William Bartley
Biographic Data
| ID | 5512969 |
|---|---|
| NAME | William Bartley |
| GIVEN NAMES | William |
| FAMILY NAME | Bartley |
| SIGNATURE | BARTLEY W |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
What Is Long-Form Television? An Answer to Jason Mittell’s Complex TV
What is long-form television precisely? There is a consensus that seems to accept it as a creative departure from and adaptation of traditional television, cinema, and—most importantly—the serial novel. Nevertheless, this is a claim that must survive Jason Mittell’s argument in Complex TV: The Poetics of Contemporary Television Storytelling. Mittell rejects the view that the new kind of television is a hybrid form, instead, affirming that it is a…
Not by a Long Shot”
In Lone Star, John Sayles connects free agency with the power to imagine a future life for oneself in a story, drawing on the metaphor of composing a life as if it were a story. Sam and Pilar, as lovers who discover they are half-siblings, embrace that power when they resolve to “start from scratch” and thereby reject the counter-narrative that holds that their future lives are already authored by history and culture. Critics hold that the film s…
No prominent works on this page.
Not by a Long Shot”
In Lone Star, John Sayles connects free agency with the power to imagine a future life for oneself in a story, drawing on the metaphor of composing a life as if it were a story. Sam and Pilar, as lovers who discover they are half-siblings, embrace that power when they resolve to “start from scratch” and thereby reject the counter-narrative that holds that their future lives are already authored by history and culture. Critics hold that the film s…
What Is Long-Form Television? An Answer to Jason Mittell’s Complex TV
What is long-form television precisely? There is a consensus that seems to accept it as a creative departure from and adaptation of traditional television, cinema, and—most importantly—the serial novel. Nevertheless, this is a claim that must survive Jason Mittell’s argument in Complex TV: The Poetics of Contemporary Television Storytelling. Mittell rejects the view that the new kind of television is a hybrid form, instead, affirming that it is a…
Art (2 works) · Epistemology (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy (2 works) · Sociology (2 works) · Aesthetics (1 work) · Agency (philosophy (1 work) · Analogy (1 work) · Argument (complex analysis (1 work)