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Jeffrey Trask

Biographic Data

ID5530294
NAMEJeffrey Trask
GIVEN NAMESJeffrey
FAMILY NAMETrask
SIGNATURETRASK J
AFFILIATIONSGeorgia State University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS1
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Racial differences in maternal risk factors associated with adverse pregnancy outcomes

    Shondra Loggins Clay, Markisha J Woodson et al.•ARTICLE•Journal of Ethnic & Cultural…•2022•References: 1

    This paper explores racial differences in maternal risk factors associated with adverse pregnancy outcomes across urban and rural geographies using 2019 data from the Behavioral Risk Factor Surveillance System. Bivariate chi-square tests and logistic regression were performed which showed statistically significant geographical differences among Non-Hispanic (NH) Black pregnant women across income levels (p = .016) and perceived health status (p =…

  • The Lofts of SoHo

    Open Access•Jeffrey Trask•ARTICLE•Journal of Social History•2019•Cited by: 1

    What is the recipe for gentrification? What can be borrowed from the story of New York’s SoHo to either replicate its transformation or prevent it? In The Lofts of SoHo: Gentrification, Art, and Industry in New York, 1950–1980, Aaron Shkuda cuts through the myths of “SoHo-ization” and the marketing literature of real estate developers that promise the “next SoHo” by looking at the specific historical circumstances of New York’s economic, sociopol…

  • A Place for Us

    Open Access•Jeffrey L Trask, Jeffrey Trask•ARTICLE•Journal of Social History•2018

    The iconic street scenes in the film West Side Story where dancers leap before rubble-strewn, abandoned lots were shot on the empty streets of the upper west side neighborhood of San Juan Hill, just before they were demolished to make way for the new Lincoln Center arts complex. It is rich irony: the popularity of West Side Story on stage and screen allowed classically trained dancers depicting 1950s street gangs to stand in as popular images of …

  • The “Loft Cause” or “Bohemia Gone Bourgeois?”

    Open Access•Jeffrey Trask•ARTICLE•Journal of Urban History•2015

    The Westbeth Arts Center in New York’s Greenwich Village was one of the first large-scale institutionally sponsored conversions of nineteenth-century factories into residential lofts for artists. A privately and publicly financed project to provide housing for low-income artists, Westbeth stood apart from individual-artist-led loft conversion in SoHo in both its scope and its philanthropic goals of democratizing the arts in postwar America. Westb…

  • Stephen H. Grant. Collecting Shakespeare

    Jeffrey Trask•ARTICLE•The American Historical Review•2015

    Stephen H. Grant’s carefully researched new biography of New York City Shakespeare collectors Henry and Emily Folger provides a window into the discreet world of bibliophiles and rare book collectors during the Gilded Age. From the 1880s through the 1930s, the Folgers amassed one of the largest collections of works by and related to William Shakespeare, eventually building the Folger Shakespeare Library in Washington, D.C., making the collection …

  • JEFFREY ABT. American Egyptologist

    Jeffrey Trask•ARTICLE•The American Historical Review•2013

    In his recent biography, Jeffrey Abt seeks to restore pioneering American Egyptologist James Henry Breasted to his position as a prominent public intellectual in the early twentieth century. Abt portrays Breasted in the image of an early Indiana Jones—a handsome and charismatic scholar who was able to communicate equally well with the public, fellow academics, and philanthropists like John D. Rockefeller. Trained in the model of German research u…

  • The Lofts of SoHo

    Open Access•Jeffrey Trask•ARTICLE•Journal of Social History•2019•Cited by: 1

    What is the recipe for gentrification? What can be borrowed from the story of New York’s SoHo to either replicate its transformation or prevent it? In The Lofts of SoHo: Gentrification, Art, and Industry in New York, 1950–1980, Aaron Shkuda cuts through the myths of “SoHo-ization” and the marketing literature of real estate developers that promise the “next SoHo” by looking at the specific historical circumstances of New York’s economic, sociopol…

  • JEFFREY ABT. American Egyptologist

    Jeffrey Trask•ARTICLE•The American Historical Review•2013

    In his recent biography, Jeffrey Abt seeks to restore pioneering American Egyptologist James Henry Breasted to his position as a prominent public intellectual in the early twentieth century. Abt portrays Breasted in the image of an early Indiana Jones—a handsome and charismatic scholar who was able to communicate equally well with the public, fellow academics, and philanthropists like John D. Rockefeller. Trained in the model of German research u…

  • The “Loft Cause” or “Bohemia Gone Bourgeois?”

    Open Access•Jeffrey Trask•ARTICLE•Journal of Urban History•2015

    The Westbeth Arts Center in New York’s Greenwich Village was one of the first large-scale institutionally sponsored conversions of nineteenth-century factories into residential lofts for artists. A privately and publicly financed project to provide housing for low-income artists, Westbeth stood apart from individual-artist-led loft conversion in SoHo in both its scope and its philanthropic goals of democratizing the arts in postwar America. Westb…

  • Stephen H. Grant. Collecting Shakespeare

    Jeffrey Trask•ARTICLE•The American Historical Review•2015

    Stephen H. Grant’s carefully researched new biography of New York City Shakespeare collectors Henry and Emily Folger provides a window into the discreet world of bibliophiles and rare book collectors during the Gilded Age. From the 1880s through the 1930s, the Folgers amassed one of the largest collections of works by and related to William Shakespeare, eventually building the Folger Shakespeare Library in Washington, D.C., making the collection …

  • A Place for Us

    Open Access•Jeffrey L Trask, Jeffrey Trask•ARTICLE•Journal of Social History•2018

    The iconic street scenes in the film West Side Story where dancers leap before rubble-strewn, abandoned lots were shot on the empty streets of the upper west side neighborhood of San Juan Hill, just before they were demolished to make way for the new Lincoln Center arts complex. It is rich irony: the popularity of West Side Story on stage and screen allowed classically trained dancers depicting 1950s street gangs to stand in as popular images of …

  • The Lofts of SoHo

    Open Access•Jeffrey Trask•ARTICLE•Journal of Social History•2019•Cited by: 1

    What is the recipe for gentrification? What can be borrowed from the story of New York’s SoHo to either replicate its transformation or prevent it? In The Lofts of SoHo: Gentrification, Art, and Industry in New York, 1950–1980, Aaron Shkuda cuts through the myths of “SoHo-ization” and the marketing literature of real estate developers that promise the “next SoHo” by looking at the specific historical circumstances of New York’s economic, sociopol…

  • Racial differences in maternal risk factors associated with adverse pregnancy outcomes

    Shondra Loggins Clay, Markisha J Woodson et al.•ARTICLE•Journal of Ethnic & Cultural…•2022•References: 1

    This paper explores racial differences in maternal risk factors associated with adverse pregnancy outcomes across urban and rural geographies using 2019 data from the Behavioral Risk Factor Surveillance System. Bivariate chi-square tests and logistic regression were performed which showed statistically significant geographical differences among Non-Hispanic (NH) Black pregnant women across income levels (p = .016) and perceived health status (p =…

Sociology (6 works) · History (5 works) · Law (5 works) · Art history (4 works) · Political science (4 works) · Art (3 works) · Politics (3 works) · Biography (2 works) · Classics (2 works) · Diverse Historical and Scientific Studies (2 works)

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