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Maya Ganapathy Maya Ganapathy

Biographic Data

ID5604255
NAMEMaya Ganapathy Maya Ganapathy
GIVEN NAMESMaya Ganapathy Maya
FAMILY NAMEGanapathy
SIGNATUREGANAPATHY M G M
VERIFIEDNo
TOTAL WORKS1
TOTAL CITATIONS1
AUTHOR COUNT1
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2016
H-INDEX1
  • Sidestepping the Political “Graveyard of Creativity”: Polyphonic Narratives and Reenvisioning the Nation-State in Chimamanda Ngozi Adichie's Half of a Yellow Sun

    Maya Ganapathy Maya Ganapathy, Maya Ganapathy•ARTICLE•Research in African Literatures•2016•Cited by: 1

    Although critics of the contemporary anglophone African novel acknowledge its transnational themes, they often associate it with an individualism that is harmoniously reconciled with national responsibility and, therefore, the eventual rehabilitation of the state. These critics’ implicit valorization of the nation-state as a site of shared affective ties overlooks the African novel’s dismantling of a geographically and ideologically determined wr…

  • Sidestepping the Political “Graveyard of Creativity”: Polyphonic Narratives and Reenvisioning the Nation-State in Chimamanda Ngozi Adichie's Half of a Yellow Sun

    Maya Ganapathy Maya Ganapathy, Maya Ganapathy•ARTICLE•Research in African Literatures•2016•Cited by: 1

    Although critics of the contemporary anglophone African novel acknowledge its transnational themes, they often associate it with an individualism that is harmoniously reconciled with national responsibility and, therefore, the eventual rehabilitation of the state. These critics’ implicit valorization of the nation-state as a site of shared affective ties overlooks the African novel’s dismantling of a geographically and ideologically determined wr…

  • Sidestepping the Political “Graveyard of Creativity”: Polyphonic Narratives and Reenvisioning the Nation-State in Chimamanda Ngozi Adichie's Half of a Yellow Sun

    Maya Ganapathy Maya Ganapathy, Maya Ganapathy•ARTICLE•Research in African Literatures•2016•Cited by: 1

    Although critics of the contemporary anglophone African novel acknowledge its transnational themes, they often associate it with an individualism that is harmoniously reconciled with national responsibility and, therefore, the eventual rehabilitation of the state. These critics’ implicit valorization of the nation-state as a site of shared affective ties overlooks the African novel’s dismantling of a geographically and ideologically determined wr…

Aesthetics (1 works) · Art (1 works) · Caribbean history, culture, and politics (1 works) · Gender Studies (1 works) · Identity (music) (1 works) · Ideology (1 works) · Individualism (1 works) · Law (1 works) · Literature (1 works) · Narrative (1 works)

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