Suzana Sousa
Biographic Data
| ID | 5455645 |
|---|---|
| NAME | Suzana Sousa |
| GIVEN NAMES | Suzana |
| FAMILY NAME | Sousa |
| SIGNATURE | SOUSA S |
| AFFILIATIONS | Instituto Superior de Educação e Ciências |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Condition Report 3: Art History in Africa: Debating Localization, Legitimization and New Solidarities
all photos by Ruth Simbao except where otherwise notedRuth Simbao: Following on from the African Arts dialogue, “Zimbabwe Mobilizes: ICAC's Shift from Coup de Grăce to Cultural Coup” (Simbao et al. 2017) this dialogue considers another important event in the visual arts that recently took place on the African continent. Like the International Conference on African Cultures (ICAC) that was held in Harare in 2017, this event in Dakar contributes in…
Reaching Sideways, Writing Our Ways: The Orientation of the Arts of Africa Discourse
Ruth Simbao: In Rehema Chachage's video installation, Kwa Baba Rithi Undugu (2010), sculptural objects representing old-fashioned transistor radios are mounted on the wall, side by side (Fig. 1). Embedded in each radio is a small video screen, which reveals a figure who stands in one place while the vertical line of the radio tuner crosses her body in search of the desired frequency (Figs. 2–3). A man's voice wafts in and out as it is periodicall…
Reaching Sideways, Writing Our Ways: The Orientation of the Arts of Africa Discourse
Ruth Simbao: In Rehema Chachage's video installation, Kwa Baba Rithi Undugu (2010), sculptural objects representing old-fashioned transistor radios are mounted on the wall, side by side (Fig. 1). Embedded in each radio is a small video screen, which reveals a figure who stands in one place while the vertical line of the radio tuner crosses her body in search of the desired frequency (Figs. 2–3). A man's voice wafts in and out as it is periodicall…
Reaching Sideways, Writing Our Ways: The Orientation of the Arts of Africa Discourse
Ruth Simbao: In Rehema Chachage's video installation, Kwa Baba Rithi Undugu (2010), sculptural objects representing old-fashioned transistor radios are mounted on the wall, side by side (Fig. 1). Embedded in each radio is a small video screen, which reveals a figure who stands in one place while the vertical line of the radio tuner crosses her body in search of the desired frequency (Figs. 2–3). A man's voice wafts in and out as it is periodicall…
Condition Report 3: Art History in Africa: Debating Localization, Legitimization and New Solidarities
all photos by Ruth Simbao except where otherwise notedRuth Simbao: Following on from the African Arts dialogue, “Zimbabwe Mobilizes: ICAC's Shift from Coup de Grăce to Cultural Coup” (Simbao et al. 2017) this dialogue considers another important event in the visual arts that recently took place on the African continent. Like the International Conference on African Cultures (ICAC) that was held in Harare in 2017, this event in Dakar contributes in…
Art (2 works) · Visual arts (2 works) · African art (1 works) · African history and culture studies (1 works) · Anthropological Studies and Insights (1 works) · Anthropology (1 works) · Architecture (1 works) · Architecture (1 works) · Art history (1 works) · Cultural Identity and Heritage (1 works)