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Laura Moss

Biographic Data

ID5604227
NAMELaura Moss
GIVEN NAMESLaura
FAMILY NAMEMoss
SIGNATUREMOSS L
AFFILIATIONSUniversity of British Columbia
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS3
AUTHOR COUNT2
EDITOR COUNT1
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2006
H-INDEX1
  • Is Canada Postcolonial?

    Laura Moss•BOOK•Is Canada Postcolonial?•2006

    How can postcolonialism be applied to Canadian literature? In all that has been written about postcolonialism, surprisingly little has specifically addressed the position of Canada, Canadian literature, or Canadian culture. Postcolonialism is a theory that has gained credence throughout the world; it is be productive to ask if and how we, as Canadians, participate in postcolonial debates. It is also vital to examine the ways in which Canada and C…

  • Nice Audible Crying

    Laura Moss•ARTICLE•Research in African Literatures•2006•Cited by: 1•References: 4

    Antjie Krog's Country of My Skull sets victim and perpetrator testimonies excerpted from for the South African Truth and Reconciliation Commission beside an Afrikaner reporter's responses to the hearings. On one hand, Krog renders the position of the Afrikaner complex by presenting four first person narrators who trouble a singular notion of accountability and complicity; on the other hand, Krog either distills individual testimonies into nationa…

  • The politics of everyday hybridity

    Laura Moss•ARTICLE•Wasafiri•2003•Cited by: 2•References: 7

    (2003). The politics of everyday hybridity: Zadie Smith's White Teeth. Wasafiri: Vol. 18, No. 39, pp. 11-17

  • The politics of everyday hybridity

    Laura Moss•ARTICLE•Wasafiri•2003•Cited by: 2•References: 7

    (2003). The politics of everyday hybridity: Zadie Smith's White Teeth. Wasafiri: Vol. 18, No. 39, pp. 11-17

  • Nice Audible Crying

    Laura Moss•ARTICLE•Research in African Literatures•2006•Cited by: 1•References: 4

    Antjie Krog's Country of My Skull sets victim and perpetrator testimonies excerpted from for the South African Truth and Reconciliation Commission beside an Afrikaner reporter's responses to the hearings. On one hand, Krog renders the position of the Afrikaner complex by presenting four first person narrators who trouble a singular notion of accountability and complicity; on the other hand, Krog either distills individual testimonies into nationa…

  • The politics of everyday hybridity

    Laura Moss•ARTICLE•Wasafiri•2003•Cited by: 2•References: 7

    (2003). The politics of everyday hybridity: Zadie Smith's White Teeth. Wasafiri: Vol. 18, No. 39, pp. 11-17

  • Is Canada Postcolonial?

    Laura Moss•BOOK•Is Canada Postcolonial?•2006

    How can postcolonialism be applied to Canadian literature? In all that has been written about postcolonialism, surprisingly little has specifically addressed the position of Canada, Canadian literature, or Canadian culture. Postcolonialism is a theory that has gained credence throughout the world; it is be productive to ask if and how we, as Canadians, participate in postcolonial debates. It is also vital to examine the ways in which Canada and C…

  • Nice Audible Crying

    Laura Moss•ARTICLE•Research in African Literatures•2006•Cited by: 1•References: 4

    Antjie Krog's Country of My Skull sets victim and perpetrator testimonies excerpted from for the South African Truth and Reconciliation Commission beside an Afrikaner reporter's responses to the hearings. On one hand, Krog renders the position of the Afrikaner complex by presenting four first person narrators who trouble a singular notion of accountability and complicity; on the other hand, Krog either distills individual testimonies into nationa…

Art (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Political science (2 works) · South African History and Culture (2 works) · African history and culture studies (1 works) · African studies and sociopolitical issues (1 works) · Archaeology (1 works) · Biology (1 works)

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