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Judith Perani

Biographic Data

ID5455599
NAMEJudith Perani
GIVEN NAMESJudith
FAMILY NAMEPerani
SIGNATUREPERANI J
VERIFIEDNo
TOTAL WORKS18
TOTAL CITATIONS10
AUTHOR COUNT18
EDITOR COUNT0
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR2003
H-INDEX2
  • Africa

    Monni Adams, Mary Jo Arnoldi et al.•CHAPTER•2003

  • The Visual Arts of Africa

    Barbara E Frank, Judith Perani et al.•ARTICLE•African Arts•1999

  • Lamidi Olonade Fakeye

    Judith Perani•ARTICLE•African Arts•1997

  • Crowning Achievements

    Judith Perani•ARTICLE•African Arts•1997

  • Embroidered Gown and Equestrian Ensembles of the Kano Aristocracy

    Judith Perani, Norma H Wolff et al.•ARTICLE•African Arts•1992•Cited by: 2

    Les vetements portes par les membres masculins de l'aristocratie de l'Emirat du Kano au Nord du Nigeria refletent leur prestige social et leur pouvoir : les grandes toges (riga, girke) sur lesquelles sont brodes les motifs hausa (aska biyu, aska takwas), les turbans (rawani parmi lesquels le harsa et le dan ruga) et la grande cape (alkyabba) sont les principaux identificateurs vestimentaires de la famille royale. Meme les chevaux ont un equipemen…

  • Yoruba Art of West Africa

    Judith Perani, Mark Fleming•ARTICLE•African Arts•1988

    and-white pictures are not of the highest quality, the value of this catalogue rests to a degree in the absorbing background commentary it provides about the origin of each collection. The terminal essay, Inventory and Perspectives, an overview of French public collections by Etienne Feau, makes many interesting comments on the history of the national acquisitions. There is an elaborate bibliography that includes many European publications often …

  • West African Dress and Textiles

    Judith Perani•ARTICLE•African Arts•1987

  • Hausa Calabash Decoration

    Judith Perani•ARTICLE•African Arts•1986•Cited by: 2

  • Beauty by Design

    Victoria Ebin, Judith Perani et al.•ARTICLE•African Arts•1985•Cited by: 1

  • Nigeria's Traditional Crafts

    Judith Perani, Alison Hodge et al.•ARTICLE•African Arts•1984

  • Pelete Bite

    Judith Perani•ARTICLE•African Arts•1982

  • West African Textiles and Garments

    Judith Perani•ARTICLE•African Arts•1981

  • Patronage and Nupe Craft Industries

    Judith Perani•ARTICLE•African Arts•1980•Cited by: 2

  • Surface Design in African Arts

    Judith Perani•ARTICLE•African Arts•1979

  • Nupe Costume Crafts

    Judith Perani•ARTICLE•African Arts•1979

  • Decorated Gourds in North-Eastern Nigeria

    Judith Perani, T J H Chappel•ARTICLE•African Arts•1977

    form by an Igbo art historian (E. Okechukwu Odita, Universal Cults and Intra-Diffusion: Igbo Ikenga in Cultural Retrospection, African Studies Review 16, 1[1973]: 73-82), and the other an analysis by an art historian of ikenga collected for a museum exhibit (Susan Vogel, Gods of Fortune: The Cult of the Hand in Nigeria, Museum of Primitive Art, New York, 1974, 15 pp.), perhaps because both papers deal with the question of the broader distribution…

  • Men's Masquerades of Sierra Leone and Liberia

    William Siegmann, William C Siegmann et al.•ARTICLE•African Arts•1976•Cited by: 3

  • The Nupe elo Masquerade

    Judith Perani•ARTICLE•African Arts•1974

  • Men's Masquerades of Sierra Leone and Liberia

    William Siegmann, William C Siegmann et al.•ARTICLE•African Arts•1976•Cited by: 3

  • Embroidered Gown and Equestrian Ensembles of the Kano Aristocracy

    Judith Perani, Norma H Wolff et al.•ARTICLE•African Arts•1992•Cited by: 2

    Les vetements portes par les membres masculins de l'aristocratie de l'Emirat du Kano au Nord du Nigeria refletent leur prestige social et leur pouvoir : les grandes toges (riga, girke) sur lesquelles sont brodes les motifs hausa (aska biyu, aska takwas), les turbans (rawani parmi lesquels le harsa et le dan ruga) et la grande cape (alkyabba) sont les principaux identificateurs vestimentaires de la famille royale. Meme les chevaux ont un equipemen…

  • Hausa Calabash Decoration

    Judith Perani•ARTICLE•African Arts•1986•Cited by: 2

  • Patronage and Nupe Craft Industries

    Judith Perani•ARTICLE•African Arts•1980•Cited by: 2

  • Beauty by Design

    Victoria Ebin, Judith Perani et al.•ARTICLE•African Arts•1985•Cited by: 1

  • The Nupe elo Masquerade

    Judith Perani•ARTICLE•African Arts•1974

  • Men's Masquerades of Sierra Leone and Liberia

    William Siegmann, William C Siegmann et al.•ARTICLE•African Arts•1976•Cited by: 3

  • Decorated Gourds in North-Eastern Nigeria

    Judith Perani, T J H Chappel•ARTICLE•African Arts•1977

    form by an Igbo art historian (E. Okechukwu Odita, Universal Cults and Intra-Diffusion: Igbo Ikenga in Cultural Retrospection, African Studies Review 16, 1[1973]: 73-82), and the other an analysis by an art historian of ikenga collected for a museum exhibit (Susan Vogel, Gods of Fortune: The Cult of the Hand in Nigeria, Museum of Primitive Art, New York, 1974, 15 pp.), perhaps because both papers deal with the question of the broader distribution…

  • Surface Design in African Arts

    Judith Perani•ARTICLE•African Arts•1979

  • Nupe Costume Crafts

    Judith Perani•ARTICLE•African Arts•1979

  • Patronage and Nupe Craft Industries

    Judith Perani•ARTICLE•African Arts•1980•Cited by: 2

  • West African Textiles and Garments

    Judith Perani•ARTICLE•African Arts•1981

  • Pelete Bite

    Judith Perani•ARTICLE•African Arts•1982

  • Nigeria's Traditional Crafts

    Judith Perani, Alison Hodge et al.•ARTICLE•African Arts•1984

  • Beauty by Design

    Victoria Ebin, Judith Perani et al.•ARTICLE•African Arts•1985•Cited by: 1

  • Hausa Calabash Decoration

    Judith Perani•ARTICLE•African Arts•1986•Cited by: 2

  • West African Dress and Textiles

    Judith Perani•ARTICLE•African Arts•1987

  • Yoruba Art of West Africa

    Judith Perani, Mark Fleming•ARTICLE•African Arts•1988

    and-white pictures are not of the highest quality, the value of this catalogue rests to a degree in the absorbing background commentary it provides about the origin of each collection. The terminal essay, Inventory and Perspectives, an overview of French public collections by Etienne Feau, makes many interesting comments on the history of the national acquisitions. There is an elaborate bibliography that includes many European publications often …

  • Embroidered Gown and Equestrian Ensembles of the Kano Aristocracy

    Judith Perani, Norma H Wolff et al.•ARTICLE•African Arts•1992•Cited by: 2

    Les vetements portes par les membres masculins de l'aristocratie de l'Emirat du Kano au Nord du Nigeria refletent leur prestige social et leur pouvoir : les grandes toges (riga, girke) sur lesquelles sont brodes les motifs hausa (aska biyu, aska takwas), les turbans (rawani parmi lesquels le harsa et le dan ruga) et la grande cape (alkyabba) sont les principaux identificateurs vestimentaires de la famille royale. Meme les chevaux ont un equipemen…

  • Lamidi Olonade Fakeye

    Judith Perani•ARTICLE•African Arts•1997

  • Crowning Achievements

    Judith Perani•ARTICLE•African Arts•1997

  • The Visual Arts of Africa

    Barbara E Frank, Judith Perani et al.•ARTICLE•African Arts•1999

  • Africa

    Monni Adams, Mary Jo Arnoldi et al.•CHAPTER•2003

Art (15 works) · Visual arts (9 works) · Geography (7 works) · African history and culture studies (6 works) · Cultural Industries and Urban Development (4 works) · History (4 works) · Archaeology (3 works) · Fashion and Cultural Textiles (3 works) · The arts (3 works) · African history and culture analysis (2 works)

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