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Dustin A Greenwalt

Biographic Data

ID5595992
NAMEDustin A Greenwalt
GIVEN NAMESDustin A
FAMILY NAMEGreenwalt
SIGNATUREGREENWALT D A
AFFILIATIONSPennsylvania State University
ORCID0000-0002-7201-6584
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS4
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Introduction

    Open Access•Dustin A Greenwalt•ARTICLE•Poroi•2026

  • Gestures towards the Abolition Ecology Horizon

    Dustin A Greenwalt•ARTICLE•Rhetoric, Politics & Culture…•2023

    The ongoing movement to stop the construction of Cop City, a proposed police training center and movie studio in the Weelaunee Forest in Atlanta, Georgia, evokes imagination of coalitional solidarities and ecologically attuned worlds characterized by mutual aid and collective love that lay just beyond the horizon. This essay examines how the Stop Cop City movement's coalition-forming rhetoric and worldbuilding practices gesture towards this mode …

  • The left can meme

    Dustin A Greenwalt, James Alexander McVey•ARTICLE•Explorations in Media Ecology•2023•Cited by: 2•References: 2

    While the use of memes as a persuasive strategy by the alt-right in the 2016 election gave rise to the notion that the left had been thoroughly outflanked in the meme wars, this project argues that the left can meme. Attending to the mimetic practices of anti-fascist, anti-capitalist and anti-racist online publics reminds scholars and practitioners that reactionary forces do not monopolize memetic persuasion. We are interested in how left-wing pu…

  • Get Gritty with it

    Dustin A Greenwalt, James Alexander McVey•ARTICLE•Communication and Critical/Cultural…•2022•Cited by: 1

    This essay tracks how Gritty, the new mascot of the Philadelphia Flyers hockey team, emerged as a memetic icon for antifascism and the sometimes-contradictory ethos of far-left online publics. Emerging through expressive sharing, remixing, and appropriation of widely recognizable figures, memetic icons come to embody the ethos of publics, helping them foment dissent. Gritty specifically came to embody antifascists’ incivility towards fascism, as …

  • Becoming Flood

    Dustin A Greenwalt, Dustin Greenwalt•ARTICLE•Environmental Communication•2021

    This essay identifies anxious assemblages as a powerful rhetorical strategy used by organizers of the 2014 Flood Wall Street protest in New York City’s financial district. Anxious assemblages may disrupt the reduction of protest to acts of individual expression while promoting intra-movement solidarity. Drawing together literatures about assemblages and anxiety, I show how circulating signs and images on social media can propel protests that repe…

  • Nostalgic environmentalities in the EPA’s Documerica and State of the Environment projects

    Open Access•Dustin A Greenwalt, Brian Creech•ARTICLE•Visual Communication•2018•Cited by: 1•References: 13

    This article argues that environmental citizenship, understood as sustainable forms of consumption, is increasingly constructed through visual regimes of nostalgia for both pristine wilderness and an era of unfettered resource extraction. Drawing on the linkages between survey photography, popular constructions of nature, and nostalgia, it takes the Environmental Protection Agency’s Documerica and State of the Environment projects as opportunitie…

  • Tracing Rhetoric and Material Life

    Dustin A Greenwalt•ARTICLE•Quarterly Journal of Speech•2018

  • User-generated videos of urban exploration and the production of affective space

    Dustin A Greenwalt•ARTICLE•Explorations in Media Ecology•2015

    This article posits that user-generated videos have the potential to modulate affective maps of, or the aggregation of our intensive dispositions towards, urban areas. It argues that bodily topologies, which reside in our neurological substrates, are the primary source of our cognitive understandings of space and that user-generated videos have the capacity to affect these maps through their circulation of multisensory rhetorics. Taken together, …

  • The left can meme

    Dustin A Greenwalt, James Alexander McVey•ARTICLE•Explorations in Media Ecology•2023•Cited by: 2•References: 2

    While the use of memes as a persuasive strategy by the alt-right in the 2016 election gave rise to the notion that the left had been thoroughly outflanked in the meme wars, this project argues that the left can meme. Attending to the mimetic practices of anti-fascist, anti-capitalist and anti-racist online publics reminds scholars and practitioners that reactionary forces do not monopolize memetic persuasion. We are interested in how left-wing pu…

  • Get Gritty with it

    Dustin A Greenwalt, James Alexander McVey•ARTICLE•Communication and Critical/Cultural…•2022•Cited by: 1

    This essay tracks how Gritty, the new mascot of the Philadelphia Flyers hockey team, emerged as a memetic icon for antifascism and the sometimes-contradictory ethos of far-left online publics. Emerging through expressive sharing, remixing, and appropriation of widely recognizable figures, memetic icons come to embody the ethos of publics, helping them foment dissent. Gritty specifically came to embody antifascists’ incivility towards fascism, as …

  • Nostalgic environmentalities in the EPA’s Documerica and State of the Environment projects

    Open Access•Dustin A Greenwalt, Brian Creech•ARTICLE•Visual Communication•2018•Cited by: 1•References: 13

    This article argues that environmental citizenship, understood as sustainable forms of consumption, is increasingly constructed through visual regimes of nostalgia for both pristine wilderness and an era of unfettered resource extraction. Drawing on the linkages between survey photography, popular constructions of nature, and nostalgia, it takes the Environmental Protection Agency’s Documerica and State of the Environment projects as opportunitie…

  • User-generated videos of urban exploration and the production of affective space

    Dustin A Greenwalt•ARTICLE•Explorations in Media Ecology•2015

    This article posits that user-generated videos have the potential to modulate affective maps of, or the aggregation of our intensive dispositions towards, urban areas. It argues that bodily topologies, which reside in our neurological substrates, are the primary source of our cognitive understandings of space and that user-generated videos have the capacity to affect these maps through their circulation of multisensory rhetorics. Taken together, …

  • Nostalgic environmentalities in the EPA’s Documerica and State of the Environment projects

    Open Access•Dustin A Greenwalt, Brian Creech•ARTICLE•Visual Communication•2018•Cited by: 1•References: 13

    This article argues that environmental citizenship, understood as sustainable forms of consumption, is increasingly constructed through visual regimes of nostalgia for both pristine wilderness and an era of unfettered resource extraction. Drawing on the linkages between survey photography, popular constructions of nature, and nostalgia, it takes the Environmental Protection Agency’s Documerica and State of the Environment projects as opportunitie…

  • Tracing Rhetoric and Material Life

    Dustin A Greenwalt•ARTICLE•Quarterly Journal of Speech•2018

  • Becoming Flood

    Dustin A Greenwalt, Dustin Greenwalt•ARTICLE•Environmental Communication•2021

    This essay identifies anxious assemblages as a powerful rhetorical strategy used by organizers of the 2014 Flood Wall Street protest in New York City’s financial district. Anxious assemblages may disrupt the reduction of protest to acts of individual expression while promoting intra-movement solidarity. Drawing together literatures about assemblages and anxiety, I show how circulating signs and images on social media can propel protests that repe…

  • Get Gritty with it

    Dustin A Greenwalt, James Alexander McVey•ARTICLE•Communication and Critical/Cultural…•2022•Cited by: 1

    This essay tracks how Gritty, the new mascot of the Philadelphia Flyers hockey team, emerged as a memetic icon for antifascism and the sometimes-contradictory ethos of far-left online publics. Emerging through expressive sharing, remixing, and appropriation of widely recognizable figures, memetic icons come to embody the ethos of publics, helping them foment dissent. Gritty specifically came to embody antifascists’ incivility towards fascism, as …

  • Gestures towards the Abolition Ecology Horizon

    Dustin A Greenwalt•ARTICLE•Rhetoric, Politics & Culture…•2023

    The ongoing movement to stop the construction of Cop City, a proposed police training center and movie studio in the Weelaunee Forest in Atlanta, Georgia, evokes imagination of coalitional solidarities and ecologically attuned worlds characterized by mutual aid and collective love that lay just beyond the horizon. This essay examines how the Stop Cop City movement's coalition-forming rhetoric and worldbuilding practices gesture towards this mode …

  • The left can meme

    Dustin A Greenwalt, James Alexander McVey•ARTICLE•Explorations in Media Ecology•2023•Cited by: 2•References: 2

    While the use of memes as a persuasive strategy by the alt-right in the 2016 election gave rise to the notion that the left had been thoroughly outflanked in the meme wars, this project argues that the left can meme. Attending to the mimetic practices of anti-fascist, anti-capitalist and anti-racist online publics reminds scholars and practitioners that reactionary forces do not monopolize memetic persuasion. We are interested in how left-wing pu…

  • Introduction

    Open Access•Dustin A Greenwalt•ARTICLE•Poroi•2026

Sociology (6 works) · Ecology (4 works) · Law (4 works) · Political science (4 works) · Politics (4 works) · Art (3 works) · Computer Science (3 works) · Law (3 works) · Media studies (3 works) · Psychology (3 works)

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