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Amanda B Carlson

Biographic Data

ID5455923
NAMEAmanda B Carlson
GIVEN NAMESAmanda B
FAMILY NAMECarlson
SIGNATURECARLSON A B
AFFILIATIONSAmanda Carlson is Assistant Professor of Art History at University of Hartford.
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS11
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2019
H-INDEX2
  • In the Spirit and in the Flesh: Women, Masquerades, and the Cross River

    Amanda Carlson, Amanda B Carlson•ARTICLE•African Arts•2019•Cited by: 3•References: 8

    all photos by the author except where otherwise notedThe Cross River, which begins in the Cameroon mountains and rolls west and then south toward the Nigerian coast, has provided a fertile climate for ritual systems and masquerades that has been amplified in part due to centuries of intense trade in agricultural products, foreign goods, and humans (Fig. 1). Prior to road travel, the Cross River acted like an umbilical cord connecting hinterland t…

  • Lalla Essaydi: Revisions May 9, 2012–February 24, 2013 National Museum for African Art, Smithsonian Institution Washington DC

    Amanda Carlson, Amanda B Carlson•ARTICLE•African Arts•2014

  • Calabar Carnival: A Trinidadian Tradition Returns to Africa

    Amanda Carlson, Amanda B Carlson•ARTICLE•African Arts•2010•Cited by: 8

    December 01 2010 Calabar Carnival: A Trinidadian Tradition Returns to Africa Amanda B. Carlson Amanda B. Carlson Amanda Carlson is Assistant Professor of Art History at University of Hartford in Connecticut. Over the past two decades, her research in Cross River State (Nigeria) has focused on the ideographic form of writing known as nsibidi. She also researches and writes about a broad set of topics associated with African art and culture: gender…

  • Calabar Carnival: A Trinidadian Tradition Returns to Africa

    Amanda Carlson, Amanda B Carlson•ARTICLE•African Arts•2010•Cited by: 8

    December 01 2010 Calabar Carnival: A Trinidadian Tradition Returns to Africa Amanda B. Carlson Amanda B. Carlson Amanda Carlson is Assistant Professor of Art History at University of Hartford in Connecticut. Over the past two decades, her research in Cross River State (Nigeria) has focused on the ideographic form of writing known as nsibidi. She also researches and writes about a broad set of topics associated with African art and culture: gender…

  • In the Spirit and in the Flesh: Women, Masquerades, and the Cross River

    Amanda Carlson, Amanda B Carlson•ARTICLE•African Arts•2019•Cited by: 3•References: 8

    all photos by the author except where otherwise notedThe Cross River, which begins in the Cameroon mountains and rolls west and then south toward the Nigerian coast, has provided a fertile climate for ritual systems and masquerades that has been amplified in part due to centuries of intense trade in agricultural products, foreign goods, and humans (Fig. 1). Prior to road travel, the Cross River acted like an umbilical cord connecting hinterland t…

  • Calabar Carnival: A Trinidadian Tradition Returns to Africa

    Amanda Carlson, Amanda B Carlson•ARTICLE•African Arts•2010•Cited by: 8

    December 01 2010 Calabar Carnival: A Trinidadian Tradition Returns to Africa Amanda B. Carlson Amanda B. Carlson Amanda Carlson is Assistant Professor of Art History at University of Hartford in Connecticut. Over the past two decades, her research in Cross River State (Nigeria) has focused on the ideographic form of writing known as nsibidi. She also researches and writes about a broad set of topics associated with African art and culture: gender…

  • Lalla Essaydi: Revisions May 9, 2012–February 24, 2013 National Museum for African Art, Smithsonian Institution Washington DC

    Amanda Carlson, Amanda B Carlson•ARTICLE•African Arts•2014

  • In the Spirit and in the Flesh: Women, Masquerades, and the Cross River

    Amanda Carlson, Amanda B Carlson•ARTICLE•African Arts•2019•Cited by: 3•References: 8

    all photos by the author except where otherwise notedThe Cross River, which begins in the Cameroon mountains and rolls west and then south toward the Nigerian coast, has provided a fertile climate for ritual systems and masquerades that has been amplified in part due to centuries of intense trade in agricultural products, foreign goods, and humans (Fig. 1). Prior to road travel, the Cross River acted like an umbilical cord connecting hinterland t…

Art (3 works) · African art (2 works) · Law (2 works) · Political science (2 works) · Visual arts (2 works) · African history and culture studies (1 works) · Amusement (1 works) · Archaeology (1 works) · Art history (1 works) · Art History and Market Analysis (1 works)

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