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Henry Jenkins III

Biographic Data

ID5515218
NAMEHenry Jenkins III
GIVEN NAMESHenry
FAMILY NAMEJenkins III
SIGNATUREJENKINS H
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
AUTHOR COUNT2
EDITOR COUNT1
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2005
H-INDEX1
  • Steel Chair to the Head: The Pleasure and Pain of Professional Wrestling

    Carlos Monsiváis, Henry Jenkins III et al.•BOOK•Steel Chair to the Head•2005

  • Hop on Pop: The Politics and Pleasures of Popular Culture

    Henry Jenkins III, Tara Mcpherson et al.•BOOK•Hop on Pop•2003

  • Shall We Make It for New York or for Distribution: Eddie Cantor, "Whoopee", and Regional Resistance to the Talkies

    H Jenkins, Henry Jenkins III•ARTICLE•Cinema Journal•1990•Cited by: 1

    On 23 March 1930, Broadway patrons opened the New York Times entertainment section to discover that Eddie Cantor, a fixture on the local stage since 1917, was abandoning the legitimate theater for the cinema. In an open letter to his loyal followers, Cantor proclaimed, This is to certify that I am in my right mind, white, free and rearin' to go to Hollywood.' The alert reader was probably not very surprised by this proclamation, having watched fo…

  • Shall We Make It for New York or for Distribution: Eddie Cantor, "Whoopee", and Regional Resistance to the Talkies

    H Jenkins, Henry Jenkins III•ARTICLE•Cinema Journal•1990•Cited by: 1

    On 23 March 1930, Broadway patrons opened the New York Times entertainment section to discover that Eddie Cantor, a fixture on the local stage since 1917, was abandoning the legitimate theater for the cinema. In an open letter to his loyal followers, Cantor proclaimed, This is to certify that I am in my right mind, white, free and rearin' to go to Hollywood.' The alert reader was probably not very surprised by this proclamation, having watched fo…

  • Shall We Make It for New York or for Distribution: Eddie Cantor, "Whoopee", and Regional Resistance to the Talkies

    H Jenkins, Henry Jenkins III•ARTICLE•Cinema Journal•1990•Cited by: 1

    On 23 March 1930, Broadway patrons opened the New York Times entertainment section to discover that Eddie Cantor, a fixture on the local stage since 1917, was abandoning the legitimate theater for the cinema. In an open letter to his loyal followers, Cantor proclaimed, This is to certify that I am in my right mind, white, free and rearin' to go to Hollywood.' The alert reader was probably not very surprised by this proclamation, having watched fo…

  • Hop on Pop: The Politics and Pleasures of Popular Culture

    Henry Jenkins III, Tara Mcpherson et al.•BOOK•Hop on Pop•2003

  • Steel Chair to the Head: The Pleasure and Pain of Professional Wrestling

    Carlos Monsiváis, Henry Jenkins III et al.•BOOK•Steel Chair to the Head•2005

Art (2 works) · American Sports and Literature (1 works) · Art history (1 works) · Biology (1 works) · Cinema and Media Studies (1 works) · Counterculture (1 works) · Digital Games and Media (1 works) · Feminism (1 works) · Gender Studies (1 works) · Geology (1 works)

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