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Massimo Salvadori

Biographic Data

ID559085
NAMEMassimo Salvadori
GIVEN NAMESMassimo
FAMILY NAMESalvadori
SIGNATURESALVADORI M
AFFILIATIONSUniversity of Padua
ORCID0000-0003-4116-299X
VERIFIEDYes
TOTAL WORKS23
TOTAL CITATIONS56
AUTHOR COUNT23
EDITOR COUNT0
FIRST PUBLICATION YEAR1950
LATEST PUBLICATION YEAR2026
H-INDEX4
  • An Uncommon Instance of Egyptian Blue in the “Pigmented Intonachino” of the Fishpond Wall Painting From the Roman Villa of Torre di Pordenone (Northeast Italy)

    Open Access•Simone Dilaria, Clelia Sbrolli et al.•ARTICLE•Archaeometry•2026

    The increasingly close integration of analytical techniques in the study of Greek and Roman wall paintings has shown that Egyptian blue was a common pigment, widely documented in the production of blue and greenish hues in ancient painted production. This study reports on a peculiar use of this synthetic pigment identified in wall‐painting fragments recovered from secondary deposits at the Roman villa of “Torre di Pordenone” (Friuli‐Venezia‐Giuli…

  • Production technique and multi-analytical characterization of a paint-plastered ceiling from the Late Antique villa of Negrar (Verona, Italy)

    Open Access•Simone Dilaria, Clelia Sbrolli et al.•ARTICLE•Archaeological and Anthropological…•2024•Cited by: 8•References: 49

    The research focuses on analyzing the production techniques and materials of a Roman paint-plastered ceiling from a Late Antique Roman villa near Negrar (Verona, Italy), recently uncovered. Stylistic features of the decoration, found in reworked collapse debris during the villa's excavation, date the ceiling to the original construction phase in the 4th century CE. The paper presents the protocol we adopted for recovering and analyzing the painte…

  • Wall paintings through the ages: The roman period-Republic and early Empire

    Open Access•Massimo Salvadori, Clelia Sbrolli•ARTICLE•Archaeological and Anthropological…•2021•Cited by: 30•References: 51

    This paper aims at presenting an overview of Roman wall painting production between late Republic and the early Empire. It will focus on the technique and style of in situ wall paintings from the Vesuvian area (Italy). Frescoes are indeed an integral part of architecture and reflect the patrons' ambitions and social level as well as the craftsmen's technical know-how. Since this is a handicraft product, the quality of materials, the craftsmen's s…

  • Comunicazione e didattica archeologica in scavi aperti e non ultimati: Spunti di riflessione dalla Casa delle bestie ferite (Aquileia)

    Open Access•Luca Scalco, Massimo Salvadori et al.•ARTICLE•Anales de Arquelogía Cordobesa•2019

    A partire dal 2007, l’Università degli Studi di Padova svolge campagne di scavo, presso il sito della Casa delle Bestie ferite. Alle attività di ricerca e di didattica, dal 2014 si sono affiancate iniziative di comunicazione dei risultati dello scavo, indirizzate alla comunità locale e ad altri interessati e finalizzate a far conoscere il sito e la realtà archeologica della campagna aquileiese. Per avvicinare il pubblico allo scavo “aperto”, la s…

  • Integrated methods for reconstructing the decoration and production process of the frigidarium wall-paintings, at the Sarno Baths, Pompeii

    Open Access•Massimo Salvadori, Monica Salvadori et al.•ARTICLE•Journal of Cultural Heritage•2019•Cited by: 4•References: 3

  • The Evolution of the Vitruvian Recipes over 500 Years of Floor‐Making Techniques: The Case Studies of the Domus delle Bestie Ferite and the Domus di Tito Macro (Aquileia, Italy)

    Open Access•Michele Secco, Simone Dilaria et al.•ARTICLE•Archaeometry•2018•Cited by: 11•References: 10

    The paper reports the results of a research project aimed at the characterization of the floor bedding mortars of two Roman houses in Aquileia (north‐eastern Italy), the Domus delle Bestie Ferite and the Domus di Tito Macro. Seventy floor bedding mortars of the two domus were selected and almost half were fully minero‐petrographically characterized by means of optical microscopy operated in transmitted light (OM‐TL), X‐ray powder diffraction anal…

  • Gramsci e o PCI: Duas concepções da hegemonia

    Open Access•Massimo Salvadori•ARTICLE•Crítica Marxista•2012

    O artigo analisa o uso que o Partido Comunista Italiano faz da obra de Gramsci, especialmente no que se refere ao conceito de hegemonia presente nos Cadernos do cárcere e à formulação da via ao socialismo. Conclui o autor que a linha política do PCI de constituir o compromisso histórico e de negar o leninismo está em completo desacordo com a análise de Gramsci, que funda sua teoria da hegemonia na problemática leninista da ditadura do proletariad…

  • Reinterpreting Kautsky

    Open Access•Massimo Salvadori, Massimo L Salvadori•ARTICLE•International Review of Social…•1989

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Kautsky and Weber: Common Problems and Different Approaches

    Massimo Salvadori, Massimo L Salvadori•ARTICLE•Comparative Sociology•1989•Cited by: 2•References: 1

    Weber believed that the essence of Marxism's simplification consisted in conceiving of the superstructure as, in the last analysis, dependent on the base. And he regarded Kautsky as a typical representative of that Marxism against which his methodological critique was directed. For his part, Kautsky thought that Weber's most distinctive interpretations had the fault of overestimating the superstructural elements. Nevertheless, Kautsky had a deep …

  • From Orthodox Marxism to Parliamentary Democracy: New Interpretations of the German Social Democratic and Labour Movement, 1880-1933

    Gerhard P Bassler, Massimo Salvadori et al.•ARTICLE•Labour / Le Travail•1983

    THE HISTORIOGRAPHY OF THE German labour movement has a tradition of more than a century. Yet not until the past 25 years has it received the scholarly attention it deserves. Until the 1950s the political, psychological, and methodological prerequisites for an impartial and differentiated examination were lacking. Today the history of organized labour in Germany is well on its way to becoming one of the most preferred areas of research in modern G…

  • Italy

    Sidney Tarrow, Massimo Salvadori•ARTICLE•The Western Political Quarterly•1966

  • Italy

    Ezio Cappadocia, Massimo Salvadori•ARTICLE•International Journal Canada s…•1966

  • The Rise of Modern Communism

    Paul Avrich, Paul H Avrich et al.•ARTICLE•The Russian Review•1964

  • Tradition and Enlightenment in the Tuscan Academies, 1690-1800 . Eric W. Cochrane

    Massimo Salvadori•ARTICLE•The Journal of Modern History•1963

  • Illuministi Italiani. Franco Venturi

    Massimo Salvadori•ARTICLE•The Journal of Modern History•1963

  • Storia di Osimo . Carlo Grillantini Ancona attraverso i Secoli . Mario Natalucci

    Massimo Salvadori•ARTICLE•The Journal of Modern History•1962

  • La Democrazia Liberale

    Open Access•Massimo Salvadori•ARTICLE•Revista Mexicana de Sociología•1959

  • Liberal Democracy

    Open Access•Massimo Salvadori•ARTICLE•Revista Mexicana de Sociología•1957•Cited by: 1

  • A Look at Italian Democracy in 1956

    Massimo Salvadori•ARTICLE•International Journal Canada s…•1956

    years have gone by since the plebiscite of June 2, 1946, led to the proclamation of the Italian Republic, and the last King, Humbert II, left the country to take up residence at a pleasant resort near Lisbon. On the same day elections for a constituent assembly took place. Nearly two fifths of the votes went to marxist parties (the Communist Party and a Socialist Party dominated then, as in 1919, by fellow travelling massimalisti) which saw in th…

  • Elementos Económico-Sociales del Capitalismo en los Estados Unidos de América

    Open Access•Massimo Salvadori, Raul Benitez Zenteno et al.•ARTICLE•Revista Mexicana de Sociología•1956

  • Las Ciencias Sociales del Siglo XX en Italia

    Open Access•Massimo Salvadori•ARTICLE•Revista Mexicana de Sociología•1956

  • Las Ciencias Sociales del Siglo XX en Italia (Concluye)

    Open Access•Massimo Salvadori, Angela Müller Montiel•ARTICLE•Revista Mexicana de Sociología•1950

  • Las Ciencias Sociales del Siglo XX en Italia

    Open Access•Massimo Salvadori, Angela Müller Montiel•ARTICLE•Revista Mexicana de Sociología•1950

  • Wall paintings through the ages: The roman period-Republic and early Empire

    Open Access•Massimo Salvadori, Clelia Sbrolli•ARTICLE•Archaeological and Anthropological…•2021•Cited by: 30•References: 51

    This paper aims at presenting an overview of Roman wall painting production between late Republic and the early Empire. It will focus on the technique and style of in situ wall paintings from the Vesuvian area (Italy). Frescoes are indeed an integral part of architecture and reflect the patrons' ambitions and social level as well as the craftsmen's technical know-how. Since this is a handicraft product, the quality of materials, the craftsmen's s…

  • The Evolution of the Vitruvian Recipes over 500 Years of Floor‐Making Techniques: The Case Studies of the Domus delle Bestie Ferite and the Domus di Tito Macro (Aquileia, Italy)

    Open Access•Michele Secco, Simone Dilaria et al.•ARTICLE•Archaeometry•2018•Cited by: 11•References: 10

    The paper reports the results of a research project aimed at the characterization of the floor bedding mortars of two Roman houses in Aquileia (north‐eastern Italy), the Domus delle Bestie Ferite and the Domus di Tito Macro. Seventy floor bedding mortars of the two domus were selected and almost half were fully minero‐petrographically characterized by means of optical microscopy operated in transmitted light (OM‐TL), X‐ray powder diffraction anal…

  • Production technique and multi-analytical characterization of a paint-plastered ceiling from the Late Antique villa of Negrar (Verona, Italy)

    Open Access•Simone Dilaria, Clelia Sbrolli et al.•ARTICLE•Archaeological and Anthropological…•2024•Cited by: 8•References: 49

    The research focuses on analyzing the production techniques and materials of a Roman paint-plastered ceiling from a Late Antique Roman villa near Negrar (Verona, Italy), recently uncovered. Stylistic features of the decoration, found in reworked collapse debris during the villa's excavation, date the ceiling to the original construction phase in the 4th century CE. The paper presents the protocol we adopted for recovering and analyzing the painte…

  • Integrated methods for reconstructing the decoration and production process of the frigidarium wall-paintings, at the Sarno Baths, Pompeii

    Open Access•Massimo Salvadori, Monica Salvadori et al.•ARTICLE•Journal of Cultural Heritage•2019•Cited by: 4•References: 3

  • Kautsky and Weber: Common Problems and Different Approaches

    Massimo Salvadori, Massimo L Salvadori•ARTICLE•Comparative Sociology•1989•Cited by: 2•References: 1

    Weber believed that the essence of Marxism's simplification consisted in conceiving of the superstructure as, in the last analysis, dependent on the base. And he regarded Kautsky as a typical representative of that Marxism against which his methodological critique was directed. For his part, Kautsky thought that Weber's most distinctive interpretations had the fault of overestimating the superstructural elements. Nevertheless, Kautsky had a deep …

  • Liberal Democracy

    Open Access•Massimo Salvadori•ARTICLE•Revista Mexicana de Sociología•1957•Cited by: 1

  • Las Ciencias Sociales del Siglo XX en Italia (Concluye)

    Open Access•Massimo Salvadori, Angela Müller Montiel•ARTICLE•Revista Mexicana de Sociología•1950

  • Las Ciencias Sociales del Siglo XX en Italia

    Open Access•Massimo Salvadori, Angela Müller Montiel•ARTICLE•Revista Mexicana de Sociología•1950

  • A Look at Italian Democracy in 1956

    Massimo Salvadori•ARTICLE•International Journal Canada s…•1956

    years have gone by since the plebiscite of June 2, 1946, led to the proclamation of the Italian Republic, and the last King, Humbert II, left the country to take up residence at a pleasant resort near Lisbon. On the same day elections for a constituent assembly took place. Nearly two fifths of the votes went to marxist parties (the Communist Party and a Socialist Party dominated then, as in 1919, by fellow travelling massimalisti) which saw in th…

  • Elementos Económico-Sociales del Capitalismo en los Estados Unidos de América

    Open Access•Massimo Salvadori, Raul Benitez Zenteno et al.•ARTICLE•Revista Mexicana de Sociología•1956

  • Las Ciencias Sociales del Siglo XX en Italia

    Open Access•Massimo Salvadori•ARTICLE•Revista Mexicana de Sociología•1956

  • Liberal Democracy

    Open Access•Massimo Salvadori•ARTICLE•Revista Mexicana de Sociología•1957•Cited by: 1

  • La Democrazia Liberale

    Open Access•Massimo Salvadori•ARTICLE•Revista Mexicana de Sociología•1959

  • Storia di Osimo . Carlo Grillantini Ancona attraverso i Secoli . Mario Natalucci

    Massimo Salvadori•ARTICLE•The Journal of Modern History•1962

  • Tradition and Enlightenment in the Tuscan Academies, 1690-1800 . Eric W. Cochrane

    Massimo Salvadori•ARTICLE•The Journal of Modern History•1963

  • Illuministi Italiani. Franco Venturi

    Massimo Salvadori•ARTICLE•The Journal of Modern History•1963

  • The Rise of Modern Communism

    Paul Avrich, Paul H Avrich et al.•ARTICLE•The Russian Review•1964

  • Italy

    Sidney Tarrow, Massimo Salvadori•ARTICLE•The Western Political Quarterly•1966

  • Italy

    Ezio Cappadocia, Massimo Salvadori•ARTICLE•International Journal Canada s…•1966

  • From Orthodox Marxism to Parliamentary Democracy: New Interpretations of the German Social Democratic and Labour Movement, 1880-1933

    Gerhard P Bassler, Massimo Salvadori et al.•ARTICLE•Labour / Le Travail•1983

    THE HISTORIOGRAPHY OF THE German labour movement has a tradition of more than a century. Yet not until the past 25 years has it received the scholarly attention it deserves. Until the 1950s the political, psychological, and methodological prerequisites for an impartial and differentiated examination were lacking. Today the history of organized labour in Germany is well on its way to becoming one of the most preferred areas of research in modern G…

  • Reinterpreting Kautsky

    Open Access•Massimo Salvadori, Massimo L Salvadori•ARTICLE•International Review of Social…•1989

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Kautsky and Weber: Common Problems and Different Approaches

    Massimo Salvadori, Massimo L Salvadori•ARTICLE•Comparative Sociology•1989•Cited by: 2•References: 1

    Weber believed that the essence of Marxism's simplification consisted in conceiving of the superstructure as, in the last analysis, dependent on the base. And he regarded Kautsky as a typical representative of that Marxism against which his methodological critique was directed. For his part, Kautsky thought that Weber's most distinctive interpretations had the fault of overestimating the superstructural elements. Nevertheless, Kautsky had a deep …

  • Gramsci e o PCI: Duas concepções da hegemonia

    Open Access•Massimo Salvadori•ARTICLE•Crítica Marxista•2012

    O artigo analisa o uso que o Partido Comunista Italiano faz da obra de Gramsci, especialmente no que se refere ao conceito de hegemonia presente nos Cadernos do cárcere e à formulação da via ao socialismo. Conclui o autor que a linha política do PCI de constituir o compromisso histórico e de negar o leninismo está em completo desacordo com a análise de Gramsci, que funda sua teoria da hegemonia na problemática leninista da ditadura do proletariad…

  • The Evolution of the Vitruvian Recipes over 500 Years of Floor‐Making Techniques: The Case Studies of the Domus delle Bestie Ferite and the Domus di Tito Macro (Aquileia, Italy)

    Open Access•Michele Secco, Simone Dilaria et al.•ARTICLE•Archaeometry•2018•Cited by: 11•References: 10

    The paper reports the results of a research project aimed at the characterization of the floor bedding mortars of two Roman houses in Aquileia (north‐eastern Italy), the Domus delle Bestie Ferite and the Domus di Tito Macro. Seventy floor bedding mortars of the two domus were selected and almost half were fully minero‐petrographically characterized by means of optical microscopy operated in transmitted light (OM‐TL), X‐ray powder diffraction anal…

  • Comunicazione e didattica archeologica in scavi aperti e non ultimati: Spunti di riflessione dalla Casa delle bestie ferite (Aquileia)

    Open Access•Luca Scalco, Massimo Salvadori et al.•ARTICLE•Anales de Arquelogía Cordobesa•2019

    A partire dal 2007, l’Università degli Studi di Padova svolge campagne di scavo, presso il sito della Casa delle Bestie ferite. Alle attività di ricerca e di didattica, dal 2014 si sono affiancate iniziative di comunicazione dei risultati dello scavo, indirizzate alla comunità locale e ad altri interessati e finalizzate a far conoscere il sito e la realtà archeologica della campagna aquileiese. Per avvicinare il pubblico allo scavo “aperto”, la s…

  • Integrated methods for reconstructing the decoration and production process of the frigidarium wall-paintings, at the Sarno Baths, Pompeii

    Open Access•Massimo Salvadori, Monica Salvadori et al.•ARTICLE•Journal of Cultural Heritage•2019•Cited by: 4•References: 3

  • Wall paintings through the ages: The roman period-Republic and early Empire

    Open Access•Massimo Salvadori, Clelia Sbrolli•ARTICLE•Archaeological and Anthropological…•2021•Cited by: 30•References: 51

    This paper aims at presenting an overview of Roman wall painting production between late Republic and the early Empire. It will focus on the technique and style of in situ wall paintings from the Vesuvian area (Italy). Frescoes are indeed an integral part of architecture and reflect the patrons' ambitions and social level as well as the craftsmen's technical know-how. Since this is a handicraft product, the quality of materials, the craftsmen's s…

  • Production technique and multi-analytical characterization of a paint-plastered ceiling from the Late Antique villa of Negrar (Verona, Italy)

    Open Access•Simone Dilaria, Clelia Sbrolli et al.•ARTICLE•Archaeological and Anthropological…•2024•Cited by: 8•References: 49

    The research focuses on analyzing the production techniques and materials of a Roman paint-plastered ceiling from a Late Antique Roman villa near Negrar (Verona, Italy), recently uncovered. Stylistic features of the decoration, found in reworked collapse debris during the villa's excavation, date the ceiling to the original construction phase in the 4th century CE. The paper presents the protocol we adopted for recovering and analyzing the painte…

  • An Uncommon Instance of Egyptian Blue in the “Pigmented Intonachino” of the Fishpond Wall Painting From the Roman Villa of Torre di Pordenone (Northeast Italy)

    Open Access•Simone Dilaria, Clelia Sbrolli et al.•ARTICLE•Archaeometry•2026

    The increasingly close integration of analytical techniques in the study of Greek and Roman wall paintings has shown that Egyptian blue was a common pigment, widely documented in the production of blue and greenish hues in ancient painted production. This study reports on a peculiar use of this synthetic pigment identified in wall‐painting fragments recovered from secondary deposits at the Roman villa of “Torre di Pordenone” (Friuli‐Venezia‐Giuli…

Political science (15 works) · Art (9 works) · Humanities (7 works) · Cultural Heritage Materials Analysis (5 works) · Law (5 works) · Philosophy (5 works) · Politics (5 works) · Building materials and conservation (4 works) · Historical and Environmental Studies (4 works) · History (4 works)

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