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Jenny Peruski

Biographic Data

ID5456262
NAMEJenny Peruski
GIVEN NAMESJenny
FAMILY NAMEPeruski
SIGNATUREPERUSKI J
AFFILIATIONSArtistic Realization Technologies
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2022
H-INDEX0
  • The Swahili World

    Jenny Peruski•ARTICLE•African Arts•2022

    Geographically positioned between inland eastern and central Africa and the Indian Ocean, the Swahili coast has fascinated scholars for centuries if not millennia. One of the earliest texts addressing this region is the frequently cited Periplus of the Erythraean Sea, a mid-first century ce text detailing trade and navigational information for the Red Sea and Indian Ocean. Western scholars have struggled with how to categorize coastal east Africa…

  • Fetishizing the Foot

    Jenny Peruski•ARTICLE•African Arts•2020•References: 8

    Hamad bin Muḥammad al-Murjabī (c. 1832–1905), more commonly known as Tippu Tip, was a (in)famous slave trader from the Swahili coast who worked along a broad stretch of land reaching into what is now the Democratic Republic of the Congo. Between 1884 and 1889 he developed a friendship with Herbert Ward, an English artist and adventurer working in the service of King Leopold II of Belgium. In 1889, Tippu Tip and Ward encountered each other for the…

  • Cracks in the Dome

    Jenny Peruski•ARTICLE•African Arts•2019•References: 1

    Cracks in the Dome is an engaging study that weaves together colonial history and museum studies to highlight the relationship between museums and imperial policy-making, as well as the inconsistencies inherent in the British government's mission in its territories. In her work, Sarah Longair focuses on the Peace Memorial Museum in Zanzibar, a small museum built to memorialize World War I and serve as an educational center and repository of Zanzi…

No prominent works on this page.

  • Cracks in the Dome

    Jenny Peruski•ARTICLE•African Arts•2019•References: 1

    Cracks in the Dome is an engaging study that weaves together colonial history and museum studies to highlight the relationship between museums and imperial policy-making, as well as the inconsistencies inherent in the British government's mission in its territories. In her work, Sarah Longair focuses on the Peace Memorial Museum in Zanzibar, a small museum built to memorialize World War I and serve as an educational center and repository of Zanzi…

  • Fetishizing the Foot

    Jenny Peruski•ARTICLE•African Arts•2020•References: 8

    Hamad bin Muḥammad al-Murjabī (c. 1832–1905), more commonly known as Tippu Tip, was a (in)famous slave trader from the Swahili coast who worked along a broad stretch of land reaching into what is now the Democratic Republic of the Congo. Between 1884 and 1889 he developed a friendship with Herbert Ward, an English artist and adventurer working in the service of King Leopold II of Belgium. In 1889, Tippu Tip and Ward encountered each other for the…

  • The Swahili World

    Jenny Peruski•ARTICLE•African Arts•2022

    Geographically positioned between inland eastern and central Africa and the Indian Ocean, the Swahili coast has fascinated scholars for centuries if not millennia. One of the earliest texts addressing this region is the frequently cited Periplus of the Erythraean Sea, a mid-first century ce text detailing trade and navigational information for the Red Sea and Indian Ocean. Western scholars have struggled with how to categorize coastal east Africa…

Colonialism, slavery, and trade (3 works) · Global Maritime and Colonial Histories (3 works) · African history and culture studies (2 works) · Art (2 works) · Geography (2 works) · Geology (2 works) · Geology (2 works) · Anthropological Studies and Insights (1 work) · Archaeology (1 work) · Archipelago (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae