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André Barbera

Biographic Data

ID5604881
NAMEAndré Barbera
GIVEN NAMESAndré
FAMILY NAMEBarbera
SIGNATUREBARBERÁ A
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS6
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2003
H-INDEX2
  • Drew, Kenny (jazz)

    André Barbera, Barry Kernfeld•CHAPTER•The new Grove dictionary of music…•2003

  • Levy, Lou(is Abraham)

    André Barbera, Barry Kernfeld•CHAPTER•The new Grove dictionary of music…•2003

  • Burns, Dave

    André Barbera•CHAPTER•The new Grove dictionary of music…•2003

  • Pythagoras

    André Barbera•CHAPTER•The new Grove dictionary of music…•2001

  • Metabolē

    André Barbera•CHAPTER•The new Grove dictionary of music…•2001

  • Ancient Greek Music

    Open Access•André Barbera, Martin L West•ARTICLE•Notes•1994

  • The Euclidean Division of the Canon: Greek and Latin Sources

    Open Access•Donatella Restani, André Barbera•ARTICLE•Notes•1993•Cited by: 3

  • The Harp and the Soul: Essays in Medieval Music. Nancy van Deusen

    André Barbera•ARTICLE•Speculum•1992

  • The Consonant Eleventh and the Expansion of the Musical Tetractys: A Study of Ancient Pythagoreanism

    André Barbera•ARTICLE•Journal of Music Theory•1984•Cited by: 3

    The interval of the eleventh, that is, the octave plus fourth, stands at the crease between rationalism and empiricism in ancient musical treatises. For convenience, I refer to the interval as the eleventh, and to its neighbor as the twelfth, although most ancient and medieval treatises refer to these intervals, respectively, as the diapason plus diatessaron and diapason plus diapente. By extracting the eleventh, I perform a biopsy on ancient Pyt…

  • The Euclidean Division of the Canon: Greek and Latin Sources

    Open Access•Donatella Restani, André Barbera•ARTICLE•Notes•1993•Cited by: 3

  • The Consonant Eleventh and the Expansion of the Musical Tetractys: A Study of Ancient Pythagoreanism

    André Barbera•ARTICLE•Journal of Music Theory•1984•Cited by: 3

    The interval of the eleventh, that is, the octave plus fourth, stands at the crease between rationalism and empiricism in ancient musical treatises. For convenience, I refer to the interval as the eleventh, and to its neighbor as the twelfth, although most ancient and medieval treatises refer to these intervals, respectively, as the diapason plus diatessaron and diapason plus diapente. By extracting the eleventh, I perform a biopsy on ancient Pyt…

  • The Consonant Eleventh and the Expansion of the Musical Tetractys: A Study of Ancient Pythagoreanism

    André Barbera•ARTICLE•Journal of Music Theory•1984•Cited by: 3

    The interval of the eleventh, that is, the octave plus fourth, stands at the crease between rationalism and empiricism in ancient musical treatises. For convenience, I refer to the interval as the eleventh, and to its neighbor as the twelfth, although most ancient and medieval treatises refer to these intervals, respectively, as the diapason plus diatessaron and diapason plus diapente. By extracting the eleventh, I perform a biopsy on ancient Pyt…

  • The Harp and the Soul: Essays in Medieval Music. Nancy van Deusen

    André Barbera•ARTICLE•Speculum•1992

  • The Euclidean Division of the Canon: Greek and Latin Sources

    Open Access•Donatella Restani, André Barbera•ARTICLE•Notes•1993•Cited by: 3

  • Ancient Greek Music

    Open Access•André Barbera, Martin L West•ARTICLE•Notes•1994

  • Pythagoras

    André Barbera•CHAPTER•The new Grove dictionary of music…•2001

  • Metabolē

    André Barbera•CHAPTER•The new Grove dictionary of music…•2001

  • Drew, Kenny (jazz)

    André Barbera, Barry Kernfeld•CHAPTER•The new Grove dictionary of music…•2003

  • Levy, Lou(is Abraham)

    André Barbera, Barry Kernfeld•CHAPTER•The new Grove dictionary of music…•2003

  • Burns, Dave

    André Barbera•CHAPTER•The new Grove dictionary of music…•2003

Art (6 works) · History (3 works) · History (3 works) · Mathematics (3 works) · Art history (2 works) · Historical and Literary Studies (2 works) · Literature (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Philosophy (2 works)

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