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Louise D'Arcens

Biographic Data

ID5512917
NAMELouise D'Arcens
GIVEN NAMESLouise
FAMILY NAMED'Arcens
SIGNATUREARCENS L D
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS1
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Medievalism

    Louise D’arcens, Louise D'Arcens•ARTICLE•Parergon•2019

    Medievalism:From Nationalist and Colonial Past to Global Future Louise D'Arcens (bio) I know I was far from alone in experiencing a chill of horror when I saw 'Charles Martel' and 'Tours 732' handwritten on the semiautomatic shotgun allegedly used by a white Australian terrorist to slaughter Muslim people at prayer on 15 March of this year. Closer photographs of the weapon revealed a series of names and dates, many of them medieval, forming a che…

  • The Impact of Literature

    Open Access•Louise D’arcens, Louise D'Arcens et al.•ARTICLE•Australian Literary Studies•2013

    There is a burgeoning critical literature of higher education which comments on the cultural changes associated with â research quality measurementâ . This essay is an introduction to a special issue which is a contribution to that literature and an attempt to consider the ways in which the discipline of literary studies is affected by that measurement and its terms of reference. This consideration is made more urgent by the growing momentum of c…

  • Old Songs in the Timeless Land

    Louise D’arcens, Louise D'Arcens•BOOK•Old songs in the timeless land•2011

  • Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ Novel

    Open Access•Louise D’arcens, Louise D'Arcens•ARTICLE•Australian Literary Studies•2011

    â Through an examination of works by four late nineteenth-century women writers â ¦ which explores their differing intersections with medievalism as a temporal discourse, this essay will discuss the discourseâ s unique capacity to probe colonial gender and colonial ideologies via its oscillation between premodernity and modernityâ (p.70)

  • Medievalism, Nationalism, Colonialism

    Open Access•Louise D’arcens, Louise D'Arcens et al.•ARTICLE•Australian Literary Studies•2011•Cited by: 1

    The hall-the great hall as it was properly termed [⋯] was not much unlike a church,-with a fireplace in it and all the pews turned out. There was a screen like a rood-screen at the lower end, dividing it from an outer vestibule; at the upper end the massive staircase [⋯] branched into galleries running down the sides. The windows were mullioned and filled with old glass, partly stained; the floor was of chequered stone; the roof a mass of oak bea…

  • Medievalism, Nationalism, Colonialism

    Open Access•Louise D’arcens, Louise D'Arcens et al.•ARTICLE•Australian Literary Studies•2011•Cited by: 1

    The hall-the great hall as it was properly termed [⋯] was not much unlike a church,-with a fireplace in it and all the pews turned out. There was a screen like a rood-screen at the lower end, dividing it from an outer vestibule; at the upper end the massive staircase [⋯] branched into galleries running down the sides. The windows were mullioned and filled with old glass, partly stained; the floor was of chequered stone; the roof a mass of oak bea…

  • Old Songs in the Timeless Land

    Louise D’arcens, Louise D'Arcens•BOOK•Old songs in the timeless land•2011

  • Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ Novel

    Open Access•Louise D’arcens, Louise D'Arcens•ARTICLE•Australian Literary Studies•2011

    â Through an examination of works by four late nineteenth-century women writers â ¦ which explores their differing intersections with medievalism as a temporal discourse, this essay will discuss the discourseâ s unique capacity to probe colonial gender and colonial ideologies via its oscillation between premodernity and modernityâ (p.70)

  • Medievalism, Nationalism, Colonialism

    Open Access•Louise D’arcens, Louise D'Arcens et al.•ARTICLE•Australian Literary Studies•2011•Cited by: 1

    The hall-the great hall as it was properly termed [⋯] was not much unlike a church,-with a fireplace in it and all the pews turned out. There was a screen like a rood-screen at the lower end, dividing it from an outer vestibule; at the upper end the massive staircase [⋯] branched into galleries running down the sides. The windows were mullioned and filled with old glass, partly stained; the floor was of chequered stone; the roof a mass of oak bea…

  • The Impact of Literature

    Open Access•Louise D’arcens, Louise D'Arcens et al.•ARTICLE•Australian Literary Studies•2013

    There is a burgeoning critical literature of higher education which comments on the cultural changes associated with â research quality measurementâ . This essay is an introduction to a special issue which is a contribution to that literature and an attempt to consider the ways in which the discipline of literary studies is affected by that measurement and its terms of reference. This consideration is made more urgent by the growing momentum of c…

  • Medievalism

    Louise D’arcens, Louise D'Arcens•ARTICLE•Parergon•2019

    Medievalism:From Nationalist and Colonial Past to Global Future Louise D'Arcens (bio) I know I was far from alone in experiencing a chill of horror when I saw 'Charles Martel' and 'Tours 732' handwritten on the semiautomatic shotgun allegedly used by a white Australian terrorist to slaughter Muslim people at prayer on 15 March of this year. Closer photographs of the weapon revealed a series of names and dates, many of them medieval, forming a che…

Ancient history (4 works) · Art (4 works) · History (4 works) · Law (4 works) · Archaeology (3 works) · Colonialism (3 works) · Law (3 works) · Literature (3 works) · Medievalism (3 works) · Middle Ages (3 works)

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