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George Bent

Biographic Data

ID548641
NAMEGeorge Bent
GIVEN NAMESGeorge
FAMILY NAMEBent
SIGNATUREBENT G
AFFILIATIONSWashington and Lee University
ORCID0000-0002-7792-4792
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1971
LATEST PUBLICATION YEAR2026
H-INDEX0
  • A Digital Reconstruction of the Tramezzo and Presbytery in S. Remigio, Florence

    Open Access•George Bent, George R Bent et al.•ARTICLE•Heritage•2026

    A three-phase digital reconstruction of the now-lost tramezzo and presbytery of the parish church of S. Remigio in Florence, Italy visualizes the interior of this small gothic space as it may have appeared at the end of the fourteenth century. Using data collected from a combination of Terrestrial Laser scans (TLS), high resolution photographs, architectural evidence, and archival information, the Digital Humanities team of Florence As It Was has…

  • Giannotti, Alessandra. Sculture in terracotta. Devozione nella casa fiorentina del Rinascimento

    Open Access•George Bent, George R Bent•ARTICLE•Renaissance and Reformation•2022

    Giannotti, Alessandra. Sculture in terracotta. Devozione nella casa fiorentina del Rinascimento. An article from journal Renaissance and Reformation / Renaissance et Réforme (Special issue: Interpoetics in Renaissance Poetry), on Érudit

  • Public Painting and Visual Culture in Early Republican Florence

    George Bent, George R Bent•BOOK•Public Painting and Visual…•2017

  • Altichiero: An Artist and His Patrons in the Italian Trecento

    Open Access•George Bent, George R Bent•ARTICLE•Renaissance Quarterly•2001

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Patronage in Renaissance Italy: From 1400 to the Early Sixteenth Century

    Open Access•George Bent, George R Bent•ARTICLE•Renaissance Quarterly•1998

    Mary Hollingsworth. Patronage in Renaissance Italy: From 1400 to the Early Sixteenth Century. Baltimore: Johns Hopkins University Press, 1994. xi + 372 pp. $19.95 (pap.). ISBN: 0-8018-5287-0. - Volume 51 Issue 2

  • Life of George Bent: Written from His Letters

    William K Jones, George E Hyde et al.•ARTICLE•Ethnohistory•1971

No prominent works on this page.

  • Life of George Bent: Written from His Letters

    William K Jones, George E Hyde et al.•ARTICLE•Ethnohistory•1971

  • Patronage in Renaissance Italy: From 1400 to the Early Sixteenth Century

    Open Access•George Bent, George R Bent•ARTICLE•Renaissance Quarterly•1998

    Mary Hollingsworth. Patronage in Renaissance Italy: From 1400 to the Early Sixteenth Century. Baltimore: Johns Hopkins University Press, 1994. xi + 372 pp. $19.95 (pap.). ISBN: 0-8018-5287-0. - Volume 51 Issue 2

  • Altichiero: An Artist and His Patrons in the Italian Trecento

    Open Access•George Bent, George R Bent•ARTICLE•Renaissance Quarterly•2001

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Public Painting and Visual Culture in Early Republican Florence

    George Bent, George R Bent•BOOK•Public Painting and Visual…•2017

  • Giannotti, Alessandra. Sculture in terracotta. Devozione nella casa fiorentina del Rinascimento

    Open Access•George Bent, George R Bent•ARTICLE•Renaissance and Reformation•2022

    Giannotti, Alessandra. Sculture in terracotta. Devozione nella casa fiorentina del Rinascimento. An article from journal Renaissance and Reformation / Renaissance et Réforme (Special issue: Interpoetics in Renaissance Poetry), on Érudit

  • A Digital Reconstruction of the Tramezzo and Presbytery in S. Remigio, Florence

    Open Access•George Bent, George R Bent et al.•ARTICLE•Heritage•2026

    A three-phase digital reconstruction of the now-lost tramezzo and presbytery of the parish church of S. Remigio in Florence, Italy visualizes the interior of this small gothic space as it may have appeared at the end of the fourteenth century. Using data collected from a combination of Terrestrial Laser scans (TLS), high resolution photographs, architectural evidence, and archival information, the Digital Humanities team of Florence As It Was has…

Art (5 works) · Art history (3 works) · Classics (3 works) · History (3 works) · Classics (2 works) · Historical and Religious Studies of Rome (2 works) · History (2 works) · Media studies (2 works) · Painting (2 works) · Renaissance and Early Modern Studies (2 works)

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