Lionel Bently
Biographic Data
| ID | 5579422 |
|---|---|
| NAME | Lionel Bently |
| GIVEN NAMES | Lionel |
| FAMILY NAME | Bently |
| SIGNATURE | BENTLY L |
| AFFILIATIONS | University of Cambridge |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Roundtable on Warhol v. Goldsmith
The Past, Present and Future of the Cambridge Law Journal
This introductory essay reviews the history of the Journal, divided into two stages: the period from 1921 to 1953; and that from 1954 to today. It examines the changing institutional arrangements, personnel, as well as some of the highlights in the content of the Journal. If there is a theme, it is that the Journal was established by and developed its reputation because of the efforts of many of the outstanding scholars at Cambridge who over the …
Copyright Contracts and Earnings of Visual Creators
Privilege and Property
What can and can’t be copied is a matter of law, but also of aesthetics, culture and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership – of privilege and property. Exploring developments in the regulation of printing in Europe and North America from the fifteenth century onwards, as well as the specific evolution of righ…
Trade Marks and Brands
Authorship of Popular Music in Uk Copyright Law
While the commercial distribution channels of popular music (such as record retailers, radio stations, video channels, web stores), attribute authorship to performers, copyright law requires that a ‘musical work’ be invented ex post facto out of the ‘sound sculpture’ produced by the artist (and others, such as the producer) in the recording studio. This article explains how copyright law came to privilege some types of authorship, discusses the p…
The Making of Modern Intellectual Property Law
One of the common themes in recent public debate has been the law's inability to accommodate the new ways of creating, distributing and replicating intellectual products. In this book the authors argue that in order to understand many of the problems currently confronting the law, it is necessary to understand its past. This is its first detailed historical account. In this book the authors explore two related themes. First, they explain why inte…
Lords Design Constraints
Copyright and the Death of the Author in Literature and Law
Martha Woodmansee and Peter Jaszi , The Construction of Authorship: Textual Appropriation in Law and Literature David Saunders , Authorship and Copyright
Copyright and the Death of the Author in Literature and Law
Martha Woodmansee and Peter Jaszi , The Construction of Authorship: Textual Appropriation in Law and Literature David Saunders , Authorship and Copyright
Copyright and the Death of the Author in Literature and Law
Martha Woodmansee and Peter Jaszi , The Construction of Authorship: Textual Appropriation in Law and Literature David Saunders , Authorship and Copyright
Lords Design Constraints
The Making of Modern Intellectual Property Law
One of the common themes in recent public debate has been the law's inability to accommodate the new ways of creating, distributing and replicating intellectual products. In this book the authors argue that in order to understand many of the problems currently confronting the law, it is necessary to understand its past. This is its first detailed historical account. In this book the authors explore two related themes. First, they explain why inte…
Authorship of Popular Music in Uk Copyright Law
While the commercial distribution channels of popular music (such as record retailers, radio stations, video channels, web stores), attribute authorship to performers, copyright law requires that a ‘musical work’ be invented ex post facto out of the ‘sound sculpture’ produced by the artist (and others, such as the producer) in the recording studio. This article explains how copyright law came to privilege some types of authorship, discusses the p…
Privilege and Property
What can and can’t be copied is a matter of law, but also of aesthetics, culture and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership – of privilege and property. Exploring developments in the regulation of printing in Europe and North America from the fifteenth century onwards, as well as the specific evolution of righ…
Trade Marks and Brands
Copyright Contracts and Earnings of Visual Creators
The Past, Present and Future of the Cambridge Law Journal
This introductory essay reviews the history of the Journal, divided into two stages: the period from 1921 to 1953; and that from 1954 to today. It examines the changing institutional arrangements, personnel, as well as some of the highlights in the content of the Journal. If there is a theme, it is that the Journal was established by and developed its reputation because of the efforts of many of the outstanding scholars at Cambridge who over the …
Roundtable on Warhol v. Goldsmith
Law (7 works) · Political science (7 works) · Sociology (6 works) · Copyright and Intellectual Property (5 works) · Intellectual property (4 works) · Law and economics (4 works) · Law in Society and Culture (4 works) · Art (3 works) · Computer Science (3 works) · Philosophy (3 works)