Patrick Denman Flanery
Biographic Data
| ID | 5455796 |
|---|---|
| NAME | Patrick Denman Flanery |
| GIVEN NAMES | Patrick Denman |
| FAMILY NAME | Flanery |
| SIGNATURE | FLANERY P D |
| AFFILIATIONS | London Postgraduate Medical and Dental Education |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 6 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Lock Them Up
This article considers how The Ice Storm (dir. Ang Lee, US, 1997) reframes the politics of Rick Moody's novel of the same name and works via a network of symbols to align character Elena Hood (Joan Allen) with Hillary Clinton, suggesting an analogy between the scandals of the Richard Nixon and Bill Clinton presidencies. Simultaneously, the film mounts a sustained campaign to constrain female sexuality, chiefly through its sanitizing of male chara…
Reflection, understanding, and empathy
A conversation between writers Carol-Ann Davids and Patrick Flanery, covering their respective novels, transnationalism, representation, censorship, and politics
Print, Text and Book Cultures in South Africa
Vir iemand wat altyd die gewig van 'n boek takseer terwyl jy begin blaai en nie die verleiding kan weerstaan om aan die binnekant te ruik nie, is Print, Text and Book Cultures in South Africa 'n heerlike boek. Nie dat dit spesifiek lekkerder as ander moderne boeke ruik nie - wel kraakhelder en fris - maar omdat die materialiteit, die boek as ding, so sterk op die voorgrond staan in die 21 artikels waaruit dit bestaan. Die plesier begin al danksy …
In My Country 's Filmic Betrayals
What National Cinema? South African Film Cultures and the Transnational
To Change Reels: Film and Film Culture in South Africa ISABEL BALSEIRO & NTONGELA MASILELA (Eds) Detroit, Wayne State University Press, 2003, pp. xii + 274, ISBN 0-8143-3001-0 South African Nationa
Limber
This article considers the publication of two excerpts from J.M. Coetzee's 2005 novel, Slow man. The first, appearing as “The blow” in The New Yorker magazine, is a silently edited version of the first fourteen chapters of the novel, which makes considerable stylistic changes, as well as transforming the text to perform as an autonomous piece of short fiction. The article considers both the context of its publication — Coetzee's first appearance …
(Re-)Marking Coetzee & Costello
(2004). (RE-)MARKING COETZEE & COSTELLO: THE [TEXTUAL] LIVES OF ANIMALS. English Studies in Africa: Vol. 47, No. 1, pp. 61-84
(Re-)Marking Coetzee & Costello
(2004). (RE-)MARKING COETZEE & COSTELLO: THE [TEXTUAL] LIVES OF ANIMALS. English Studies in Africa: Vol. 47, No. 1, pp. 61-84
Reflection, understanding, and empathy
A conversation between writers Carol-Ann Davids and Patrick Flanery, covering their respective novels, transnationalism, representation, censorship, and politics
In My Country 's Filmic Betrayals
What National Cinema? South African Film Cultures and the Transnational
To Change Reels: Film and Film Culture in South Africa ISABEL BALSEIRO & NTONGELA MASILELA (Eds) Detroit, Wayne State University Press, 2003, pp. xii + 274, ISBN 0-8143-3001-0 South African Nationa
Limber
This article considers the publication of two excerpts from J.M. Coetzee's 2005 novel, Slow man. The first, appearing as “The blow” in The New Yorker magazine, is a silently edited version of the first fourteen chapters of the novel, which makes considerable stylistic changes, as well as transforming the text to perform as an autonomous piece of short fiction. The article considers both the context of its publication — Coetzee's first appearance …
(Re-)Marking Coetzee & Costello
(2004). (RE-)MARKING COETZEE & COSTELLO: THE [TEXTUAL] LIVES OF ANIMALS. English Studies in Africa: Vol. 47, No. 1, pp. 61-84
Limber
This article considers the publication of two excerpts from J.M. Coetzee's 2005 novel, Slow man. The first, appearing as “The blow” in The New Yorker magazine, is a silently edited version of the first fourteen chapters of the novel, which makes considerable stylistic changes, as well as transforming the text to perform as an autonomous piece of short fiction. The article considers both the context of its publication — Coetzee's first appearance …
What National Cinema? South African Film Cultures and the Transnational
To Change Reels: Film and Film Culture in South Africa ISABEL BALSEIRO & NTONGELA MASILELA (Eds) Detroit, Wayne State University Press, 2003, pp. xii + 274, ISBN 0-8143-3001-0 South African Nationa
In My Country 's Filmic Betrayals
Print, Text and Book Cultures in South Africa
Vir iemand wat altyd die gewig van 'n boek takseer terwyl jy begin blaai en nie die verleiding kan weerstaan om aan die binnekant te ruik nie, is Print, Text and Book Cultures in South Africa 'n heerlike boek. Nie dat dit spesifiek lekkerder as ander moderne boeke ruik nie - wel kraakhelder en fris - maar omdat die materialiteit, die boek as ding, so sterk op die voorgrond staan in die 21 artikels waaruit dit bestaan. Die plesier begin al danksy …
Reflection, understanding, and empathy
A conversation between writers Carol-Ann Davids and Patrick Flanery, covering their respective novels, transnationalism, representation, censorship, and politics
Lock Them Up
This article considers how The Ice Storm (dir. Ang Lee, US, 1997) reframes the politics of Rick Moody's novel of the same name and works via a network of symbols to align character Elena Hood (Joan Allen) with Hillary Clinton, suggesting an analogy between the scandals of the Richard Nixon and Bill Clinton presidencies. Simultaneously, the film mounts a sustained campaign to constrain female sexuality, chiefly through its sanitizing of male chara…
Art (6 works) · Political science (5 works) · Sociology (5 works) · History (4 works) · Law (4 works) · Law (4 works) · Media studies (4 works) · Politics (4 works) · Art history (3 works) · History (3 works)