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OLIVER J W COX

Biographic Data

ID5520993
NAMEOLIVER J W COX
GIVEN NAMESOLIVER J W
FAMILY NAMECOX
SIGNATURECOX O J W
VERIFIEDNo
TOTAL WORKS1
TOTAL CITATIONS1
AUTHOR COUNT1
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2013
H-INDEX1
  • Frederick, Prince of Wales, and the First Performance of ‘Rule, Britannia!’

    Open Access•Oliver Cox, OLIVER J W COX•ARTICLE•The Historical Journal•2013•Cited by: 1•References: 21

    The words and music of ‘Rule, Britannia!’ are synonymous with the expansionist, triumphalist, and imperialist Britain symbolized by fluttering Union Jacks on the Last Night of the Proms. This article explores the cultural and political contexts of the first performance of this important national cultural artefact as the finale of Alfred: a masque to suggest that this opening night served a very different purpose. The first audience was a court in…

  • Frederick, Prince of Wales, and the First Performance of ‘Rule, Britannia!’

    Open Access•Oliver Cox, OLIVER J W COX•ARTICLE•The Historical Journal•2013•Cited by: 1•References: 21

    The words and music of ‘Rule, Britannia!’ are synonymous with the expansionist, triumphalist, and imperialist Britain symbolized by fluttering Union Jacks on the Last Night of the Proms. This article explores the cultural and political contexts of the first performance of this important national cultural artefact as the finale of Alfred: a masque to suggest that this opening night served a very different purpose. The first audience was a court in…

  • Frederick, Prince of Wales, and the First Performance of ‘Rule, Britannia!’

    Open Access•Oliver Cox, OLIVER J W COX•ARTICLE•The Historical Journal•2013•Cited by: 1•References: 21

    The words and music of ‘Rule, Britannia!’ are synonymous with the expansionist, triumphalist, and imperialist Britain symbolized by fluttering Union Jacks on the Last Night of the Proms. This article explores the cultural and political contexts of the first performance of this important national cultural artefact as the finale of Alfred: a masque to suggest that this opening night served a very different purpose. The first audience was a court in…

Aesthetics (1 works) · Art (1 works) · Expansionism (1 works) · Government (linguistics (1 works) · Historical Art and Culture Studies (1 works) · Historical Economic and Social Studies (1 works) · Historical Influence and Diplomacy (1 works) · History (1 works) · History (1 works) · Identity (music (1 works)

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