Colin Rhodes
Biographic Data
| ID | 5455812 |
|---|---|
| NAME | Colin Rhodes |
| GIVEN NAMES | Colin |
| FAMILY NAME | Rhodes |
| SIGNATURE | RHODES C |
| AFFILIATIONS | Loughborough University |
| ORCID | 0000-0002-0562-0079 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Expressionist Women Before and After the Blue Rider
A Timeless, Eternal World Realized in Humble Materials
Rot-Blau
Fulfilments of Desire in the Work of a Self–Taught Artist
This paper explores an artist whose substantial oeuvre was produced outside the usual structures of professional practice and the market. Malcolm McKesson (1909–1999) first became known around 1993 for his drawings, but there is also a significant related body of writing, most of which remains unpublished. He belongs to a category of artists now increasingly receiving serious attention, usually referred to as ‘Self–Taught’, or ‘Outsider’s. Though…
Repossessions
Books reviewed in this article: Nicholas Thomas, Possessions: Indigenous Art/Colonial Culture Nicholas Thomas and Diane Losche (eds.), Double Vision: Art Histories and Colonial Histories in the Pacific Nicholas Thomas, Oceanic Art Julie F. Codell and Dianne Sachko Macleod (eds.), Orientalism Transposed: The Impact of the Colonies on British Culture
The Sleep of Reason
Primitivism and Modern Art
Primitivism and Modern Art
Unmasking ‘Others’, Ourselves (And Others)
Primitive Art in Civilized Places by Sally Price , Chicago and London: University of Chicago Press, 1991, 149 pp., 13 b. & w. illus., £8.75 The Myth of Primitivism: Perspectives on Art , edited by Susan Hiller , London and New York: Routledge, 1991, 355 pp., 67 b. & w. illus., £14.99
Nietzsche, Contradiction and the Absence of Africa
Expressionism: Art and Idea by Donald E. Gordon , New Haven and London: Yale University Press, 1987, 263 pp., 27 colour plates, 201 b. & w. illus., £27.50
No prominent works on this page.
Nietzsche, Contradiction and the Absence of Africa
Expressionism: Art and Idea by Donald E. Gordon , New Haven and London: Yale University Press, 1987, 263 pp., 27 colour plates, 201 b. & w. illus., £27.50
Unmasking ‘Others’, Ourselves (And Others)
Primitive Art in Civilized Places by Sally Price , Chicago and London: University of Chicago Press, 1991, 149 pp., 13 b. & w. illus., £8.75 The Myth of Primitivism: Perspectives on Art , edited by Susan Hiller , London and New York: Routledge, 1991, 355 pp., 67 b. & w. illus., £14.99
Primitivism and Modern Art
Primitivism and Modern Art
The Sleep of Reason
Repossessions
Books reviewed in this article: Nicholas Thomas, Possessions: Indigenous Art/Colonial Culture Nicholas Thomas and Diane Losche (eds.), Double Vision: Art Histories and Colonial Histories in the Pacific Nicholas Thomas, Oceanic Art Julie F. Codell and Dianne Sachko Macleod (eds.), Orientalism Transposed: The Impact of the Colonies on British Culture
Fulfilments of Desire in the Work of a Self–Taught Artist
This paper explores an artist whose substantial oeuvre was produced outside the usual structures of professional practice and the market. Malcolm McKesson (1909–1999) first became known around 1993 for his drawings, but there is also a significant related body of writing, most of which remains unpublished. He belongs to a category of artists now increasingly receiving serious attention, usually referred to as ‘Self–Taught’, or ‘Outsider’s. Though…
Rot-Blau
A Timeless, Eternal World Realized in Humble Materials
Expressionist Women Before and After the Blue Rider
Art (9 works) · Art history (7 works) · History (5 works) · Aesthetics (3 works) · Art, Politics, and Modernism (2 works) · Citation (2 works) · Computer Science (2 works) · Library science (2 works) · Literature (2 works) · Mathematics (2 works)