Verena Rodatus
Biographic Data
| ID | 5456574 |
|---|---|
| NAME | Verena Rodatus |
| GIVEN NAMES | Verena |
| FAMILY NAME | Rodatus |
| SIGNATURE | RODATUS V |
| AFFILIATIONS | Institute of Contemporary Art |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Decolonizing Research, Cosmo-optimistic Collaboration
In Germany, the new cultural center Humboldt Forum (to open in 2019) has become a major site of debate. It will include the contested collections of both the Ethnological Museum and the Museum of Asian Art, which contributed to the negotiation of the role of colonial legacies and their reverberances on contemporary Germany. We took those contestations as a point of departure for the exhibition Object Biographies (2015), part of the program Humbol…
Dak'Art–12th Biennale of Contemporary African Art “Reenchantments
In 2016, internationally renowned curator Simon Njami was commissioned to organize Dak'Art, the oldest “Biennale of Contemporary African Art” founded in Senegal in 1989, and since then the central contemporary arts event on the continent. For this twelfth edition, Njami alluded to the poem “Guélowâr où Prince,” of Négritude writer and the country's former president Léopold S. Senghor:This verse points to the high aspirations before and during Afr…
No prominent works on this page.
Decolonizing Research, Cosmo-optimistic Collaboration
In Germany, the new cultural center Humboldt Forum (to open in 2019) has become a major site of debate. It will include the contested collections of both the Ethnological Museum and the Museum of Asian Art, which contributed to the negotiation of the role of colonial legacies and their reverberances on contemporary Germany. We took those contestations as a point of departure for the exhibition Object Biographies (2015), part of the program Humbol…
Dak'Art–12th Biennale of Contemporary African Art “Reenchantments
In 2016, internationally renowned curator Simon Njami was commissioned to organize Dak'Art, the oldest “Biennale of Contemporary African Art” founded in Senegal in 1989, and since then the central contemporary arts event on the continent. For this twelfth edition, Njami alluded to the poem “Guélowâr où Prince,” of Négritude writer and the country's former president Léopold S. Senghor:This verse points to the high aspirations before and during Afr…
Art (2 works) · Computer Science (2 works) · History (2 works) · Visual arts (2 works) · African art (1 works) · Anthropological Studies and Insights (1 works) · Archaeology (1 works) · Art history (1 works) · Citation (1 works) · Colonialism (1 works)