Frederick John Lamp
Biographic Data
| ID | 5455602 |
|---|---|
| NAME | Frederick John Lamp |
| GIVEN NAMES | Frederick John |
| FAMILY NAME | Lamp |
| SIGNATURE | LAMP F J |
| AFFILIATIONS | Frederick John Lamp is the Frances & Benjamin Benenson Foundation Curator of African Art at the Yale University Art Gallery and Lecturer in Theater Studies at Yale. |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Was Bayard Rustin the Most Important Collector of African Antiquities in the 1950s
L’ivoire et la pierre: Relations directes entre les productions sculptées dans ces matériaux sur la côte de Sierra Leone aux XVe-XVIe siècles
Depuis la découverte de sculptures anciennes en pierre en Sierra Leone, et l’attribution d’œuvres en ivoire au sein des collections européennes aux Sapi, peuples anciens de Sierra Leone, la question de leurs relations est posée. Où étaient les ateliers des tailleurs sur ivoire et les ateliers des tailleurs sur pierre ; étaient-ils les mêmes ? Quelques exemples ont un contenu identique. Les motifs suggèrent que les sculptures en ivoire destinées a…
Ivory and Stone: Direct Connections between Sculptural Media along the Coast of Sierra Leone, 15th–16th Centuries
Depuis la découverte de sculptures anciennes en pierre en Sierra Leone, et l’attribution d’œuvres en ivoire au sein des collections européennes aux Sapi, peuples anciens de Sierra Leone, la question de leurs relations est posée. Où étaient les ateliers des tailleurs sur ivoire et les ateliers des tailleurs sur pierre ; étaient-ils les mêmes ? Quelques exemples ont un contenu identique. Les motifs suggèrent que les sculptures en ivoire destinées a…
Even the Elders Have Moved On
June 01 2013 Even the Elders Have Moved On Frederick John Lamp Frederick John Lamp Frederick John Lamp is the Frances & Benjamin Benenson Foundation Curator of African Art at the Yale University Art Gallery and Lecturer in Theater Studies at Yale. [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Frederick John Lamp Frederick John Lamp is the Frances & Benjamin Benenson Found…
Temne Twins (Tà-bàri) Should Share Everything: Do You Mean Everything
March 01 2008 Temne Twins (Tà-bàri) Should Share Everything: Do You Mean Everything? Frederick John Lamp Frederick John Lamp Frederick John Lamp is the Frances & Benjamin Benenson Foundation Curator of African Art at the Yale University Art Gallery. He has conducted research in Sierra Leone and Guinea, with numerous national fellowships. His publications include See the Music, Hear the Dance, Art of the Baga, and many articles. frederick.lamp@yal…
Hot Space, Cool Space: The Reinstallation of the African Collection in the Louis Kahn Building at Yale University
June 01 2007 Hot Space, Cool Space: The Reinstallation of the African Collection in the Louis Kahn Building at Yale University Frederick John Lamp Frederick John Lamp Frederick John Lamp, the Frances and Benjamin Benenson Foundation Curator of African Art, holds a Ph.D. in art history from Yale (1982). From 1981 to 2003, he was a curator at the Baltimore Museum of Art and taught at Johns Hopkins University and Maryland Institute College of Art. H…
Temne Twins (Tà-bàri) Should Share Everything: Do You Mean Everything
March 01 2008 Temne Twins (Tà-bàri) Should Share Everything: Do You Mean Everything? Frederick John Lamp Frederick John Lamp Frederick John Lamp is the Frances & Benjamin Benenson Foundation Curator of African Art at the Yale University Art Gallery. He has conducted research in Sierra Leone and Guinea, with numerous national fellowships. His publications include See the Music, Hear the Dance, Art of the Baga, and many articles. frederick.lamp@yal…
Hot Space, Cool Space: The Reinstallation of the African Collection in the Louis Kahn Building at Yale University
June 01 2007 Hot Space, Cool Space: The Reinstallation of the African Collection in the Louis Kahn Building at Yale University Frederick John Lamp Frederick John Lamp Frederick John Lamp, the Frances and Benjamin Benenson Foundation Curator of African Art, holds a Ph.D. in art history from Yale (1982). From 1981 to 2003, he was a curator at the Baltimore Museum of Art and taught at Johns Hopkins University and Maryland Institute College of Art. H…
Temne Twins (Tà-bàri) Should Share Everything: Do You Mean Everything
March 01 2008 Temne Twins (Tà-bàri) Should Share Everything: Do You Mean Everything? Frederick John Lamp Frederick John Lamp Frederick John Lamp is the Frances & Benjamin Benenson Foundation Curator of African Art at the Yale University Art Gallery. He has conducted research in Sierra Leone and Guinea, with numerous national fellowships. His publications include See the Music, Hear the Dance, Art of the Baga, and many articles. frederick.lamp@yal…
Even the Elders Have Moved On
June 01 2013 Even the Elders Have Moved On Frederick John Lamp Frederick John Lamp Frederick John Lamp is the Frances & Benjamin Benenson Foundation Curator of African Art at the Yale University Art Gallery and Lecturer in Theater Studies at Yale. [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Frederick John Lamp Frederick John Lamp is the Frances & Benjamin Benenson Found…
L’ivoire et la pierre: Relations directes entre les productions sculptées dans ces matériaux sur la côte de Sierra Leone aux XVe-XVIe siècles
Depuis la découverte de sculptures anciennes en pierre en Sierra Leone, et l’attribution d’œuvres en ivoire au sein des collections européennes aux Sapi, peuples anciens de Sierra Leone, la question de leurs relations est posée. Où étaient les ateliers des tailleurs sur ivoire et les ateliers des tailleurs sur pierre ; étaient-ils les mêmes ? Quelques exemples ont un contenu identique. Les motifs suggèrent que les sculptures en ivoire destinées a…
Ivory and Stone: Direct Connections between Sculptural Media along the Coast of Sierra Leone, 15th–16th Centuries
Depuis la découverte de sculptures anciennes en pierre en Sierra Leone, et l’attribution d’œuvres en ivoire au sein des collections européennes aux Sapi, peuples anciens de Sierra Leone, la question de leurs relations est posée. Où étaient les ateliers des tailleurs sur ivoire et les ateliers des tailleurs sur pierre ; étaient-ils les mêmes ? Quelques exemples ont un contenu identique. Les motifs suggèrent que les sculptures en ivoire destinées a…
Was Bayard Rustin the Most Important Collector of African Antiquities in the 1950s
Art (5 works) · Sierra leone (4 works) · Art history (3 works) · Ethnology (3 works) · History (3 works) · The arts (3 works) · Visual arts (3 works) · African history and culture studies (2 works) · Citation (2 works) · Colonialism, slavery, and trade (2 works)