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Shelley Fenno Quinn

Biographic Data

ID5447696
NAMEShelley Fenno Quinn
GIVEN NAMESShelley Fenno
FAMILY NAMEQuinn
SIGNATUREQUINN S F
AFFILIATIONSAssociate Professor of Japanese at Ohio State University, Columbus, Ohio
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2014
H-INDEX0
  • Like Clouds or Mists: Studies and Translations of No Plays of the Genpei War

    Paul S Atkins, David T Bialock et al.•BOOK•Like Clouds or Mists•2014

    This volume is organized to roughly follow the order of events presented in the Kakuichi-bon variant of the Heike. Essays and translations focus on a series of major events from the Heike: Kiyomori's rise (the Giō cycle of plays); Yoshinaka's push to the capital; the flight of the Heike and the battle of Ichi-no-tani; and the aftermath of the war. Each event features a series of one to three plays preceded by essays

  • Books

    Shelley Fenno Quinn•ARTICLE•TDR/The Drama Review•2000

    March 01 2000 The Nō Plays of Japan: An Anthology; Traditional Japanese Theater: An Anthology of Plays The Nō Plays of Japan: An Anthology. By WaleyArthur . Mineola, NY: Dover Publications, 1998; 288 pp. $9.95 paper.Traditional Japanese Theater: An Anthology of Plays. Edited by BrazellKaren . New York: Columbia University Press, 1998; 561 pp. $49.50 cloth. Shelley Fenno Quinn Shelley Fenno Quinn Associate Professor of Japanese at Ohio State Unive…

  • Japanese nō Dramas

    Shelley Fenno Quinn, Royall Tyler•ARTICLE•Asian Theatre Journal•1994

  • Six Circles, One Dewdrop: The Religio-Aesthetic World of Komparu Zenchiku

    Shelley Fenno Quinn, Komparu Zenchiku et al.•ARTICLE•Monumenta Nipponica•1994

  • Noh Drama and the Tale of Genji: The Art of Allusion in Fifteen Classical Plays

    Shelley Fenno Quinn, Janet Goff•ARTICLE•Asian Theatre Journal•1993

  • How to Write a Noh Play Zeami's Sando

    Shelley Fenno Quinn•ARTICLE•Monumenta Nipponica•1993

  • Dance and Chant in Zeami's Dramaturgy: Building Blocks for a Theatre of Tone

    Shelley Fenno Quinn•ARTICLE•Asian Theatre Journal•1992

    Contemporary performers of Japanese no theatre can be elusive on the subject of their art. Published commentaries on the technical aspects of performance are not uncommon, but few performers seem willing to put their thoughts into writing on larger issues such as the overall appeal of the no art or what it is that they as performers strive to communicate on stage. Performing a no play and talking about performance involve two quite different sets…

No prominent works on this page.

  • Dance and Chant in Zeami's Dramaturgy: Building Blocks for a Theatre of Tone

    Shelley Fenno Quinn•ARTICLE•Asian Theatre Journal•1992

    Contemporary performers of Japanese no theatre can be elusive on the subject of their art. Published commentaries on the technical aspects of performance are not uncommon, but few performers seem willing to put their thoughts into writing on larger issues such as the overall appeal of the no art or what it is that they as performers strive to communicate on stage. Performing a no play and talking about performance involve two quite different sets…

  • Noh Drama and the Tale of Genji: The Art of Allusion in Fifteen Classical Plays

    Shelley Fenno Quinn, Janet Goff•ARTICLE•Asian Theatre Journal•1993

  • How to Write a Noh Play Zeami's Sando

    Shelley Fenno Quinn•ARTICLE•Monumenta Nipponica•1993

  • Japanese nō Dramas

    Shelley Fenno Quinn, Royall Tyler•ARTICLE•Asian Theatre Journal•1994

  • Six Circles, One Dewdrop: The Religio-Aesthetic World of Komparu Zenchiku

    Shelley Fenno Quinn, Komparu Zenchiku et al.•ARTICLE•Monumenta Nipponica•1994

  • Books

    Shelley Fenno Quinn•ARTICLE•TDR/The Drama Review•2000

    March 01 2000 The Nō Plays of Japan: An Anthology; Traditional Japanese Theater: An Anthology of Plays The Nō Plays of Japan: An Anthology. By WaleyArthur . Mineola, NY: Dover Publications, 1998; 288 pp. $9.95 paper.Traditional Japanese Theater: An Anthology of Plays. Edited by BrazellKaren . New York: Columbia University Press, 1998; 561 pp. $49.50 cloth. Shelley Fenno Quinn Shelley Fenno Quinn Associate Professor of Japanese at Ohio State Unive…

  • Like Clouds or Mists: Studies and Translations of No Plays of the Genpei War

    Paul S Atkins, David T Bialock et al.•BOOK•Like Clouds or Mists•2014

    This volume is organized to roughly follow the order of events presented in the Kakuichi-bon variant of the Heike. Essays and translations focus on a series of major events from the Heike: Kiyomori's rise (the Giō cycle of plays); Yoshinaka's push to the capital; the flight of the Heike and the battle of Ichi-no-tani; and the aftermath of the war. Each event features a series of one to three plays preceded by essays

Art (6 works) · Japanese History and Culture (5 works) · African history and culture analysis (2 works) · Asian Culture and Media Studies (2 works) · Drama (2 works) · History (2 works) · Literature (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Allusion (1 works)

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