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William M Owens

Biographic Data

ID5530870
NAMEWilliam M Owens
GIVEN NAMESWilliam M
FAMILY NAMEOwens
SIGNATUREOWENS W M
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS22
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2024
H-INDEX2
  • Freed Persons in the Roman World

    Open Access•Franco Luciani, Marc Kleijwegt et al.•BOOK•Freed Persons in the Roman World•2024

    How were freed people represented in the Roman world? This volume presents new research about the integration of freed persons into Roman society. It addresses the challenge of studying Roman freed persons on the basis of highly fragmentary sources whose contents have been fundamentally shaped by the forces of domination. Even though freed persons were defined through a common legal status and shared the experience of enslavement and manumission,…

  • The Representation of Slavery in the Greek Novel

    William M Owens•BOOK•Representation of Slavery in the…•2019•Cited by: 2

    This volume offers the first comprehensive treatment of how the five canonical Greek novels represent slaves and slavery. In each novel, one or both elite protagonists are enslaved, and Owens explores the significance of the genre’s regular social degradation of these members of the elite. Reading the novels in the context of social attitudes and stereotypes about slaves, Owens argues for an ideological division within the genre: the earlier nove…

  • The Political Topicality of Menander's Dyskolos

    William M Owens•ARTICLE•The American Journal of Philology•2011•Cited by: 2•References: 11

    In Dyskolos , produced in 316 B.C.E. , Menander implied his support for Demetrios of Phaleron and the Macedonian-backed oligarchy Demetrios headed as Epimelētēs . The play's mixed-class marriages involved only families that remained enfranchised under the oligarchy's wealth requirement. Thus, they did not indicate support for democratic egalitarianism, but citizen solidarity under the oligarchy. The play's ethical theme, epimeleia , solicitous ca…

  • Plautus' Stichus and the Political Crisis of 200 B.C

    William M Owens•ARTICLE•The American Journal of Philology•2000•Cited by: 9•References: 16

    What to make of Stichus? Scholars have written appreciatively of its separate parts: the sisters who are loyal wives to their absent husbands, the sympathetic depiction of the parasite Gelasimus, and even the wild celebration of the slaves that ends the play. 1 However, when considering Stichus as an artistic whole, scholarship has tended to blanket the play with anathema. Thus Norwood: "What of Stichus, which falls into three mere lumps?" 2 Duck…

  • The Third Deception in Bacchides

    William M Owens•ARTICLE•The American Journal of Philology•1994•Cited by: 9•References: 9

  • Nuntius Vafer et Fallax

    William M Owens•ARTICLE•The Classical World•1992

  • Plautus' Stichus and the Political Crisis of 200 B.C

    William M Owens•ARTICLE•The American Journal of Philology•2000•Cited by: 9•References: 16

    What to make of Stichus? Scholars have written appreciatively of its separate parts: the sisters who are loyal wives to their absent husbands, the sympathetic depiction of the parasite Gelasimus, and even the wild celebration of the slaves that ends the play. 1 However, when considering Stichus as an artistic whole, scholarship has tended to blanket the play with anathema. Thus Norwood: "What of Stichus, which falls into three mere lumps?" 2 Duck…

  • The Third Deception in Bacchides

    William M Owens•ARTICLE•The American Journal of Philology•1994•Cited by: 9•References: 9

  • The Representation of Slavery in the Greek Novel

    William M Owens•BOOK•Representation of Slavery in the…•2019•Cited by: 2

    This volume offers the first comprehensive treatment of how the five canonical Greek novels represent slaves and slavery. In each novel, one or both elite protagonists are enslaved, and Owens explores the significance of the genre’s regular social degradation of these members of the elite. Reading the novels in the context of social attitudes and stereotypes about slaves, Owens argues for an ideological division within the genre: the earlier nove…

  • The Political Topicality of Menander's Dyskolos

    William M Owens•ARTICLE•The American Journal of Philology•2011•Cited by: 2•References: 11

    In Dyskolos , produced in 316 B.C.E. , Menander implied his support for Demetrios of Phaleron and the Macedonian-backed oligarchy Demetrios headed as Epimelētēs . The play's mixed-class marriages involved only families that remained enfranchised under the oligarchy's wealth requirement. Thus, they did not indicate support for democratic egalitarianism, but citizen solidarity under the oligarchy. The play's ethical theme, epimeleia , solicitous ca…

  • Nuntius Vafer et Fallax

    William M Owens•ARTICLE•The Classical World•1992

  • The Third Deception in Bacchides

    William M Owens•ARTICLE•The American Journal of Philology•1994•Cited by: 9•References: 9

  • Plautus' Stichus and the Political Crisis of 200 B.C

    William M Owens•ARTICLE•The American Journal of Philology•2000•Cited by: 9•References: 16

    What to make of Stichus? Scholars have written appreciatively of its separate parts: the sisters who are loyal wives to their absent husbands, the sympathetic depiction of the parasite Gelasimus, and even the wild celebration of the slaves that ends the play. 1 However, when considering Stichus as an artistic whole, scholarship has tended to blanket the play with anathema. Thus Norwood: "What of Stichus, which falls into three mere lumps?" 2 Duck…

  • The Political Topicality of Menander's Dyskolos

    William M Owens•ARTICLE•The American Journal of Philology•2011•Cited by: 2•References: 11

    In Dyskolos , produced in 316 B.C.E. , Menander implied his support for Demetrios of Phaleron and the Macedonian-backed oligarchy Demetrios headed as Epimelētēs . The play's mixed-class marriages involved only families that remained enfranchised under the oligarchy's wealth requirement. Thus, they did not indicate support for democratic egalitarianism, but citizen solidarity under the oligarchy. The play's ethical theme, epimeleia , solicitous ca…

  • The Representation of Slavery in the Greek Novel

    William M Owens•BOOK•Representation of Slavery in the…•2019•Cited by: 2

    This volume offers the first comprehensive treatment of how the five canonical Greek novels represent slaves and slavery. In each novel, one or both elite protagonists are enslaved, and Owens explores the significance of the genre’s regular social degradation of these members of the elite. Reading the novels in the context of social attitudes and stereotypes about slaves, Owens argues for an ideological division within the genre: the earlier nove…

  • Freed Persons in the Roman World

    Open Access•Franco Luciani, Marc Kleijwegt et al.•BOOK•Freed Persons in the Roman World•2024

    How were freed people represented in the Roman world? This volume presents new research about the integration of freed persons into Roman society. It addresses the challenge of studying Roman freed persons on the basis of highly fragmentary sources whose contents have been fundamentally shaped by the forces of domination. Even though freed persons were defined through a common legal status and shared the experience of enslavement and manumission,…

Classical Antiquity Studies (6 works) · History (5 works) · Art (3 works) · History (3 works) · Law (3 works) · Law (3 works) · Political science (3 works) · Politics (3 works) · Ancient history (2 works) · Classical Philosophy and Thought (2 works)

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