anya Amasova (The Spy Who Loved Me, 1977), Pola Ivanova (A View to a Kill, 1985), the murderous dominatrix Xenia Onatopp (GoldenEye, 1995) and Natalya Simonova (GoldenEye) embody a combination of contradictory qualities. They …
Art (4 works) · Psychology (4 works) · Cinema and Media Studies (3 works) · Literature (3 works) · Psychoanalysis (3 works) · Sociology (3 works) · Art history (2 works) · Citation (2 works) · Computer Science (2 works) · Ideology (2 works)