Tenley Bick
Biographic Data
| ID | 5456528 |
|---|---|
| NAME | Tenley Bick |
| GIVEN NAMES | Tenley |
| FAMILY NAME | Bick |
| SIGNATURE | BICK T |
| AFFILIATIONS | Florida State University |
| ORCID | 0000-0001-8837-0054 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Oltre i bordi (Beyond the Frame)
Oltre i bordi, a compelling experimental documentary by Italian studies scholar Simone Brioni (Stony Brook University) and independent filmmaker Matteo Sandrini, focuses on a cache of family photographs discovered by chance. Encountered in 2020 by Brioni on a return trip to his hometown of Borgosatollo, located outside of Brescia in Northern Italy, the photographs were originally taken by the filmmaker's distant cousin Giulio Brioni between 1934 …
Un sentimento di libertà: Toward a transnational Italian art history
Where there’s everything: Pistoletto, the Gruppo d’Arte “l’Arlecchino,” and localist internationalism in Presenze
Recent scholarship on journals produced by postwar Italian avant-gardes has focused on artists’ use of publications to engage with aesthetic constructions of international and global modernisms after Fascist isolation. This scholarship, however, has not yet accounted for the different models of internationalism articulated in these publications, especially in those based outside of Italy’s major cultural centers. This article addresses the little…
What Goes Around Comes Around: Myth and Male Trauma in Somali Diasporic Cinema
Recent scholarship on African cinema has expanded the discourse’s historical focus on Francophone West Africa to address other regions, transnational cinemas, and film media on the Continent and in its diasporas. Other African cinemas, however, continue to be overlooked. Through formal and narrative analysis of several films by Somali film-maker Abdisalam Aato, especially Xaaskayga Araweelo (My Wife Araweelo, 2006), this article examines the rece…
Acasa Fifteenth Triennial: Ucla March 23–27, 2011
Horror Histories: Apartheid and the Abject Body in the Work of Jane Alexander
December 01 2010 Horror Histories: Apartheid and the Abject Body in the Work of Jane Alexander Tenley Bick Tenley Bick Tenley Bick is a PhD student in postwar and contemporary art history at UCLA. Upcoming publications include "Suspensions of Perception" in The Visual Studies Reader, ed. James Elkins (Routledge, forthcoming 2012). Search for other works by this author on: This Site Google Scholar Author and Article Information Tenley Bick Tenley …
Horror Histories: Apartheid and the Abject Body in the Work of Jane Alexander
December 01 2010 Horror Histories: Apartheid and the Abject Body in the Work of Jane Alexander Tenley Bick Tenley Bick Tenley Bick is a PhD student in postwar and contemporary art history at UCLA. Upcoming publications include "Suspensions of Perception" in The Visual Studies Reader, ed. James Elkins (Routledge, forthcoming 2012). Search for other works by this author on: This Site Google Scholar Author and Article Information Tenley Bick Tenley …
Horror Histories: Apartheid and the Abject Body in the Work of Jane Alexander
December 01 2010 Horror Histories: Apartheid and the Abject Body in the Work of Jane Alexander Tenley Bick Tenley Bick Tenley Bick is a PhD student in postwar and contemporary art history at UCLA. Upcoming publications include "Suspensions of Perception" in The Visual Studies Reader, ed. James Elkins (Routledge, forthcoming 2012). Search for other works by this author on: This Site Google Scholar Author and Article Information Tenley Bick Tenley …
Acasa Fifteenth Triennial: Ucla March 23–27, 2011
What Goes Around Comes Around: Myth and Male Trauma in Somali Diasporic Cinema
Recent scholarship on African cinema has expanded the discourse’s historical focus on Francophone West Africa to address other regions, transnational cinemas, and film media on the Continent and in its diasporas. Other African cinemas, however, continue to be overlooked. Through formal and narrative analysis of several films by Somali film-maker Abdisalam Aato, especially Xaaskayga Araweelo (My Wife Araweelo, 2006), this article examines the rece…
Where there’s everything: Pistoletto, the Gruppo d’Arte “l’Arlecchino,” and localist internationalism in Presenze
Recent scholarship on journals produced by postwar Italian avant-gardes has focused on artists’ use of publications to engage with aesthetic constructions of international and global modernisms after Fascist isolation. This scholarship, however, has not yet accounted for the different models of internationalism articulated in these publications, especially in those based outside of Italy’s major cultural centers. This article addresses the little…
Un sentimento di libertà: Toward a transnational Italian art history
Oltre i bordi (Beyond the Frame)
Oltre i bordi, a compelling experimental documentary by Italian studies scholar Simone Brioni (Stony Brook University) and independent filmmaker Matteo Sandrini, focuses on a cache of family photographs discovered by chance. Encountered in 2020 by Brioni on a return trip to his hometown of Borgosatollo, located outside of Brescia in Northern Italy, the photographs were originally taken by the filmmaker's distant cousin Giulio Brioni between 1934 …
Art (5 works) · Art history (4 works) · History (3 works) · Italian Fascism and Post-war Society (3 works) · African history and culture studies (2 works) · Classics (2 works) · Computer Science (2 works) · Law (2 works) · Literature (2 works) · Political science (2 works)