Barbara Winston Blackmun

Datos Biográficos

ID5455591
NOMBREBarbara Winston Blackmun
NOMBRESBarbara Winston
APELLIDOBlackmun
FIRMABLACKMUN B W
VERIFICADONo
TOTAL DE OBRAS14
TOTAL DE CITAS44
TOTAL COMO AUTOR14
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1980
AÑO MÁS RECIENTE DE PUBLICACIÓN2006
ÍNDICE H3

  • Recent Exhibitions

    Philip M Peek, Philip Peek et al.ARTICLEAfrican Arts2006

  • A Note on Benin's Recent Antiquities

    Barbara Winston BlackmunARTICLEAfrican Arts2003

    April 01 2003 A Note on Benin's Recent Antiquities Barbara W. Blackmun Barbara W. Blackmun Search for other works by this author on: This Site Google Scholar Author and Article Information Barbara W. Blackmun Online Issn: 1937-2108 Print Issn: 0001-9933 Copyright 2003 Regents of the University of California2003 African Arts (2003) 36 (1): 86. https://doi.org/10.1162/afar.2003.36.1.86 Cite Icon Cite Permissions Share Icon Share Facebook Twitter Li…

  • The Benin Centenary Issue, Part 1

    Joseph Nevadomsky, Adam Jones et al.ARTICLEAfrican Arts1998

  • Icons and Emblems in Ivory

    Barbara Winston BlackmunARTICLEArt Institute of Chicago Museum…1997Citada por: 2

  • Continuity and Change

    Barbara Winston BlackmunARTICLEAfrican Arts1997Citada por: 3

    Le pillage des objets d'art du Benin, initie des la fin du XIX e siecle avec la conquete coloniale britannique, montre que de nombreux objets en ivoire sculpte appartenaient a l'autel des ancetres du roi Oba Ovonramwen qui fut detruit lors du saccage de la ville de Benin en 1897. Quant aux objets en ivoire revendiques par Eweka II, successeur en 1914 apres 70 annees de regne paternel, il semble plus difficile de les identifier. L'A. etudie les di…

  • Höfische Elfenbeinschnitzerei im Reich Benin

    Barbara Winston Blackmun, Stefan EisenhoferARTICLEAfrican Arts1997

  • Who Commissioned the Queen Mother Tusks? A Problem in the Chronology of Benin Ivories

    Barbara Winston BlackmunARTICLEAfrican Arts1991Citada por: 6

    Barbara Winston Blackmun, Who Commissioned the Queen Mother Tusks? A Problem in the Chronology of Benin Ivories, African Arts, Vol. 24, No. 2, Special Issue: Memorial to Arnold Rubin, Part I (Apr., 1991), pp. 54-65+90-91

  • "More on "Africa and the Renaissance

    Barbara Winston BlackmunARTICLEAfrican Arts1990

  • Obas' Portraits in Benin

    Barbara Winston BlackmunARTICLEAfrican Arts1990Citada por: 1

  • Africa and the Renaissance

    Kathy Curnow, Susan Mullin Vogel et al.ARTICLEAfrican Arts1989Citada por: 24

    “Africa and the Renaissance: Art in Ivory“ is the eighth exhibition organized by the Center for African Art, New York, now in its fourth year. It explores the artistic and historical relationship between Africa and Renaissance Europe, as revealed by ivory objects sculpted by Africans for Europeans in the fifteenth and sixteenth centuries. The exhibition focuses on 105 carvings, drawn from private collections and museums worldwide, including the M…

  • From Trader to Priest in Two Hundred Years

    Barbara Winston BlackmunARTICLEArt Journal1988Citada por: 8

    In museums and private collections throughout Europe and America there are impressive holdings of antique bronzes and ivories from the Kingdom of Benin, in Nigeria (see map). The largest of these objects are elephant's tusks three to seven feet long and elaborately carved with rows of figures, animals, and other motifs in high relief (Fig. 1). The tusks were created as furnishings for altars of various types in Benin City, and they were carved by…

  • Royal Benin Art

    Barbara Winston Blackmun, Bryna FreyerARTICLEAfrican Arts1988

  • African Ivories

    Barbara Winston Blackmun, Kate EzraARTICLEAfrican Arts1985

  • African Sculpture

    Barbara Winston Blackmun, Marc L Ginzberg et al.ARTICLEAfrican Arts1980