Brenda Dixon-Stowell
Biographic Data
| ID | 5517696 |
|---|---|
| NAME | Brenda Dixon-Stowell |
| GIVEN NAMES | Brenda |
| FAMILY NAME | Dixon-Stowell |
| SIGNATURE | DIXON-STOWELL B |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1980 |
| LATEST PUBLICATION YEAR | 1984 |
| H-INDEX | 0 |
You've Taken My Blues and Gone
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Between Two Eras
From 1933 until 1946-47 Margot Webb and Harold Norton performed on the Afro-American vaudeville circuits of night clubs and theatres in the Northeast and the Midwest. Known professionally as “Norton and Margot,” they were one of the few Afro-American ballroom teams in history. Their career was emblematic of the frustrations, paradoxes, and double standards which existed for Afro-American artists in the United States. As a ballroom team, they face…
The Hatch-Billops Collection
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Schomburg Center for Research in Black Culture
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Blondell Cummings
Blondell Cummings has worked with Meredith Monk's company, The House, since 1969. She performed in Juice (1969), Needle Brain Lloyd and the System's Kid (1970), Vessel (1971), Education of the Girlchild (1973), Chacon (1974), the film of Quarry (1976) and Venice/Milan (1976). In addition to working independently, she now performs with the Nimbus Dance Theatre Company and Bill T. Jones' Everybodyworks. The Cycle Arts Foundation presented a program…
No prominent works on this page.
Blondell Cummings
Blondell Cummings has worked with Meredith Monk's company, The House, since 1969. She performed in Juice (1969), Needle Brain Lloyd and the System's Kid (1970), Vessel (1971), Education of the Girlchild (1973), Chacon (1974), the film of Quarry (1976) and Venice/Milan (1976). In addition to working independently, she now performs with the Nimbus Dance Theatre Company and Bill T. Jones' Everybodyworks. The Cycle Arts Foundation presented a program…
Between Two Eras
From 1933 until 1946-47 Margot Webb and Harold Norton performed on the Afro-American vaudeville circuits of night clubs and theatres in the Northeast and the Midwest. Known professionally as “Norton and Margot,” they were one of the few Afro-American ballroom teams in history. Their career was emblematic of the frustrations, paradoxes, and double standards which existed for Afro-American artists in the United States. As a ballroom team, they face…
The Hatch-Billops Collection
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Schomburg Center for Research in Black Culture
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
You've Taken My Blues and Gone
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Art (3 works) · Art history (3 works) · Content (measure theory) (3 works) · Visual arts (3 works) · Cinema and Media Studies (2 works) · Computer Science (2 works) · Dance (2 works) · Mathematics (2 works) · Sport and Mega-Event Impacts (2 works) · White (mutation) (2 works)