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Anne Duncan

Biographic Data

ID5576941
NAMEAnne Duncan
GIVEN NAMESAnne
FAMILY NAMEDuncan
SIGNATUREDUNCAN A
AFFILIATIONSUniversity of Nebraska–Lincoln
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2018
H-INDEX0
  • Theatre Performance After the Fifth Century

    Open Access•Anne Duncan, A A M Duncan et al.•CHAPTER•Greek Tragedy after the Fifth…•2018

    A summary is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.

  • A Theseus outside Athens

    Open Access•Anne Duncan, A A M Duncan•CHAPTER•Theater Outside Athens•2012

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Theater Outside Athens

    Open Access•Benjamin Acosta‐Hughes, Jonathan M M Hall et al.•BOOK•Theater Outside Athens•2012

    This volume brings together archeologists, art historians, philologists, literary scholars, political scientists, and historians to articulate the ways in which western Greek theater was distinct from that of the Greek mainland and, at the same time, to investigate how the two traditions interacted. The chapters intersect and build on each other in their pursuit of a number of shared questions and themes: the place of theater in the cultural life…

  • Nothing to do with Athens?

    Anne Duncan•CHAPTER•Why Athens?•2011

    This chapter examines the evidence for the composition and production of tragedies outside of Athens during the fifth century BCE as a way of challenging the view that tragedy was an expression of Athenian democratic ideology. Aeschylus wrote and produced the Aetnaeae for Hieron of Syracuse between 472-467; he may also have produced the Persians in Syracuse. Euripides wrote and produced the Archelaus for Archelaus of Macedon ca. 406, when he was …

  • Performance and Identity in the Classical World

    Open Access•Anne Duncan•BOOK•Performance and Identity in the…•2006

    Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. Actors were often viewed as frauds and impostors, capable of deliberately fabricating their identities. Conversely, they were sometimes viewed as possessed by the characters that they played, or as merely playing themselves onstage. Numerous sources reveal an …

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  • Performance and Identity in the Classical World

    Open Access•Anne Duncan•BOOK•Performance and Identity in the…•2006

    Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. Actors were often viewed as frauds and impostors, capable of deliberately fabricating their identities. Conversely, they were sometimes viewed as possessed by the characters that they played, or as merely playing themselves onstage. Numerous sources reveal an …

  • Nothing to do with Athens?

    Anne Duncan•CHAPTER•Why Athens?•2011

    This chapter examines the evidence for the composition and production of tragedies outside of Athens during the fifth century BCE as a way of challenging the view that tragedy was an expression of Athenian democratic ideology. Aeschylus wrote and produced the Aetnaeae for Hieron of Syracuse between 472-467; he may also have produced the Persians in Syracuse. Euripides wrote and produced the Archelaus for Archelaus of Macedon ca. 406, when he was …

  • A Theseus outside Athens

    Open Access•Anne Duncan, A A M Duncan•CHAPTER•Theater Outside Athens•2012

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Theater Outside Athens

    Open Access•Benjamin Acosta‐Hughes, Jonathan M M Hall et al.•BOOK•Theater Outside Athens•2012

    This volume brings together archeologists, art historians, philologists, literary scholars, political scientists, and historians to articulate the ways in which western Greek theater was distinct from that of the Greek mainland and, at the same time, to investigate how the two traditions interacted. The chapters intersect and build on each other in their pursuit of a number of shared questions and themes: the place of theater in the cultural life…

  • Theatre Performance After the Fifth Century

    Open Access•Anne Duncan, A A M Duncan et al.•CHAPTER•Greek Tragedy after the Fifth…•2018

    A summary is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.

Classical Antiquity Studies (5 works) · Art (4 works) · History (3 works) · Literature (3 works) · Politics (3 works) · Archaeology (2 works) · Byzantine Studies and History (2 works) · Historical, Religious, and Philosophical Studies (2 works) · Law (2 works) · Philosophy (2 works)

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