Hazel Clark

Biographic Data

ID5447742
NAMEHazel Clark
GIVEN NAMESHazel
FAMILY NAMEClark
SIGNATURECLARK H
AFFILIATIONSAdvanced Neural Dynamics (United States)
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS21
WORKS AS AUTHOR9
WORKS AS EDITOR2
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2025
H-INDEX1

  • Real Clothes, Real Lives

    Hazel ClarkARTICLEFashion Theory2025

  • Pratiques curatoriales, archivistiques et muséales dans le domaine de la mode

    Open AccessRicarda Bigolin, Hazel Clark et al.ARTICLEPerspective2023

    Alors que les expositions consacrées à la mode deviennent des événements de grande envergure qui attirent sans cesse plus de public, il devient indispensable de s’interroger sur le rôle des musées et des expositions dans la construction de l’image de la mode et l’éducation à son histoire. Incontestablement, il existe un lien entre la manière dont la mode est perçue dans la société et la façon dont elle est mise en scène dans les musées. Ce que ce…

  • Decolonizing the Gaze

    Hazel ClarkARTICLEFashion Theory2020Cited by: 1

    Dario Calmese is a New York-based artist, photographer, writer, visual director and brand consultant. His show direction for the fashion brand Pyer Moss has been hailed in Vogue and The New York Ti

  • Slow + Fashion – Women’s Wisdom

    Open AccessHazel ClarkARTICLEFashion Practice2019

    Building on ideas I first published in 2008 as, “Slow + Fashion - An Oxymoron or a Promise for the Future...?”, this paper brings new insights to the value of a slow approach to fashion. The cases explored for that research indicated the significant role of women practitioners. As a consequence, further investigation and thinking leads me to propose here a development of the slow + fashion discourse that respects and is informed by feminine strat…

  • Chinese Fashion Designers

    Hazel ClarkARTICLEFashion Practice2012

    As Asian-American fashion designers have become better known in the USA and globally the media has highlighted their achievements collectively. What, this article asks, are the implications of second- and third-generation Asian-Americans having attracted such attention? If new, young fashion designers are being identified on the basis of their ethnicity how might they enter into or negotiate a position within a larger global fashion world, and wh…

  • Exhibition Review

    Hazel ClarkARTICLEFashion Theory2012References: 1

  • The Fabric of Cultures

    Eugenia Paulicelli, Hazel ClarkEDITORBOOKFabric of Cultures2009

  • SLOW + Fashion—an Oxymoron—or a Promise for the Future

    Hazel ClarkARTICLEFashion Theory2008Cited by: 20References: 3

    Conceptually, the slow food movement provides the point of departure for this article, which asks if the slow approach can offer a sustainable solution for fashion. Three “lines of reflection” are addressed: the valuing of local resources and distributed economies; transparent production systems with less intermediation between producer and consumer; and sustainable and sensorial products that have a longer usable life and are more highly valued …

  • Old Clothes, New Looks

    Alexandra Palmer, Hazel ClarkEDITORBOOKOld Clothes, New Looks2005

    Recent interest in ‘vintage’ and second hand clothes by both fashion consumers and designers is only the latest manifestation of a long and complex cultural history of wearing and trading second hand clothes. With its origins in necessity, the passing of clothes between social and economic groups is now a global business, but with roots that are centuries old. To move from one social and cultural situation to another used clothes must be 'transfo…

  • Old Clothes, New Looks

    Alexandra Palmer, Hazel ClarkBOOKOld Clothes, New Looks2005

  • The Textile Art of Marguerite Zorach

    Hazel ClarkARTICLEWoman s Art Journal1995