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Kathleen Reinhardt

Biographic Data

ID5456575
NAMEKathleen Reinhardt
GIVEN NAMESKathleen
FAMILY NAMEReinhardt
SIGNATUREREINHARDT K
AFFILIATIONSKathleen Reinhardt is a writer and Curator at the Albertinum in Dresden, Germany. Her research and teaching at the Arts of Africa Department of Freie Universität Berlin and as Fulbright scholar at UC Santa Cruz focused on African-American art and the notion of a global contemporary. She wrote her PhD thesis on the artistic practice of Theaster Gates
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS1
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Dak'Art–12th Biennale of Contemporary African Art “Reenchantments

    Verena Rodatus, Kathleen D Reinhardt et al.•ARTICLE•African Arts•2017

    In 2016, internationally renowned curator Simon Njami was commissioned to organize Dak'Art, the oldest “Biennale of Contemporary African Art” founded in Senegal in 1989, and since then the central contemporary arts event on the continent. For this twelfth edition, Njami alluded to the poem “Guélowâr où Prince,” of Négritude writer and the country's former president Léopold S. Senghor:This verse points to the high aspirations before and during Afr…

  • Theaster Gates’s Dorchester Projects in Chicago

    Open Access•Kathleen Reinhardt•ARTICLE•Journal of Urban History•2015•Cited by: 1

    In the projects of the artist Theaster Gates, social change and transformation is strongly tied to an actual rebuilding and reactivation of vacant architectures across the South Side of Chicago. Opposed to Richard Florida’s analysis of the artist’s role in the processes of gentrification, in Gates’s model, the artist does not upvalue property in a decaying place only to then become victim to the outcome of this valorization, but the artist is a c…

  • Theaster Gates’s Dorchester Projects in Chicago

    Open Access•Kathleen Reinhardt•ARTICLE•Journal of Urban History•2015•Cited by: 1

    In the projects of the artist Theaster Gates, social change and transformation is strongly tied to an actual rebuilding and reactivation of vacant architectures across the South Side of Chicago. Opposed to Richard Florida’s analysis of the artist’s role in the processes of gentrification, in Gates’s model, the artist does not upvalue property in a decaying place only to then become victim to the outcome of this valorization, but the artist is a c…

  • Theaster Gates’s Dorchester Projects in Chicago

    Open Access•Kathleen Reinhardt•ARTICLE•Journal of Urban History•2015•Cited by: 1

    In the projects of the artist Theaster Gates, social change and transformation is strongly tied to an actual rebuilding and reactivation of vacant architectures across the South Side of Chicago. Opposed to Richard Florida’s analysis of the artist’s role in the processes of gentrification, in Gates’s model, the artist does not upvalue property in a decaying place only to then become victim to the outcome of this valorization, but the artist is a c…

  • Dak'Art–12th Biennale of Contemporary African Art “Reenchantments

    Verena Rodatus, Kathleen D Reinhardt et al.•ARTICLE•African Arts•2017

    In 2016, internationally renowned curator Simon Njami was commissioned to organize Dak'Art, the oldest “Biennale of Contemporary African Art” founded in Senegal in 1989, and since then the central contemporary arts event on the continent. For this twelfth edition, Njami alluded to the poem “Guélowâr où Prince,” of Négritude writer and the country's former president Léopold S. Senghor:This verse points to the high aspirations before and during Afr…

Art (2 works) · Cultural Heritage Management and Preservation (2 works) · Visual arts (2 works) · Adaptive Reuse (1 works) · Aesthetics (1 works) · African art (1 works) · Architectural engineering (1 works) · Architecture (1 works) · Architecture (1 works) · Architecture, Modernity, and Design (1 works)

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