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Ayo Adeduntan Ayo Adeduntan

Biographic Data

ID5604023
NAMEAyo Adeduntan Ayo Adeduntan
GIVEN NAMESAyo Adeduntan Ayo
FAMILY NAMEAdeduntan
SIGNATUREADEDUNTAN A A A
VERIFIEDNo
TOTAL WORKS1
TOTAL CITATIONS1
AUTHOR COUNT1
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2016
H-INDEX1
  • Mouth with Which the King Curses

    Ayo Adeduntan, Ayo Adeduntan Ayo Adeduntan•ARTICLE•Research in African Literatures•2016•Cited by: 1

    The enemy is a recurrent subject in many African musical forms. Abuse is a major means through which the idea of the enemy is conceptualized. Using the jùjú music of King Sunny Ade of Nigeria and the reaction of his audience and rival musicians as an example, this article shows that the conceptualization of the enemy is denied specificity through the musical artist’s choice and deployment of referential codes. One result of this is that the perfo…

  • Mouth with Which the King Curses

    Ayo Adeduntan, Ayo Adeduntan Ayo Adeduntan•ARTICLE•Research in African Literatures•2016•Cited by: 1

    The enemy is a recurrent subject in many African musical forms. Abuse is a major means through which the idea of the enemy is conceptualized. Using the jùjú music of King Sunny Ade of Nigeria and the reaction of his audience and rival musicians as an example, this article shows that the conceptualization of the enemy is denied specificity through the musical artist’s choice and deployment of referential codes. One result of this is that the perfo…

  • Mouth with Which the King Curses

    Ayo Adeduntan, Ayo Adeduntan Ayo Adeduntan•ARTICLE•Research in African Literatures•2016•Cited by: 1

    The enemy is a recurrent subject in many African musical forms. Abuse is a major means through which the idea of the enemy is conceptualized. Using the jùjú music of King Sunny Ade of Nigeria and the reaction of his audience and rival musicians as an example, this article shows that the conceptualization of the enemy is denied specificity through the musical artist’s choice and deployment of referential codes. One result of this is that the perfo…

Adversary (1 works) · Aesthetics (1 works) · African history and culture analysis (1 works) · African studies and sociopolitical issues (1 works) · Art (1 works) · Computer Science (1 works) · Computer security (1 works) · Law (1 works) · Literature (1 works) · Music History and Culture (1 works)

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