Erin F Doss
Biographic Data
| ID | 5595847 |
|---|---|
| NAME | Erin F Doss |
| GIVEN NAMES | Erin F |
| FAMILY NAME | Doss |
| SIGNATURE | DOSS E F |
| AFFILIATIONS | Purdue University West Lafayette |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
The Fake One is the Real One
Research has shown that as individuals—particularly teenagers—navigate social media, they value authenticity, typically understood as congruence between their online and offline identities. Portraying oneself in an authentic manner, however, is complicated by the phenomenon of context collapse, where multiple audiences (e.g., friends, teachers, parents) become homogenized and boundaries become blurred. Drawing on focus group data with 20 teenager…
Balancing Mystery and Identification
The present analysis explores Dolores Huerta's use of a shifting transcendent persona to balance the sense of mystery surrounding her accomplishments with a performance of normalcy and audience identification. We find, first, that Huerta leveraged her borderland experiences and ideology as rhetorical resources that functioned to facilitate the amalgamation of personae exemplifying her advocacy, and, second, that her shifting transcendent persona'…
Theorizing the Transcendent Persona
In this article, we define and theorize the “transcendent persona,” a discursive strategy in which a rhetor draws from a boundary-breaking accomplishment and utilizes the symbolic capital of that feat to persuasively delineate unconventional ways of communicating and behaving in society. Aviator Amelia Earhart's autobiography The Fun of It (1932) functions as an instructive representative anecdote of this concept and demonstrates that the transce…
The Fake One is the Real One
Research has shown that as individuals—particularly teenagers—navigate social media, they value authenticity, typically understood as congruence between their online and offline identities. Portraying oneself in an authentic manner, however, is complicated by the phenomenon of context collapse, where multiple audiences (e.g., friends, teachers, parents) become homogenized and boundaries become blurred. Drawing on focus group data with 20 teenager…
Theorizing the Transcendent Persona
In this article, we define and theorize the “transcendent persona,” a discursive strategy in which a rhetor draws from a boundary-breaking accomplishment and utilizes the symbolic capital of that feat to persuasively delineate unconventional ways of communicating and behaving in society. Aviator Amelia Earhart's autobiography The Fun of It (1932) functions as an instructive representative anecdote of this concept and demonstrates that the transce…
Theorizing the Transcendent Persona
In this article, we define and theorize the “transcendent persona,” a discursive strategy in which a rhetor draws from a boundary-breaking accomplishment and utilizes the symbolic capital of that feat to persuasively delineate unconventional ways of communicating and behaving in society. Aviator Amelia Earhart's autobiography The Fun of It (1932) functions as an instructive representative anecdote of this concept and demonstrates that the transce…
Balancing Mystery and Identification
The present analysis explores Dolores Huerta's use of a shifting transcendent persona to balance the sense of mystery surrounding her accomplishments with a performance of normalcy and audience identification. We find, first, that Huerta leveraged her borderland experiences and ideology as rhetorical resources that functioned to facilitate the amalgamation of personae exemplifying her advocacy, and, second, that her shifting transcendent persona'…
The Fake One is the Real One
Research has shown that as individuals—particularly teenagers—navigate social media, they value authenticity, typically understood as congruence between their online and offline identities. Portraying oneself in an authentic manner, however, is complicated by the phenomenon of context collapse, where multiple audiences (e.g., friends, teachers, parents) become homogenized and boundaries become blurred. Drawing on focus group data with 20 teenager…
Aesthetics (3 works) · Art (3 works) · Psychology (3 works) · Sociology (3 works) · Epistemology (2 works) · Linguistics (2 works) · Literature (2 works) · Literature, Film, and Journalism Analysis (2 works) · Persona (2 works) · Philosophy (2 works)