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Paul Douglass

Biographic Data

ID5453323
NAMEPaul Douglass
GIVEN NAMESPaul
FAMILY NAMEDouglass
SIGNATUREDOUGLASS P
VERIFIEDNo
TOTAL WORKS20
TOTAL CITATIONS1
AUTHOR COUNT20
EDITOR COUNT0
FIRST PUBLICATION YEAR1940
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Byron’s Life and His Biographers

    Open Access•Paul Douglas, Paul Douglass•CHAPTER•The Cambridge Companion to Byron•2023

    With his ironic distance and skepticism, Byron often appears to be our contemporary. But is he, or have we remade him in our image? Byron’s life poses this quintessential problem for biography, as the term ‘Byron’ has become the site of artistic and intellectual speculations, and of repeated moral and ethical struggles, as well as continued debate over what really happened. Byron himself believed in the truth of historical record, but he also rev…

  • Lady Caroline Lamb: A Biography

    Paul Douglas, Paul Douglass•BOOK•Lady Caroline Lamb•2004

  • Medea and Her Dragons: 1813–1814

    Open Access•Paul Douglas, Paul Douglass•CHAPTER•Lady Caroline Lamb•2004

    Beginning with Childe Harold, Caroline had studied and imitated Byron’s poetry, and she had since come to know also his handwriting and prose style. She put these to use in early January of 1813. Since November, she had been pressuring Byron to provide her a picture. Despite the fact that Byron had loaned her three portraits of himself, including one by Holmes, she preferred a small one George Sanders had done in 1812. She had asked Lord Clare to…

  • Playing Byron: 1815–1816

    Open Access•Paul Douglas, Paul Douglass•CHAPTER•Lady Caroline Lamb•2004

    B yron and Annabella were married on 2 January 1815. Two weeks later, he responded to one of Lady Caroline’s letters. Receiving no reply, he told Lady Melbourne, “all is right.” 2 But two weeks after that, he heard a disturbing rumor that William and Caroline might be about to separate. Lady Melbourne told him it wasn’t true, but that Caroline continued manic: “I hope some day to see you undergo a Dinner, when she wishes to shew off.” 3 When Lady…

  • Byron: 1812

    Open Access•Paul Douglas, Paul Douglass•CHAPTER•Lady Caroline Lamb•2004

    Y oung Lord Byron had returned in 1811 from an extended tour abroad. He celebrated his twenty-fourth birthday on 22 January 1812 and attended the sessions of the House of Lords at the end of the month, feeling this might be the moment to deliver his maiden speech. Two thousand troops had been sent in late December to repress the violence of the frame-breaking Luddites, who were protesting against the textile manufacturers’ having replaced the nar…

  • Byron's life and his biographers

    Open Access•Paul Douglas, Paul Douglass•CHAPTER•The Cambridge companion to Byron•2004

    Introduction After the mid-nineteenth century, it became a stereotype that asylum inmates imagined themselves as the omnipotent Napoleon - but also the brilliant Byron. Extreme as it seems, this desire for vicarious experience, this tendency to translate one's life into the idealization of another, is common - so common that it led Albert Camus to define biography itself as 'nostalgia for other people's lives'. Camus notes that our fascination wi…

  • The Cambridge Companion to Byron

    Open Access•J Drummond Bone, Paul Douglas et al.•BOOK•The Cambridge companion to Byron•2004

    Byron's life and work have fascinated readers around the world for two hundred years, but it is the complex interaction between his art and his politics, beliefs and sexuality that has attracted so many modern critics and students. In three sections devoted to the historical, textual and literary contexts of Byron's life and times, these specially commissioned essays by a range of eminent Byron scholars provide a compelling picture of the diversi…

  • Eliot's Hulme—or Pound's

    Paul Douglas, Paul Douglass•ARTICLE•ANQ A Quarterly Journal of Short…•2000

  • Deleuze, cinema, Bergson

    Paul Douglas, Paul Douglass•ARTICLE•Social Semiotics•1998•Cited by: 1•References: 3

    In the Cinema books, Deleuze integrated his ‘counter‐history’ of philosophy and arrived at a philosophy of art. For him, the artist is a ‘creator of truth’ because truth is not to be achieved, formed, or reproduced; it has to be created’ (Cinema 2 1985: 146). Stressing the pre‐eminent importance of the ‘creation of the New’, Deleuze calls on us to reread and rethink with him the works of Bergson, whom he views as indispensable to the ‘pure semiot…

  • Deleuze and the Endurance of Bergson

    Paul Douglas, Paul Douglass•ARTICLE•Thought•1992

  • The Romantic Foundations of the American Renaissance

    Paul Douglas, Paul Douglass et al.•ARTICLE•The Yearbook of English Studies•1990

  • A Selection of Hebrew Melodies, Ancient and Modern

    Lilian R Furst, Isaac Nathan et al.•ARTICLE•South Atlantic Review•1989

  • A Genealogy of Modernism

    Joseph Bentley, Michael Levenson et al.•ARTICLE•South Atlantic Review•1988

  • Bergson, Eliot, and American Literature

    Guy Rottella, Paul Douglas et al.•ARTICLE•American Literature•1987

  • The Gold Coin: Bergsonian Intuition and Modernist Aesthetics

    Paul Douglas, Paul Douglass•ARTICLE•Thought•1983

  • Using group experience to encourage spiritual growth

    Open Access•Paul Douglas, Paul Douglass et al.•ARTICLE•Pastoral Psychology•1956

  • Six upon the World: Toward an American Culture for an Industrial Age

    Henry Nash Smith, Paul Douglass et al.•ARTICLE•The Mississippi Valley Historical…•1955

    Six upon the World: Toward an American Culture for an Industrial Age. By Paul F. Douglass. (Boston: Little, Brown and Company, 1954. 443 pp. Illustrations and bibliography. $4.95.) Henry Nash Smith Henry Nash Smith University of California, Berkeley Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 41, Issue 4, March 1955, Pages 736–737, https://doi.org/10.2307/1889223 Published: 01 March…

  • Vivid Life Studies

    Ordway Tead, Paul Douglas et al.•ARTICLE•The Journal of Higher Education•1955

  • Conant's Concept of University Administration

    Paul Douglas, Paul Douglass et al.•ARTICLE•The Journal of Higher Education•1954

  • The Story of German Methodism: Biography of an Immigrant Soul

    Maurice C Latta, Paul Douglass et al.•ARTICLE•The Mississippi Valley Historical…•1940

    The Story of German Methodism: Biography of an Immigrant Soul. By Paul F. Douglass. (Cincinnati: Methodist Book Concern, 1939. xx + 64 pp. Illustrations, bibliography, and appendix. $2.50.) Get access Maurice C. Latta Maurice C. Latta Iowa Wesleyan College Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 26, Issue 4, March 1940, Pages 576–577, https://doi.org/10.2307/1896340 Published: 0…

  • Deleuze, cinema, Bergson

    Paul Douglas, Paul Douglass•ARTICLE•Social Semiotics•1998•Cited by: 1•References: 3

    In the Cinema books, Deleuze integrated his ‘counter‐history’ of philosophy and arrived at a philosophy of art. For him, the artist is a ‘creator of truth’ because truth is not to be achieved, formed, or reproduced; it has to be created’ (Cinema 2 1985: 146). Stressing the pre‐eminent importance of the ‘creation of the New’, Deleuze calls on us to reread and rethink with him the works of Bergson, whom he views as indispensable to the ‘pure semiot…

  • The Story of German Methodism: Biography of an Immigrant Soul

    Maurice C Latta, Paul Douglass et al.•ARTICLE•The Mississippi Valley Historical…•1940

    The Story of German Methodism: Biography of an Immigrant Soul. By Paul F. Douglass. (Cincinnati: Methodist Book Concern, 1939. xx + 64 pp. Illustrations, bibliography, and appendix. $2.50.) Get access Maurice C. Latta Maurice C. Latta Iowa Wesleyan College Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 26, Issue 4, March 1940, Pages 576–577, https://doi.org/10.2307/1896340 Published: 0…

  • Conant's Concept of University Administration

    Paul Douglas, Paul Douglass et al.•ARTICLE•The Journal of Higher Education•1954

  • Six upon the World: Toward an American Culture for an Industrial Age

    Henry Nash Smith, Paul Douglass et al.•ARTICLE•The Mississippi Valley Historical…•1955

    Six upon the World: Toward an American Culture for an Industrial Age. By Paul F. Douglass. (Boston: Little, Brown and Company, 1954. 443 pp. Illustrations and bibliography. $4.95.) Henry Nash Smith Henry Nash Smith University of California, Berkeley Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 41, Issue 4, March 1955, Pages 736–737, https://doi.org/10.2307/1889223 Published: 01 March…

  • Vivid Life Studies

    Ordway Tead, Paul Douglas et al.•ARTICLE•The Journal of Higher Education•1955

  • Using group experience to encourage spiritual growth

    Open Access•Paul Douglas, Paul Douglass et al.•ARTICLE•Pastoral Psychology•1956

  • The Gold Coin: Bergsonian Intuition and Modernist Aesthetics

    Paul Douglas, Paul Douglass•ARTICLE•Thought•1983

  • Bergson, Eliot, and American Literature

    Guy Rottella, Paul Douglas et al.•ARTICLE•American Literature•1987

  • A Genealogy of Modernism

    Joseph Bentley, Michael Levenson et al.•ARTICLE•South Atlantic Review•1988

  • A Selection of Hebrew Melodies, Ancient and Modern

    Lilian R Furst, Isaac Nathan et al.•ARTICLE•South Atlantic Review•1989

  • The Romantic Foundations of the American Renaissance

    Paul Douglas, Paul Douglass et al.•ARTICLE•The Yearbook of English Studies•1990

  • Deleuze and the Endurance of Bergson

    Paul Douglas, Paul Douglass•ARTICLE•Thought•1992

  • Deleuze, cinema, Bergson

    Paul Douglas, Paul Douglass•ARTICLE•Social Semiotics•1998•Cited by: 1•References: 3

    In the Cinema books, Deleuze integrated his ‘counter‐history’ of philosophy and arrived at a philosophy of art. For him, the artist is a ‘creator of truth’ because truth is not to be achieved, formed, or reproduced; it has to be created’ (Cinema 2 1985: 146). Stressing the pre‐eminent importance of the ‘creation of the New’, Deleuze calls on us to reread and rethink with him the works of Bergson, whom he views as indispensable to the ‘pure semiot…

  • Eliot's Hulme—or Pound's

    Paul Douglas, Paul Douglass•ARTICLE•ANQ A Quarterly Journal of Short…•2000

  • Lady Caroline Lamb: A Biography

    Paul Douglas, Paul Douglass•BOOK•Lady Caroline Lamb•2004

  • Medea and Her Dragons: 1813–1814

    Open Access•Paul Douglas, Paul Douglass•CHAPTER•Lady Caroline Lamb•2004

    Beginning with Childe Harold, Caroline had studied and imitated Byron’s poetry, and she had since come to know also his handwriting and prose style. She put these to use in early January of 1813. Since November, she had been pressuring Byron to provide her a picture. Despite the fact that Byron had loaned her three portraits of himself, including one by Holmes, she preferred a small one George Sanders had done in 1812. She had asked Lord Clare to…

  • Playing Byron: 1815–1816

    Open Access•Paul Douglas, Paul Douglass•CHAPTER•Lady Caroline Lamb•2004

    B yron and Annabella were married on 2 January 1815. Two weeks later, he responded to one of Lady Caroline’s letters. Receiving no reply, he told Lady Melbourne, “all is right.” 2 But two weeks after that, he heard a disturbing rumor that William and Caroline might be about to separate. Lady Melbourne told him it wasn’t true, but that Caroline continued manic: “I hope some day to see you undergo a Dinner, when she wishes to shew off.” 3 When Lady…

  • Byron: 1812

    Open Access•Paul Douglas, Paul Douglass•CHAPTER•Lady Caroline Lamb•2004

    Y oung Lord Byron had returned in 1811 from an extended tour abroad. He celebrated his twenty-fourth birthday on 22 January 1812 and attended the sessions of the House of Lords at the end of the month, feeling this might be the moment to deliver his maiden speech. Two thousand troops had been sent in late December to repress the violence of the frame-breaking Luddites, who were protesting against the textile manufacturers’ having replaced the nar…

  • Byron's life and his biographers

    Open Access•Paul Douglas, Paul Douglass•CHAPTER•The Cambridge companion to Byron•2004

    Introduction After the mid-nineteenth century, it became a stereotype that asylum inmates imagined themselves as the omnipotent Napoleon - but also the brilliant Byron. Extreme as it seems, this desire for vicarious experience, this tendency to translate one's life into the idealization of another, is common - so common that it led Albert Camus to define biography itself as 'nostalgia for other people's lives'. Camus notes that our fascination wi…

  • The Cambridge Companion to Byron

    Open Access•J Drummond Bone, Paul Douglas et al.•BOOK•The Cambridge companion to Byron•2004

    Byron's life and work have fascinated readers around the world for two hundred years, but it is the complex interaction between his art and his politics, beliefs and sexuality that has attracted so many modern critics and students. In three sections devoted to the historical, textual and literary contexts of Byron's life and times, these specially commissioned essays by a range of eminent Byron scholars provide a compelling picture of the diversi…

  • Byron’s Life and His Biographers

    Open Access•Paul Douglas, Paul Douglass•CHAPTER•The Cambridge Companion to Byron•2023

    With his ironic distance and skepticism, Byron often appears to be our contemporary. But is he, or have we remade him in our image? Byron’s life poses this quintessential problem for biography, as the term ‘Byron’ has become the site of artistic and intellectual speculations, and of repeated moral and ethical struggles, as well as continued debate over what really happened. Byron himself believed in the truth of historical record, but he also rev…

Art (13 works) · History (13 works) · Art history (10 works) · Philosophy (9 works) · Literature (8 works) · Philippine History and Culture (6 works) · Psychology (6 works) · Computer Science (4 works) · Law (4 works) · Political science (4 works)

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