Clémentine Deliss
Biographic Data
| ID | 5455844 |
|---|---|
| NAME | Clémentine Deliss |
| GIVEN NAMES | Clémentine |
| FAMILY NAME | Deliss |
| SIGNATURE | DELISS C |
| AFFILIATIONS | University of London |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 13 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 3 |
Necrography: Death-Writing in the Colonial Museum
When it comes to the study of artworks as material culture, there are few more familiar idioms than that of the “life-history” of the object. From Arjun Appadurai’s formulation of “the social life of things” (1986) to Bruno Latour’s business-school model of “actor-networks” (1993), over the past generation a particular variety of materialist anthropology has taken root in those parts of historical studies that deal with things. “If humans have bi…
Formes rapides de restitution
La restitution des artefacts pillés lors des conquêtes coloniales ou abritées dans les musées « coloniaux » suscite des réactions antagoniques. Faut-il « tuer » le modèle du musée ethnographique, comme le préconise le président du Mali, ou bien purifier les collections témoins de pratiques génocidaires, en les radiographiant ou les cachant dans les réserves muséales, à l'abri des regards critiques ? La complicité entre le pouvoir académique et le…
Manifeste pour le droit d’accès aux collections coloniales séquestrées en Europe de l’ouest
On the anthropology of the contemporary: Addressing concepts, designs, and practices
Between 2007 and 2014, on his own and in association with Gaymon Bennett and Anthony Stavrianakis, Paul Rabinow has been devoted to the development of an "anthropology of the contemporary." The project is widely recognized as being original, stimulating, and provocative, within and outside of the disciplinary corridors of anthropology. Only spotty attention has been paid, however, to the overarching integrity of the complex spiral of figuration a…
Brothers in Arms: Laboratoire Agit’art and Tenq in Dakar in the 1990s
Clémentine Deliss discusses the Senegalese artist groups Laboratoire AGIT’art and Tenq, reflecting upon the paradoxes of writing a history of collective practices that reject fixed forms
Returning the Curve: "Africa95, Tenq, and "Seven Stories
Les discussions menees a l'Ecole des etudes orientales et africaines et les ateliers de travail d'Afrique du Sud sont a l'origine de la manifestation britannique « africa95 » au cours de laquelle se sont tenus l'atelier des arts visuels, « Tenq », au Senegal en septembre 1994 et l'exposition « Seven stories about modern art in Africa » a Londres puis en Suede
Seven Stories about Modern Art in Africa
Exhibit a: Blueprint for a Visual Methodology
Reply to Yinka Shonibare
The Dakar Biennale 92: Where internationalism falls apart
Dak'Art 92 Where Internationalism Falls Apart
Exhibit A: Blueprint for a visual methodology
Notes pour Documents. Quelques réflexions sur l'exotisme et l'érotisme en France pendant les années trente
Deliss Clémentine. Notes pour Documents. Quelques réflexions sur l’exotisme et l’érotisme en France pendant les années trente. In: Gradhiva : revue d'histoire et d'archives de l'anthropologie, n°2, 1987. pp. 68-73
Necrography: Death-Writing in the Colonial Museum
When it comes to the study of artworks as material culture, there are few more familiar idioms than that of the “life-history” of the object. From Arjun Appadurai’s formulation of “the social life of things” (1986) to Bruno Latour’s business-school model of “actor-networks” (1993), over the past generation a particular variety of materialist anthropology has taken root in those parts of historical studies that deal with things. “If humans have bi…
On the anthropology of the contemporary: Addressing concepts, designs, and practices
Between 2007 and 2014, on his own and in association with Gaymon Bennett and Anthony Stavrianakis, Paul Rabinow has been devoted to the development of an "anthropology of the contemporary." The project is widely recognized as being original, stimulating, and provocative, within and outside of the disciplinary corridors of anthropology. Only spotty attention has been paid, however, to the overarching integrity of the complex spiral of figuration a…
The Dakar Biennale 92: Where internationalism falls apart
Manifeste pour le droit d’accès aux collections coloniales séquestrées en Europe de l’ouest
Seven Stories about Modern Art in Africa
Dak'Art 92 Where Internationalism Falls Apart
Notes pour Documents. Quelques réflexions sur l'exotisme et l'érotisme en France pendant les années trente
Deliss Clémentine. Notes pour Documents. Quelques réflexions sur l’exotisme et l’érotisme en France pendant les années trente. In: Gradhiva : revue d'histoire et d'archives de l'anthropologie, n°2, 1987. pp. 68-73
Exhibit A: Blueprint for a visual methodology
The Dakar Biennale 92: Where internationalism falls apart
Dak'Art 92 Where Internationalism Falls Apart
Reply to Yinka Shonibare
Exhibit a: Blueprint for a Visual Methodology
Returning the Curve: "Africa95, Tenq, and "Seven Stories
Les discussions menees a l'Ecole des etudes orientales et africaines et les ateliers de travail d'Afrique du Sud sont a l'origine de la manifestation britannique « africa95 » au cours de laquelle se sont tenus l'atelier des arts visuels, « Tenq », au Senegal en septembre 1994 et l'exposition « Seven stories about modern art in Africa » a Londres puis en Suede
Seven Stories about Modern Art in Africa
Brothers in Arms: Laboratoire Agit’art and Tenq in Dakar in the 1990s
Clémentine Deliss discusses the Senegalese artist groups Laboratoire AGIT’art and Tenq, reflecting upon the paradoxes of writing a history of collective practices that reject fixed forms
On the anthropology of the contemporary: Addressing concepts, designs, and practices
Between 2007 and 2014, on his own and in association with Gaymon Bennett and Anthony Stavrianakis, Paul Rabinow has been devoted to the development of an "anthropology of the contemporary." The project is widely recognized as being original, stimulating, and provocative, within and outside of the disciplinary corridors of anthropology. Only spotty attention has been paid, however, to the overarching integrity of the complex spiral of figuration a…
Manifeste pour le droit d’accès aux collections coloniales séquestrées en Europe de l’ouest
Formes rapides de restitution
La restitution des artefacts pillés lors des conquêtes coloniales ou abritées dans les musées « coloniaux » suscite des réactions antagoniques. Faut-il « tuer » le modèle du musée ethnographique, comme le préconise le président du Mali, ou bien purifier les collections témoins de pratiques génocidaires, en les radiographiant ou les cachant dans les réserves muséales, à l'abri des regards critiques ? La complicité entre le pouvoir académique et le…
Necrography: Death-Writing in the Colonial Museum
When it comes to the study of artworks as material culture, there are few more familiar idioms than that of the “life-history” of the object. From Arjun Appadurai’s formulation of “the social life of things” (1986) to Bruno Latour’s business-school model of “actor-networks” (1993), over the past generation a particular variety of materialist anthropology has taken root in those parts of historical studies that deal with things. “If humans have bi…
Art (12 works) · Political science (6 works) · African history and culture studies (4 works) · Law (4 works) · Visual arts (4 works) · Historical Studies and Socio-cultural Analysis (3 works) · History (3 works) · History (3 works) · Humanities (3 works) · Philosophy (3 works)