David A Kaiser
Biographic Data
| ID | 5590693 |
|---|---|
| NAME | David A Kaiser |
| GIVEN NAMES | David A |
| FAMILY NAME | Kaiser |
| SIGNATURE | KAISER D A |
| AFFILIATIONS | Oregon Archaeological Society |
| ORCID | 0009-0002-8416-3474 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
When Charcoal Was Hung”
A petroglyph showing a hanging scene is incised at DgOv-2 at Writing-on-Stone in southern Alberta. Photographed in 1897 and recorded in 1976 as part of a wider documentation of rock art in the provincial park, the subject of the image remained unknown. Recent research and a better understanding of the Biographic art lexicon suggests this image documents the execution of the Blood (Káínawa) warrior Charcoal (Si’k-okskitsis) following a prolonged m…
Bear Gulch style shield heraldry
The Bear Gulch and Atherton Canyon rock art sites in central Montana contain images of 1024 shield-bearing warriors and an additional 150 freestanding shields. More than 800 of these shields are decorated with heraldic designs characteristic of the Bear Gulch style, and form the largest corpus of Plains decorated shields. Using the system of basic meaningful units, Bear Gulch style designs can be grouped into five geometric and five representatio…
Getting the Point
Metal projectile points were the earliest non-native made weapons to enter the Plains and would likely have caused significant changes in Protohistoric period warfare. Despite this there has been little effort to identify and study these artifacts in Plains rock art, even though it is almost our only archaeological record of warfare from this period. Recent research at Bear Gulch and Atherton Canyon, located in central Montana, has identified a n…
Romanticism, Aesthetics, and Nationalism
This ambitious study, first published in 1999, argues that our conception of the aesthetic sphere emerged during the era of British and German Romanticism from conflicts between competing models of the liberal state and the cultural nation. The aesthetic sphere is thus centrally connected to 'aesthetic statism', which is the theoretical project of reconciling conflicts in the political sphere by appealing to the unity of the symbol. David Kaiser …
Parrinder, Patrick. Authors and Authority
Bear Gulch style shield heraldry
The Bear Gulch and Atherton Canyon rock art sites in central Montana contain images of 1024 shield-bearing warriors and an additional 150 freestanding shields. More than 800 of these shields are decorated with heraldic designs characteristic of the Bear Gulch style, and form the largest corpus of Plains decorated shields. Using the system of basic meaningful units, Bear Gulch style designs can be grouped into five geometric and five representatio…
Getting the Point
Metal projectile points were the earliest non-native made weapons to enter the Plains and would likely have caused significant changes in Protohistoric period warfare. Despite this there has been little effort to identify and study these artifacts in Plains rock art, even though it is almost our only archaeological record of warfare from this period. Recent research at Bear Gulch and Atherton Canyon, located in central Montana, has identified a n…
Parrinder, Patrick. Authors and Authority
Romanticism, Aesthetics, and Nationalism
This ambitious study, first published in 1999, argues that our conception of the aesthetic sphere emerged during the era of British and German Romanticism from conflicts between competing models of the liberal state and the cultural nation. The aesthetic sphere is thus centrally connected to 'aesthetic statism', which is the theoretical project of reconciling conflicts in the political sphere by appealing to the unity of the symbol. David Kaiser …
Getting the Point
Metal projectile points were the earliest non-native made weapons to enter the Plains and would likely have caused significant changes in Protohistoric period warfare. Despite this there has been little effort to identify and study these artifacts in Plains rock art, even though it is almost our only archaeological record of warfare from this period. Recent research at Bear Gulch and Atherton Canyon, located in central Montana, has identified a n…
Bear Gulch style shield heraldry
The Bear Gulch and Atherton Canyon rock art sites in central Montana contain images of 1024 shield-bearing warriors and an additional 150 freestanding shields. More than 800 of these shields are decorated with heraldic designs characteristic of the Bear Gulch style, and form the largest corpus of Plains decorated shields. Using the system of basic meaningful units, Bear Gulch style designs can be grouped into five geometric and five representatio…
When Charcoal Was Hung”
A petroglyph showing a hanging scene is incised at DgOv-2 at Writing-on-Stone in southern Alberta. Photographed in 1897 and recorded in 1976 as part of a wider documentation of rock art in the provincial park, the subject of the image remained unknown. Recent research and a better understanding of the Biographic art lexicon suggests this image documents the execution of the Blood (Káínawa) warrior Charcoal (Si’k-okskitsis) following a prolonged m…
Art (4 works) · History (4 works) · Archaeology (3 works) · Archaeology and ancient environmental studies (3 works) · Archaeology and Rock Art Studies (3 works) · Geography (2 works) · Geology (2 works) · Geology (2 works) · Law (2 works) · Pleistocene-Era Hominins and Archaeology (2 works)