Suranjan Ganguly
Biographic Data
| ID | 5447811 |
|---|---|
| NAME | Suranjan Ganguly |
| GIVEN NAMES | Suranjan |
| FAMILY NAME | Ganguly |
| SIGNATURE | GANGULY S |
| AFFILIATIONS | University of Colorado Boulder |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Excavating the Text
In his adaptation of Sunil Gangopadhyay's Pratidwandi (The Adversary) (1970), Satyajit Ray upholds the right of the filmmaker to deviate from the original and create an autonomous text, which retains its link to its source but is also an interpretation in its own right. Through a series of “excavations,” he unearths ideas and issues that circulate in the novel but often remain understated or underdeveloped—some mere allusions, others key events w…
Constructing the Imaginary
The essay primarily deals with three of Adoor Gopalakrishnan's major films from the 80s: Mukhamukham/ Face to Face (1984); Anantaram/ Monologue (1987); and Mathilukal/ The Walls (1989). It also includes a discussion of his most recent film, Nizalkutthu/Shadow Kill (2002). The author first provides an overview of Gopalakrishnan's life and career and then focuses on the subject of the outsider and the related issue of otherness, both of which he cl…
A Cinema on Red Alert
Poetry into Prose
Constructing the Imaginary
The essay primarily deals with three of Adoor Gopalakrishnan's major films from the 80s: Mukhamukham/ Face to Face (1984); Anantaram/ Monologue (1987); and Mathilukal/ The Walls (1989). It also includes a discussion of his most recent film, Nizalkutthu/Shadow Kill (2002). The author first provides an overview of Gopalakrishnan's life and career and then focuses on the subject of the outsider and the related issue of otherness, both of which he cl…
Poetry into Prose
A Cinema on Red Alert
Constructing the Imaginary
The essay primarily deals with three of Adoor Gopalakrishnan's major films from the 80s: Mukhamukham/ Face to Face (1984); Anantaram/ Monologue (1987); and Mathilukal/ The Walls (1989). It also includes a discussion of his most recent film, Nizalkutthu/Shadow Kill (2002). The author first provides an overview of Gopalakrishnan's life and career and then focuses on the subject of the outsider and the related issue of otherness, both of which he cl…
Excavating the Text
In his adaptation of Sunil Gangopadhyay's Pratidwandi (The Adversary) (1970), Satyajit Ray upholds the right of the filmmaker to deviate from the original and create an autonomous text, which retains its link to its source but is also an interpretation in its own right. Through a series of “excavations,” he unearths ideas and issues that circulate in the novel but often remain understated or underdeveloped—some mere allusions, others key events w…
Art (4 works) · South Asian Cinema and Culture (4 works) · History (3 works) · History (3 works) · Literature (3 works) · South Asian Studies and Conflicts (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Psychology (2 works) · Shakespeare, Adaptation, and Literary Criticism (2 works)